2. "Youth Tour on the Ancient Road of Chang 'an Ma Yan" is the work of Liu Yong, a poet in the Northern Song Dynasty. This word is written about what I saw and thought on Chang 'an Road in late autumn. When I wrote it from autumn scenery, my sadness was beyond words. Xia Kun used the metaphor of "returning to the cloud" to write all the expected failures. The last three sentences ended in lamenting the author's failure. The whole poem is a highly generalized and true portrayal of the author's tragic life.
3. "Looking at the tide, winning in the southeast" is the work of Liu Yong, a poet in the Song Dynasty, which mainly describes the richness and beauty of Hangzhou. The first film describes the natural scenery and prosperity of Hangzhou, and the second film describes the West Lake, showing the peaceful and quiet life scene of Hangzhou people. The whole poem is well described, with a combination of points and surfaces and a cross between light and shade. Contrary to Liu Yong's consistent style, he has displayed the prosperity and magnificent scene of Hangzhou in a colorful way with the brushwork of opening wide and closing wide and ups and downs. This word is a masterpiece handed down from generation to generation by Liu Yong, and its slow tone corresponds to the ups and downs of the feelings expressed, with harmonious melody and euphemistic feelings.
4. Autumn in Gan Caozi is a poem by Liu Yong, a poet in the Northern Song Dynasty. This word was written in the boudoir. The protagonist of this poem is a woman. The lyrics first describe the loneliness and cold she felt when watching the rain by the pool in autumn dusk, and then implicitly express her feelings of missing by describing the "words of reading powder" of indoor parrots. The last movie focuses on chaos and cold: the rain is chaotic and the heart is chaotic, and the weather is cold and the heart is cold. It's like writing about the scenery, feeling in it. The word "single" stands out in the next sketch, and its loneliness is self-evident. Fortunately, I have no choice but to whisper to the parrot and get a short-term self-deception masturbation. Liu Yong is famous for being good at narration, and this little word is not bad.
5. "Set the storm, since spring comes, green is miserable and red is sad" is the work of Liu Yong, a poet in the Song Dynasty. The word "first person narrator" tells the inner pain in a homesick tone, and between the lines reveals the author's deep pity and regret for geisha. Shang que wrote about the thoughts of the woman who just got up, focusing on the scenery and describing the external performance of the characters; Xiaque expressed her thinking psychology about women, went deep into her ideal interest, and wrote her inner regret and yearning for a better life. The language of the whole poem is clear and simple, which directly expresses the life of a geisha's boudoir, breaking through the elegant style of the ci world at that time and becoming the representative work of "slang words" in Liu Ci.
6. He Jinbang is a word written by Liu Yong, a poet in the Northern Song Dynasty, in his early years. The first word describes the poet's frustration, dissatisfaction and arrogance after his last visit, and the second word describes the poet's life wandering inside and outside the romantic field. The whole poem shows the poet's personality of relying on talent, paying for things, being wild and uninhibited, and complaining and feeling about talent. This word is characterized by frankness, no hidden meaning, no hard feelings and simple language.
7. Late Autumn of Qi is one of the new songs written by Liu Yong. It has three paragraphs, 265,438+02 words long. It is the longest slow word in the Song Dynasty, second only to Wu Wenying's Birdsong Record (240 words) in the Southern Song Dynasty. This poem is in chronological order, from dusk, late at night to bright dawn, and gradually enters the distant view and close view of autumn, the poet's past life and old feelings, and the meditation and reverie left in the post office. The poetic context is changeable and complicated.
8. The Master of Huangyanyang Tianchun Garden is an object-chanting poem written by Liu Yong, a poet in the Song Dynasty. This word seems to praise things, but it is actually expressing feelings. In the last title, the spring scenery was described in a panoramic way with extremely simple pen and ink, and the charm of Yingying was written. In the next film, I still wrote Yingying's romantic and carefree situation, showing Liu Yong's conceit and self-confidence. The whole word is fresh, natural and implicit, which is unique in Liu Yong's ci.
9. Xue Mei to Xiao Jingsuo is a poem by Liu Yong, a poet in the Northern Song Dynasty. The first part, with the vast, hazy and cold atmosphere of Chu township in clear autumn, wrote the loneliness and melancholy of wandering in different places. The next one is about warmth, beauty and brevity, but it can't avoid the tragic ending of parting and disobedience. The whole word reflects each other, and * * * creates a beautiful artistic conception.
10 "Leading the way to the Red Dust and Purple Mo" is a poem by Liu Yong, a poet in the Northern Song Dynasty. The first film of this word is about the lyrical hero remembering the fairy in Fengcheng on his journey and writing the truth truthfully. The next film describes each other's lovesickness, but the imagination is actually written. Together, the upper and lower pieces are acacia. The whole story tells and expresses feelings. With the passage of time and the change of the scene, the feelings expressed are full and vivid.
Extended materials:
As the first great poet who comprehensively reformed Song Ci, Liu Yong had a great influence on later poets. Wang Zhuo said at the turn of the Northern and Southern Dynasties that "today's teenagers" and "nine times out of ten, if you don't learn from Liu Yiqing, you must learn from Cao Yuanchong"; He also said that Shen Tang, Li Jia, Zhou, Chao and Yong were "all in a beautiful sentence" and "originated from the Liu family". Even famous poets such as Su Shi, Huang Tingjian, Qin Guan and Zhou Bangyan benefited from Liu Yong.
Liu Ci has inspired Su Shi in the creation and application of Ci, the description of composition, the description of scenery, the combination of images and the development of themes. Therefore, Su Shi's ci works, on the one hand, strive to be unique beyond the "willow flavor"; On the other hand, it fully absorbed the expression and innovative spirit of Liu Ci, thus creating a generation of new words. Huang Tingjian's and Qin Guan's vulgar words come down in one continuous line with Liu Ci, and Qin Guan's elegant words are long-tuned, and the method of infection also comes from Liu Ci. The structure of Zhou Bangyan's slow ci is also born out of Liu ci.
Baidu Encyclopedia-Liu Yong