Liu Yong's ci describes the feelings between men and women in the civic class, and the heroines in the ci are mostly unfortunate women who have fallen into brothels. Liu Yong's words not only show the bold and provocative love consciousness of secular women, but also write the painful feelings of civilian women being abandoned or lovelorn. In the history of ci poetry, Liu Yong reached out to the inner world of ordinary women for the first time to tell their anguish and resentment. It is for this reason that Liu Yong's ci has become popular and popular, making it a new development trend. ?
2. Describe city life and street view.
Liu Yong's ci shows the prosperous urban life and colorful street customs in the Northern Song Dynasty from many aspects. Having lived in a city for a long time, liuyong has rich experience in urban life. He painted the bustling scenes of Bianjing, Luoyang, Yizhou, Yangzhou, Huiji, Jinling and Hangzhou and the amusement scenes of the citizens with colored pens. These urban customs paintings showed the peaceful atmosphere of the society at that time as never before.
3. Describe detention services
After Liu Yong failed many times in the imperial examination, he had to run around to make a living in order to get an official position. Liu Yonggong's poems about traveling are based on his personal feelings of ups and downs in official travel and wandering in rivers and lakes all his life. There are more than 60 words in the Collection of Movements, which comprehensively shows Liu Yong's complex mentality such as pursuit, frustration, contradiction, depression, bitterness and frustration in his life. In this kind of writing, Liu Yong wrote his own whereabouts and expressed his feelings of parting and lovesickness in his wandering life. The background is far broader than the homesickness words written by poets in the Five Dynasties and the early Song Dynasty, and the artistic conception is more desolate and particularly touching.
Extended data:
Liu Yong worked hard to create slow ci, transplanted his fu method into ci, and at the same time made full use of vulgar language, which had a far-reaching influence on the development of Song ci with its unique artistic personality such as appropriate image, incisive description and plain line drawing.
Liu Yong also wrote many words praising the emperor and dignitaries, and also wrote some words expressing himself and lamenting his life's suffering. For example, his poem "Qijia" is the longest word in the movement collection. In his words, he reviewed his life, with many feelings between the lines, and sang the sad voice that unfortunate people were reduced to the end of the world, which was known as the legacy of Li Sao.