Eight Chapters of Yongzhou is a landscape sketch, but it is by no means a pure landscape description. Some of them do something, feel something and think something, so they can become classics. The brushwork is concentrated, the words are concise and the landscape is small. For example, a painter makes a fan, which he can play with, but he connects them together and becomes eight screens. As a landscape picture, the painter has the overall situation and the picture has its own theme. All eight notes have this feature. Swimming in this mountain and this water is not tiring. Reading this article also has this meaning. Yongzhou Balu, with a quiet artistic conception, is the most suitable for summer vacation.
Eight records of Yongzhou are actually nine records. Volume 29 of The Complete Works of Liu Hedong records this landscape. There is a note under "Xi Ji You Huang": "Remember the nine capitals and the victory of Yongzhou landscape." This article is about the overall situation, a record of geomantic omen and a guide map, which is different from the detailed explanation of scenic spots and thin line portraits behind. Perhaps it is for this reason that it was abandoned by future generations. Ganzhou has eight scenic spots, which is known as the birthplace of China's eight scenic spots culture, but Yongzhou has eight scenic spots, so it's hard to say who happens to be eight.
But a good place in the world is rendered and publicized by good words, which makes everyone run around and look around. Some people make plans, others develop, and it's over. Good things in the world can't be seen, sigh. Hundreds of years after Liu left, Xu Xiake came here and wrote: "... across the west bank of Wangjiang, the rocks are very magical. Among them, there is a stream from the west. When Liang Shi crosses it, his heart will be different. He eagerly looked for porridge for dinner. He walked north along the city. There is a pontoon bridge in the west, but on the west bank of the pontoon bridge, different rocks hiss and attract demons, and he holds the earth [Q? Yuxi Bridge is the one that crosses the stone on the south bank of the pontoon bridge. The cobalt pool is half a mile to the west, and the stream embedded by the roadside is ... The stream comes from the south, turns to the east of the cave, turns to its stone potential, Yusen, but it is also a curved ear, so it doesn't matter. The stone is engraved with three Chinese characters' Cobalt Tantan', which is very old, and there are poems beside it, which are unreadable. From this, we can see that the so-called hills and small stone ponds are all ignorant. As a matter of fact, water originates from Wuyushan Mountain in the south of Yongzhou, and it has two names: "Ran" and "Ran" (one is based on the surname, the other is based on the color, the original note), while Liu Zihou easily calls it "stupid". The article says that people who want a small hill will soon become today's teahouse. Those who are looking for the western hills know nothing. ..... There are also olfactory bulbs, tea temples, a willow cliff, and many old poems, all of which refer to this mountain as the Western Hills. In the meantime, I found a way to climb the mountain in the northwest, but the cliff was barren and I couldn't find the way ... "The Travels of Xu Xiake, Volume 2, Diary of a Chuyou, March 10".
Xu Xiake pays attention to demonstration. He has seen it at the scene and recorded everything he heard. This is first-hand information. It's interesting to read Liu Xu's notes together. It turns out that the so-called cobalt lake is nothing more than "winding ears in the stream" and the western hills are far away. Yuxi changed its name by itself ... these are solid in space, but for hundreds of years, the scenery has faded and faded, and people have never heard of it. The scenery is what you pay attention to when you are full. There is a story that someone went to the seaside for a holiday. The host said that the food in the garden was good and worth seeing. I think that after Liu Zongyuan leaves office, the people in Yongzhou may be relieved. From then on, mountains are still mountains, and water is still water. Only in the eyes of the world, the scenery is no longer the same thing.
There are too many research results about Liu Zongyuan's achievements in landscape painting. Besides Yongzhou, there are also Liuzhou landscapes and other landscapes. Zi Hou wrote a landscape article, also expressing his feelings through the landscape, worrying about the country and the people in the affair, so the article should find another way. In his works, there is a kind of beauty and coldness, which always makes people feel depressed and lonely in the emptiness of Gao Shuang. Xu Xiake's story of Yongzhou, to be honest, has different horizons and different time, which broke the tranquility of Yongzhou. Science has shattered the myth, even if it is a beautiful myth, the environment is created by the mind, and what you see may not be the truth. Liu Wen writes about gods, while Xu Wen writes about shapes. They have different experiences, different intentions and different interests, but they are all first-class. Xiong Shanchuan and Xu Xiake have seen too much. This thing is too obscene. However, his official career, sinister official career and understanding of China's cultural spirit are not as good as Liu Zongyuan's.
The same Yongzhou, different notes, read together, let Xu Xiake's cold water make Liu Zongyuan's Yongzhou more peaceful.
2003。 10。 20 write it down