It's like writing a women's book, but when we draw, every two or three strokes can't have the same radian or symmetry, and the gaps can't be close or similar, and the size and density should change. When we draw branches, we cross the word "people". In fact, the "female" cross is an extension of the "human" cross. The "female" cross is more vivid and rhythmic than the "human" cross, and like the herringbone cross, it is an infinitely extending and flowing line structure.
When drawing vines, although we follow the female characters horizontally, it is not static. We can combine it with the herringbone cross, so that the vines drawn are varied, rhythmic, chaotic and orderly, so that the picture will not be too rigid.