On Lin Daiyu's first day in the government, Grandmother Jia cried with her granddaughter in her arms and said, "I love your mother, too." Wang Xifeng, who is good at flattery, often praises Lin Daiyu as "like a grandniece" in many details of life, such as food, clothing, housing and transportation. Jia Mu is simply a hardcore luxury lover. Lin Daiyu's aesthetic style can be traced back to her inheritance. In other words, Jia Mu and Lin Daiyu have the same aesthetics. Therefore, when Jia Mu came to Lin Daiyu's residence, she was also in a happy mood.
"There are pens and inkstones on the case and books on the bookshelf," said Grandma Liu. "This must be someone's study." Grandmother Jia smiled and said to Daiyu, "This is my granddaughter's house." This "laughing finger" is old and arrogant. It is estimated that both Xue Baochai and Mrs. Wang are a little upset.
Rich and tasteful, like to collect elegant things and literary works. I have to mention Lin Daiyu's family background here. As the saying goes, it takes three generations to cultivate a generation of aristocrats, and Daiyu is a typical ancient aristocrat. Her father, Lin Ruhai, came from a family of flower hunters, and Cao Xueqin arranged for Lin Ruhai to be an official twice, which was very interesting. There is a "Dr. Lantai Temple" who is very elegant and is the curator of the National Library. The second is the "salt patrol ambassador" with copper smell. In the past, salt industry was monopolized by the state. The salt inspector is a supervisory official of the salt industry management department. This position has great power and is a fat job.
Rich, knowledgeable and tasteful. Therefore, Lin Daiyu is the first among the aesthetic coffees in A Dream of Red Mansions.
red
study
home
To talk about Lin Daiyu's home, what we can't skip is the classic passage of Jia Mu changing screens.
The old lady saw that Lin Daiyu's window screen was old, so she arranged for someone to paste it with silver-red soft smoke, saying that it was "the reflection of bamboo poles in Xiaoxiang Pavilion, which looked green and dense". This episode became the most memorable encounter in the whole Dream of Red Mansions.
Cuirun is a very bordered architectural atmosphere. Cuirun is not tacky, barren or rustic. It is also a single house, full of plants, full of green. Why are some yards farmhouses and some yards very advanced and fashionable?
On the one hand, it is the art of choosing vegetation. I believe that if you live in a big city, you can also feel that in the shopping malls of LV and Chanel, plants are 10,000 times more exotic than ordinary small shopping malls. The more advanced the hotel, the more artistic the floral art is. When Daiyu and Baoyu discussed which yard to live in, they said with a smile, "I think Xiaoxiang Pavilion is good in my heart. I love those bamboo poles, reflecting an arc-shaped pillar, which is quieter than other places. "
Previously, Cao Xueqin used Jia Zheng and others to describe Xiaoxiang Pavilion as "a flour wall, several rows of bamboo buildings and thousands of bamboo poles", with a large number of elegant bamboos, while the back garden of Xiaoxiang Pavilion has large pear blossoms and broad-leaved plantains.
Look at the 87 series, even the cotton fabrics in the room follow the collocation of pink and pink green, high! Really high! (Please ignore the missing details of slag pixels and the film conversion number in the screenshot. )
It should be noted that Lin Daiyu lives in a single-family Bie Ye, so people can own a bamboo forest. If there is no front yard, it is best not to grow bamboo indoors. In the sense of geomantic omen, bamboo is a "scattered" plant, which is easy to rock the boat. In addition, the grain of bamboo is too broken, which makes people upset at home. I don't like plants like sunflowers very much, which is easy to subdivide the space.
Family property/wealth
The courtyard of Xiaoxiang Pavilion is quite big, but the back is just enough to live in. All right, it avoids the taboo of "the room is too big to press people" in Feng Shui.
The furniture in Xiaoxiang Pavilion described in Chapter 17 is "several tables on the bed." It can be seen that Xiaoxiang Pavilion is not a large apartment, but is actually more suitable for Lin Daiyu, a frail body. Designers choose the integrated combination of indoor furnishings according to local conditions, which is the inspiration of modular furniture in later generations.
Moreover, Daiyu has a large collection of books, pens and ornaments. Designing combined furniture according to the size of indoor space can make full use of indoor space. You see, the ancients have been doing storage and sorting.
Lin Daiyu's home flavor also has a unique skill, that is, the aesthetic spirit of "one phase for a while", which was bored by countless young artists before. However, if the middle-level artists want to fly to Kyoto to enjoy cherry blossoms, Sister Lin can just move to her own yard. Grasp the beauty of each season and talk to nature, which is the realm that spiritual aristocrats (idle and disorderly) deserve. Most of us just go to work and get off work, so we feel that it is three generations of abundance to raise a real aristocrat.
Lin Daiyu
Life aesthetics
It takes more love and courage to understand the disappearance of beauty than to welcome flowers. "Flowers fade all over the sky. Who has pity when the fragrance dies? " This is Daiyu's life aesthetics.
I personally appreciate Lin Daiyu's home flavor.
Among the other courtyards in Grand View Garden, Hongyi Courtyard is the most elegant and gorgeous, which should be of European classical style; Xue Baochai's minimalist snow cave is a cold wind in northern Europe; Lin Daiyu's Xiaoxiang Pavilion is noble and refined. If it has to be a style, it should be neoclassicism.
What do you think, ladies and gentlemen?