Detailed explanation of architectural feng shui taboo
Detailed explanation of feng shui taboo in building units 1. A long square house that is long from north to south and narrow from east to west.
The ancients thought that the house pattern with long north and south, narrow east and west, long and narrow shape and square overall was better. If you live in it, you will have rich children. There is a poem that can prove this point: If you look up to the rich, Shu Ren will hardly be poor. Children and grandchildren are appointed to official positions, showing that the family is * * * nine Qing.
Explain in detail the taboo of geomantic omen in architecture. 2. Sitting in a house facing south, with short left and long right.
Sitting in a house with a long left and a short right is very prosperous, which is especially conducive to the accumulation of wealth. There is also a poem to prove it: the house is short on the left, the house is long on the right, and the gentleman is rich. The money warehouse at home is full, just because of the children's lang.
Explain in detail the taboo of geomantic omen in architecture. 3. There is a lack of houses in the southeast.
There are vacant rooms in the southeast, which are obviously smaller than other houses. Not only the family fortune is healthy, but also the livestock and poultry are prosperous. Feng Shui says that Tatsumi is empty and prosperous at home. Anzhuang houses are good year after year, and pigs, sheep and livestock are prosperous.
Explain in detail the taboo of geomantic omen in architecture. 4. A house with a short southwest and tidy rear.
As long as the back of the house is clean and tidy, Feng Shui is still very good, children and grandchildren are virtuous and filial, and wealth is also good. In this regard, feng shui is discussed like this: the house is short on the right and long on the left, and the weather is auspicious. Neat Fiona Fang will eventually make a profit, and Shu Ren will become virtuous.
Explain in detail the taboo of geomantic omen in architecture. Although the back of the house is lacking, there is a square house missing.
Different from the modern view that there is no corner, the ancients thought that even if there is no corner behind the house, as long as the shape of the corner-missing part is still neat and square, it is not grotesque and belongs to Geely's yangzhai. Future generations can still live and work in peace and contentment. The poem says: it looks safe, and the back clip is slightly wider than the front. It seems that the house is finally lucky, and the offspring are well developed and full of silkworms.
Explain in detail the taboo of geomantic omen in architecture. 6. Houses built on vacant homesteads in Northeast China are beneficial to wealth.
Due to various conditions, the shape of the homestead is inevitably not square. Houses built on vacant homesteads in Northeast China are beneficial to the owners to make a fortune. Poetry says: The Duke of Zhou was interested in this house in the past, and the ugly yin gathered wealth in vain. The family is rich and conservative. How can you know if you don't meet a fairy?
Explain in detail the seven taboos of geomantic omen in architectural types. A house with a narrow front and a wide back.
A house with a narrow front and a wide back gives people a very stable feeling. Residents are safe and rich, their children and grandchildren are developed, and their wealth is prosperous. Feng Shui poem says: Narrow in the front and wide in the back, stable in living, safe and prosperous for children and grandchildren. Many people have wealth, butyl, treasures, gold pearls and Man Ku Gate. In sharp contrast, a house with a wide front and a narrow back is unlucky.
Explain in detail the taboo of geomantic omen in architectural types. A comfortable house surrounded by flat land.
A place with good feng shui will make people feel very comfortable. The surrounding environment of the house is elegant, and the land is flat, which makes people willing to approach and stay for a long time, which is not only beneficial to the population, but also to wealth. There is a poem that can prove this point: Fiona Fang is a residential building with flat sides, so it is good to build an enterprise here. No matter what the feathers of the palace merchants are, the rich are rich.
The bathroom is the source of pollution at home. If it happens to be located in the center of the house, it is not conducive to all aspects of the household's fortune, so just avoid it. So, that's all for explaining the taboo of architectural geomantic omen. Is there anything unclear? I hope it will help everyone.