Lu Suzhen asked for help from her adoptive father Gu Dingchen. Considering his identity, Gu wrote a poem to the county magistrate, suggesting that he would release Lin. The county magistrate still obeyed the Mao family's orders and committed the death penalty for forestry. Gu helplessly redressed his grievances to the emperor with his own hand. When Lin Ziwen was being executed, Gu Dingchen went to the execution ground to rescue him, but the Kunshan magistrate refused to show mercy. At the critical moment, the emperor ordered Lin Ziwen to be declared innocent, and he was released immediately, and the couple reunited. The play is based on real events that happened in Jiangnan during the Ming Dynasty. From the 1920s to the 1940s, operas such as Wenming Opera and Shenqu incorporated Pingtan and various librettos and performed them one after another in the form of act tables. It was processed and organized by Iwami in 1954. Director Jin Lin, composer Yang Buqing, and stage designer Zhang Jian'an. The main actors are Shi Chunxuan, Wang Xiuying, Zhao Yunming, Cai Zhifang, Bu Wenying, Ding Guobin, Zhu Yinfeng, Zhao Yunsheng, etc. In September of that year, it was performed by the Yangtze River and Shanghai Opera Troupe at the Central Grand Theater. The plot of the play is tortuous and full of local flavor and human touch. Among them, "Ge Lao You Chun" and "Hua Ting Commentary" are more distinctive. Gu Dingchen, played by Shi Chunxuan, has created an image of a kind, funny and educated old prime minister, which is one of the troupe's repertoire. Also known as "Yang Naiwu" and "The Strange Case of Yuhang". Plot summary: Liu Zihe, the son of Liu Xitong, the magistrate of Yuhang County, took advantage of his power to rape Bi Xiugu, a civilian woman known as "little cabbage" because of her beauty, and took advantage of her husband Ge Xiaoda's illness to poison her and murder her, in order to dominate the Bi family for a long time. After the incident, the Liu family and his son conspired with their master Qian to deceive Bi and put the blame on Yang Naiwu, who had been in love with Bi. Although Yang protested, he surrendered under torture. All the squires were dissatisfied and jointly filed a petition. The governor of Zhejiang accepted bribes and made an unjust decision. Yang's sister Shuying was imprisoned and obtained a written complaint written by Naiwu. She risked her own life and went to Beijing to complain on a nail board. Coinciding with the internal strife in the officialdom, the Qing court ordered the Ministry of Punishment to retrial. Bi was deceived and refused to tell the truth, so the Ministry of Punishment set up a secret room for Yang and Bi to meet before they were executed. They eavesdropped and made the two men express their feelings to each other. Only then did the case come to light and the injustice of three years in prison was vindicated. In the 16th year of the Republic of China (1927), the Shi Jia Troupe changed the Wenming Opera into a scripted opera with scenes and scenes. It premiered in Hongkou New Market, with Shi Chunxuan playing Yang Naiwu. In October 1950, Zhongyi Shanghai Opera Troupe based on Yan Xueting's Tanci, adapted it by Zhao Yanshi, Zhang Zhixing, and Zhang Xingzhi, directed by Mo Kai, starring Shao Binsun, Shi Xiaoying, and Xiao Aiqin, and premiered at the Central Grand Theater. In September 1956, the Shanghai People's Shanghai Opera Troupe re-adapted it based on the "Chinese Art" version, with screenwriters Shuren, Zong Hua, and Xing Zhi, directors Mo Kai, Shao Binsun, and Yang Guanfu, composers Ma Junzhi and Wan Zhiqing, and stage design Jiang Yunfeng. Starring Shao Binsun, Shi Xiaoying, Xiao Aiqin. The "Renhu" version was published by Shanghai Culture Publishing House in 1957 and included in "National Collection of Local Operas·Shanghai Volume" in 1966. In 1988 and 1991, Shanghai Theater Company brought this play to Hong Kong for performances, starring Mao Shanyu, Xu Jun, Sun Xuchun and others. In 1956, this play was performed by the Shanghai Opera Troupe, written by Wang Feng, and the plot did not involve any plot of officialdom. The play was later adapted and performed by the Beijing Opera Troupe, starring Wei Xikui, and made into an opera art film. In 1957, the Qinyi Shanghai Opera Troupe also performed this play, adapting it as "The Golden Man" and directed by Shang Zhou. Plot summary: In Peiping under the rule of the Beiyang warlords in the early Republic of China, young student Fan Jiashu came to the north to study. On the bridge, he met the performers Guan Shoufeng, Guan Xiu's uncle and daughter, and the drum singing girl Shen Fengxi. Fan did not want to date the socialite He Lina introduced by his cousin, but fell in love with Shen Fengxi and helped her get rid of her singing career. Fan and Shen Zhilian were cousins ??Tao Bo and Xi, and wrote to Fan's mother. Fan's mother used serious illness as an excuse to urge Fan Nan to return. Fan and Shen said goodbye at the train station, but were seen by the warlord General Liu, who forced Shen to go to Liu's house on the pretext of inviting a singing hall. Shen was reduced to a concubine under General Liu's lustful power. One month later, Fan returned to Pingping, and was helped by Guan Xiugu, who entered the General's Mansion as a maid and secretly protected Feng Xi. Fan and Shen met at the Xiannong Altar. Fan refused to accept the large sum of money and angrily accused Shen Zhi of being unjust. Shen returned the love ornaments in shame and left in tears. General Liu found out about the meeting between Fan and Shen. In a rage, he whipped Feng Xi. Feng Xi was so stimulated that he immediately lost his mind. General Liu saw Guan Xiugu's beauty again and wanted to possess her. Guan Xiugu used a trick to trick General Liu into going to Xishan to get married, and she and Guan Shoufeng stabbed Liu to death. Originally adapted by Song Zhangqing based on Zhang Henshui's novel of the same name, it was first performed at the Zhongnan Theater on May 21, 1930, by the "Fuying Society" composed by Shi Genfu and Shi Xiaoying.
Later, the Chinese Art Troupe composed of Shi Xiaoying, Wei Mingqi, Shao Binsun, and Xiao Aiqin re-performed the performance at the Oriental Theater in the 37th year of the Republic of China. The Wenbin Theater Company led by Xiao Wenbin also performed in the Great China Theater with Fan Qingfeng on January 1, 2011. In the 1930s and 1940s, it was often performed in cities and towns in Jiangsu, Zhejiang, and Shanghai for various troupe groups. It was one of the more influential plays during the Shenqu period. In 1961, it was adapted into a script by He Jun and premiered by the Yangtze River and Shanghai Opera Troupe. In 1969, He Jun reorganized it and performed it by Xu Huihu Opera Troupe. In 1985, He Jun organized it again and performed it by the Shanghai Theater Troupe. The roles of Shen Fengxi and He Lina were played by Ma Lili alone, Lu Jingye played Fan Jiashu, and Han Yumin played Shen's mother. He Jun revised the novel several times without the "prick Liu" ending. There are "big nunnery" and "small nunnery". "Da'an Tang" is a complete play, and "Small Antang" is a subsection of "Helping the Bridge" and "An Hui". It is one of the traditional repertoires of the Tanhuang period of Shanghai Opera. Plot summary: Jin Xiuying, the daughter of Jin Xuewen, a wealthy man, was betrothed to Chen Zaiting, a wealthy family member from her hometown, when she was young. Later, Chen's family fell into trouble, and Jin's father tried to break the marriage. Xiuying learned that Chen lived in the Spiritual Temple and went out to visit him privately. On the way, she happened to meet Zaiting. The two had not known each other for 9 years. Xiuying was afraid of crossing the wooden bridge, so she had no choice but to ask Zaiting to help the bridge and lead the way to the temple. After Xiuying interrogated him, he found out the whole story and made an appointment to give him money at the Jinjia Garden on the Dragon Boat Festival to help him rush for the exam. Unexpectedly, Jin's father found out about the incident and tortured his maid Hongyun. Hongyun deliberately set the date on the banks of the Longzhou River. On that day, Jin's father and Jin's mother went to the riverside to check. After waiting for a long time, they saw no sign of them. When they returned home in a hurry, they found Zaiting and Xiuying, forcing Zaiting to write a letter of divorce. With the help of Jin's mother, Zaiting and Xiuying escaped from the Jin family and finally got married. In 1953, the Yihua Hu Opera Troupe was organized and performed at the Shin Kong Theater by Wang Pansheng, Wang Yaqin, Xiao Wenbin, Xiao Xiao Yuezhen and others. In 1954, Shanghai People's Shanghai Opera Troupe transplanted and staged the tin opera "Xiao An Tang", directed by Lan Liu. Starring Ding Shi'e and Xie Hongyuan, Wen Mu adapted it into five major plays in 1956, with directors Lan Liu and Shi Xiaoying, composers He Shubai and Fan Peilan, and stage design Wei Zheng. Starring Ding Shi'e, Shi Xiaoying, Shen Xiamin, Yu Lintong and others. It premiered at the Sunbeam Theater on June 21, 1956. The Yihua Hu Opera Troupe also rehearses based on this book. Director Lan Liu went to Beijing and Tianjin to perform in 1956. In 1961, Wenmu processed it again. Directed by Ge Naiqing and Wang Xingren, starring Xiao Aiqin, Shen Renwei, Shao Binsun, Shi Xiaoying, Xiao Huiqin and Xu Guohua. In April and September 1988 and in April 1991, the Shanghai Theater Company performed the play in Hong Kong three times. Director Wang Xingren, starring Mao Shanyu, Lu Xianli, Xu Jun, Sun Xuchun, etc.