What do you mean, the white horse in the south of the Yangtze River is full of westerly winds and apricot blossoms and misty rain?

The white horse is sheltered by the west wind, and the apricot blossoms in the south of the Yangtze River are misty and rainy. It means that the walker rides a white horse and runs against the west wind, and the apricot blossoms in the water town of Jiangnan are misty and rainy.

I can't have one sword and one horse, I sing wildly. The white horse is blocked by the autumn wind, and the apricot flowers are misty and rainy in the south of the Yangtze River.

White horses gallop in traffic jams in the bleak autumn wind, apricot flowers bloom in spring, and the misty and rainy Jiangnan is picturesque. This poem depicts two poetic scenes, expressing the author's love for nature and longing for a happy life.

Source: This poem comes from Xu Beihong's self-titled couplet, which is a couplet.

Apricot flowers: apricot flowers in the south of the Yangtze River in spring are neither bright nor evil, neither clear nor cold, exquisite and pure. There is a blush in the whiteness, as if she were a shy and graceful Jiangnan woman.

Xu Beihong introduced

Xu Beihong, Han nationality, formerly known as Xu, is a native of Qiting Town, Yixing County, Jiangsu Province, a modern painter and art educator in China, and a member of Jingxing Society. 19 17, Xu Beihong was hired as the tutor of Peking University Painting Research Association, and the highest institution of higher learning has successively made Xu Beihong a master painter and Shen and Li Zhimin, masters of Peking University calligraphy history.

After 1949, he served as the president of the Central Academy of Fine Arts. He is good at figures, animals, flowers and birds and advocates realism. Traditionally, Ren Bonian was especially admired, emphasizing the integration of Chinese painting reform and western painting techniques, advocating light and modeling in painting, emphasizing the accurate grasp of the anatomical structure and bones of the object, and emphasizing the ideological connotation of the works. At that time, China had a great influence on the painting circle, and it was also called "Jinling Three Masters" with Zhang Shuqi and Liu Zigu.

Reference to the above content: Baidu Encyclopedia-Xu Beihong