The story of the painting is still going on, and there are famous representatives, which vary because of the different quality. Throughout his life, Kao Jue led many scholars, all of whom made paintings, scattered in the forest of art. Six laws and six lengths, quite a brief introduction. However, people are not people, painting is difficult, teachers are eager to learn, and so far nothing has been achieved. Tell me what you see, make an article and talk about it briefly. As soon as my husband knows (most of the paintings are circulated in the garden, and most of them are elegant, and the chest is really conclusive).
The weather of mountains and rivers, with muddy as the Sect, forest and mountains as the intersection, and Qing as the law (painters pay most attention to composition. Clear two languages, complete paragraphs, the first two are done). The situation is humble, the balance is small and big, the scenery is far and near, and the dose is deep. It's easy to write on the other side of the mountain, but difficult to do on the front; The waist and feet of the mountain are easy to change, but the peak is difficult to stand. The main mountain is straight and the guest mountain is low, and the side of the main mountain is far away. The mountains arched and the main mountain began to respect; The thickness of the ancestral peaks is like the crisscross of peaks. Rock and soil overlap to increase its height; Branches are joined together to make them wider. As soon as the release was resumed, the mountain gradually opened and the situation turned; Together, the mountains are moving and growing (ups and downs, including the use of vertical and horizontal methods). The back is invisible, and its peak potential is on the side; You can't peek at that gloomy cliff, and you can't see it. It's like hiding a house. The mountain is divided into two foothills, half silent and half noisy; The cliff stands out, but it is hidden. Close to the mound inheritance, there is mutual respect; The distant mountains are low and high, and there is an alien image of the subject and object. Near peak, far peak, shape should not attack each other. Scholars should not let go of the key points of this chapter.
Dangerous rock cutting, all relying on distant caves; Huge mountains are wide, and the peaks are also inserted. As soon as you touch the mountain, the spirit in your belly turns; There are peaks and mountains, and the trees and stones on the ridge are colorful. Several paths are connected, either hidden or explicit; The peaks face each other, either broken or connected. Feng Yao corrects his desire and looks up empty; The sand lingers in the same direction, inclines downward and becomes thinner. The mountain is cloudy from the fault, and the water outlet comes out at the corner of the mountain. The connection of mountains, according to the diameter of their water; The reach of the waterway depends on its mountain shape (the waterway is where the blood of the mountain flows, and the waterway is unclear, and the whole width will be blocked. People who should be deliberately studied). Different terrain is dangerous; Horizontal sand painting, not allowed to tilt. Near the mountain, every stone is on the edge of the village; Away from the sand, you can see the mountainside at the top of the mountain. There is a house in the tree and a mountain behind it. When the mountains are heavy; There is sand beside the stone, water beside the sand, and water loves emptiness. Plain school, land and water are different.
In the rivers and lakes, the deer pavilion on the sandy shore, the geese flying in the sails, the oars on the brake poles and the tired fishing grounds are the reflection belts; The countryside is paved with hedgerows in Tian Li, Liu Di in Zhu Zhu, Banqiao in Maodian and the ferry in Xu Yan (the plain in the picture is the hardest to do. This is divided into rivers and lakes, villages, rainy scenes and night scenes. This is the painting method. Zhao Danian is the originator of the scenery in Shan Ye, while Jiangyan Zhugong is the best in the river view. Look at this embellishment.
Yamamoto quietly, but the current moves; Stones are stubborn, but trees are alive. The soil has no shape, and the size of the stone contributes to its shape; A stone has no complete horns, but its horns are hidden around it. The soil contains stones, but the judgment should be light, and stones should be based on stones. Painting mountains, rivers and stones is different from ordinary painting. You have to muddy the soil and stones. Although extremely dangerous, natural location, but qualified). The stone stands upright, but it strikes obliquely; The front of ping is flat, but the side is reverse. Sandwiched in the middle of the mountain, stones are teeth; The base is flat and the stone is knee-high. The ridge is dominated by stones, and trees on the mountainside cover it. Mountain solid, empty and misty; The mountain is empty, but it is actually a pavilion. If the mountain shape wants to turn, it will be reversed; The shadows think high and low, and the rest shrug. The mountain is steep, not two wings; The bushes are tall and short, so they seldom stand shoulder to shoulder. The cliff is steep and the area is looking forward to it; Branches cling to each other, and several plants fight against each other. Cliff spring falls, the scenery has fallen, and it passes by suddenly; If you fly alone, you will fall, but still write. Trees line up to guard the gorge, and stones lie down to block the gap. There is a mountain outside the mountain, although it is broken and continuous; There is a tree outside the tree, which seems to be not connected (this passage is looming and intermittent, like the writer's Longmen narrative method, there is no way to change it).
In the cottage, elms and willows are lush and pine trees are gloomy and rugged. The trees between the slopes are sparse and the branches on the stones wither. Dwarf trees are uneven, avoid a row; Dense forests and dense forests, especially like to make friends with Ke. The dense leaves occasionally wither and add meals; New dryness or original erosion, you will see more pale faces. Branches and leaves are intricate and life is suffocating; The leaves are attached to the branches, inclined and straight, trying to push them out. When rice withers or leaves early or late, relaxation and buckling are mostly caused by old age and naivety. A book interspersed with shadows is like a forest; A forest depends on it, and so does it. The standard is square and the situation is thorough; Between the leaves and the flowers, the shadows are so clear. If it is transparent, it will be long, if it is leaked, it will be fat and thin (painting trees accounts for half, and all kinds of paintings are abnormal, but they are vivid to nature. It's hard to be reasonable if you don't wait and see. This paragraph of shampoo, the song is very mysterious. One book and one forest, the method of revealing, and the secret of painting trees are not handed down by predecessors. Today, it was sent by Mr. Jiang Shang, and people can't finish playing.
The smoke is as dry as a shadow, and the branches under the moon are colorless. The rain leaves are dark and the wind branches are swaying. The skin of wood bark is as healthy as life, and the roots should be firmly rooted. The spring is bright and the summer trees are shady. Frost leaves have zero branches, and cold branches are trivial. The table stands upright and the shadows line up with each other. The secluded rock is ancient and looks strange. Sparse patches of innocence. The mountains are empty, and the trees are numerous and sparse. When the sand meets, the tree is deep; The narrow road runs obliquely, far from the forest. Sand is like drifting, water potential is divided and Luocun potential is restored; If a tree is connected to a fence, it will enclose the mountain and line it up. Water is swinging by the sand, and I occasionally borrow stones to prevent it; There are clouds in the peak and shadows in the tree (at the turn of the sand, there is a way to build a tree, but stupidity wins. The barren forest and narrow road, the wonders of the Southern Song Dynasty). The foothills of the forest are strewn at random, and the road is hidden in the roots of the mountain; The valley is deep, and the earth is deep in the trees. Dense trees stand by the mountain, with bare roots, which can make the earth and stone bright; Trees are embedded near the mountain, and the slopes move slightly, making the branches different. There is no root, because the mountain is empty; The peaks are not connected, and the trees are shaded. The peak edge is solitary, and the grass tree is a feather; The foot of the slope is flat and inclined, embedded with stones. Trees divide roots skillfully, that is, several trees leave the ground; Shi Re is good at being a workhorse. Although he is a hundred miles away, he is Jing Shu.
Looking at the stone on three sides, there are different shapes such as the wrong knife in Guiduan, the jade ruler and silver bottle, the incense table and the pier, the insect and fish build by laying bricks or stones, the pot cover, the squatting beast, the clam snail and the bird cover Xi Shou, and so on, so we must leave the image and seek; The trees are divided into individual pieces, including scattered butterflies gathering bees, gathering snakes gathering crows, cutting feather swallows, beading with ice, bamboo forming brown balls, hanging curtains knotting ears, drifting wisps and gathering needles, all made by your camera. Its beauty lies in pen and ink). The stone has a fresh peeling color, and the soil has the capacity of cream. The power of trees is clear, and Shui Rou is beautiful. The foot drags the sand and turns, and the back hides the tree, and the environment is deep. The source of the waterfall is long and the foot of the rock is stable. The original paper is returned, empty; Clouds shrugged and repaired each other, and the situation was calm. The mountains are far away, but the water is not close to the feet; The village is far away, and the trees are not so towering. Shallow mountains are not waterfalls, and big trees are not mountains. The sand potential should not be reached first, and then the peak should be determined; Don't be a distant villa first, and then add Xu Tian when the mountains are empty. Hanging a flat rockfill is a mountain; Pay the sand on the low shore, and then become Jinpu. The wrasse is like waves and stones. Many waters converge into a pool, and two cliffs are forced into waterfalls. Wide by the stone pier, dangerous by the rock ladder. There is no wind, the stream is flat, and the stone is rushing. Folding is like boiling, surging is like waves, which is embarrassing. The distance of sending traffic is intermittent; Whether there are ripples or not is different from beginning to end. When the water rises, there is no sand bank, hookah floats, and the rivers and lakes are half lost. The trip to Pingbo was full of pen power and turbulent wrist rotation. The waves are rushing and the pens are numerous, and the waves are high. The mountain is separated by two cliffs, and the trees are inclined. The water is on both sides of the river, and the bridge twists and turns. There are different painting methods in Jianghu. There is nothing to say about playing this method without taking advantage of the situation, but the magic of writing is brought into full play.
Layout depends on layout, and the meaning lies in rules. Unified in an unrelated structure, the courtroom is accurately opened and closed. Small mountains and rivers should be wide, and hills and valleys matter. Up and down, hidden mountains; Around the picture, spit rock trees. One vertical and one horizontal, you will shoot a mountain-shaped tree shadow; If there are knots and scattered, we must know that the situation is open (the painting method cannot be separated from the word "vertical and horizontal convergence and dispersion", and the so-called yin and yang is called Tao). Being smart, all kinds of obstacles, making do; The circle lost its chance because of the use of flash and positive potential. In the eyes of Jing, you should use urgent pursuit; The pen base is poor, so we need to learn Zen and metaphysics from other sources. People who know the solution will meet it at dusk. Occasionally there are natural, artificial or damaged; What's good here is good, and what's good in another place is not good. Clear road management, from low to near, from high; The preparation of scenery, from simple to prepare for a rainy day. If you are small, you will become a giant, and your heart will be quiet; Less than more, shine at the moment. If you have mountains in your eyes, you can grow trees; If you have water in your head, you can build mountains (mountains in your eyes), that is, you have answers. Nowadays, people are painting, but they have no idea in their hearts. They fill bricks with letters and pens and make pictures, indifferent. See this side to understand the painting).
Make a mountain road first, and the water will come from the predetermined source. Choose water to cross the bridge, take the environment and set the road. Divided into five lines to distinguish the body, the peak potential is isomorphic, and they are familiar with geography; Like ordinary classes with special abilities, they have the same scenery and know nothing about their material feelings. The tree has no exterior and interior, and it doesn't know the invisible side; There are few yin and yang in the mountains, so I don't know the secret. Water guide is late, so it is difficult to run; Trees take root early and cannot be transformed. If the waterfall falls on the same eaves, it is heartless; Stones are like adobe, with almost no bones at the edges. The slope is broad and the stone is huge, and the mountain is like a repair; The road is straight, the sand is thick, and the distance is still close at hand (pay attention to the hills and gullies, and only put them firmly at the entrance of the path. The reason for hills and gullies is half thinking. This is about the defects in the painting. If you didn't realize it carefully, you would have done the same thing. I hate the shape of the barrel case, and the mountain hates the shape of the melon ridge. The land is thin and the cliffs are dangerous, and the peaks are high and the trees are strong. Near the mountain level, suffering from its wall; Row trees away from the village and don't cross the fence.
Trees are quite natural, and woody plants are different from herbs. If you are oily, you will be colored by trees. If you grow branches, don't cut them. The mountains are beautiful and the trees should not be sparse; The island is lonely and the houses should be mixed. There is not much to do in a foreign land, but Pu Tian only plays. The palace is gloomy and majestic, and the temple is clear and steep. The house in the garden pavilion is quiet and open, and the house in the hotel is open. Fishermen are desolate and desolate, and their homes are simple and wild. The mountain gate is secluded and the village is densely covered with smoke. Lossless transformation of boundary painting works; Freehand brushwork is great, and the vertical and horizontal are also quite good (house painting, different families have different constitutions. About the pen image).
The quality of people's houses does not damage elegance, and the sand grass drama is not lost to the cold of literature and snow, so it is important to rest; Clouds and lights are unreal, so don't tick. Haze marks of rain scenes should be avoided. Fenglin is crazy. The mist is faint and the scenery is not staggered; Autumn is cloudy and spring is foggy, and the climate is difficult to contact. The predecessors painted after the topic, and when they didn't, they first expressed their meaning; Nowadays, people have no topic in painting, just talk about the topic and seek meaning. The imperial city in the cloud, the mountain dragon plate, the tiger; Spring trees are in the rain, and the house is the second brightest. Immortal Brahma, with its dragon sand; Caotang is suitable for its geomantic omen. The mountain gate is wide and clear, and the pines are lined up; The water pavilion is secluded and strange, and the rattan and bamboo are sparse. The flat sand is misty, and the vast reeds are hidden; The village water disappears, reflecting the solar calendar chaos. The forest belt is full of spring sound, and the stone is negative and the bamboo is oblique. The grass is fragrant and fragrant, and the riverside is quiet. The tide falls and the sand turns, sparkling; Cold rocks come out of mountains, and trees shadow thousands of miles. Love the scenery, it's worth sending to Shan Lan later. The lingering fog is still comfortable, and the soft clouds are broken. Go on. Dangerous peaks block the sun, and chaos rushes to the river. The sky is empty and the mountain is broken. Snow stays on the green shore and smoke is far away. The sunset in Sichuan is long, and the clouds in Ye Ping are vast. Thousands of miles away, high standards are inserted into the Han; Count between waves, away from the sky. Hide in the mountains and stand on one side of the mountain peak. Two cliffs, boats on the river; A dangerous building, under a rock waterfall. The lonely pavilion is shaded by a hedge. Deep apes can't stay in the stream, and birds with steep walls dare not fly. The waves beat against the angry stones, and the trees embraced the flying beams. There are thousands of peaks of snow on the river, and the islands in the sea are floating around. Lin Xiawei Hao, gloomy caves and valleys. The sound of rain gradually sinks into dusk, and the night is divided into morning light. Sow autumn colors in Linping and collect Xia Yun in deep caves. The moon reflects the elegance of the garden, and the wind gives birth to the floating of wild houses. Clouds hold the Woods sparse, and the wind sails to the shore. The pruning hook hides in a secluded stream, and the long pine is thinner than the cliff. Near heron, colorful; Changchuan goose degree, heavy video. The water house turned over and the sand embankment bridge was broken. Floating in Pukou, the tree catches the golden gate. Stone houses hang wood, and Songtang opens on the waterfront. Spring pheasant winding path, wild shinohara lingering fence. It's cold and sparse, and the mountain windows are chaotic. Chai Men is always closed and the window is bolted. The woodcutter is paid at a dangerous peak, and the fisherman is crossing the boat. Linjin Liu stopped to take a detour and took the ancient road. Guests stay in restaurants and pedestrians enter Guancheng at dusk. A towel stick was placed on the river beam and prepared by Brown on the plank road. Jia stayed overnight, and the poet had a spring outing by the lake. At the top of the building, flowers are flying on strangers. Riding in Yuan Qiu and Hodge Ridge. If you live in seclusion, you must love Lin Yinxiu; Farmers' thatched cottages lived long ago according to Long Mu's statement. Standing on the threshold with a book in your arms, you should know that it is cold in May. Fishing on the beach, I want to see the calm river. The cold pool dries the net, and the winding path carries the piano. Put cranes in the empty mountains and cattle in the valleys. Seek the sound of the spring, stand on tiptoe, and love the pine color to raise the gentleman. Walking under a cliff in a clear stream. Climb high and look far, and return the water. Lying on the Cangjiang River, drunk with red leaves. Pine root wine, watch chess at the mouth of the cave Seeing the Dan well is like seeing the feather guest, and looking at the tower knows the hidden monk. Look at waterfalls and clouds, occasionally independent; Look for relatives and friends and meet two people (this paragraph is about the scenery in the painting, which all painters know. But the pen and ink are sketchy, that is, the arrangement is exhausted, and the real scene cannot be forced. It's the same with or without scenery. Tourists should not only love the beauty of words, but also be savvy in the scenery.
People are never tired of being stupid, only you are clear; The scenery should not be too strange, but it must be realistic. East Jufeng Mountain, mostly in Jinling area; Huang Ni Shu, a native of Wuyue. Mijia magic, out of Runzhou South; Guo is vivid and vivid, on the right side of Taihang Mountain. The edge of Sichuan is a paradise in Guan Jing. Huayuan braved the heavy snow and camped in Qiu Hanlin. Jiangxi's paintings are in Xigu, and magpies are in Xing Wu. Never use pen and ink to explore the strange, it must be a portrayal of mountains and rivers. A good teacher studies chemical engineering, but a bad teacher cares about chemical engineering. Those who grasp the law stay at home, while those who don't obey the law mutate. Shu Da became Purple Nine, and the sea and moon became Fangshan. Yellow crane master is right, but it has its own depth; Plum blossom is the ancestor of Ju Ran, but it is called vigorous. The escape of the square pot and the beauty of the pine snow are all clear and tasteful, and each is a family. Love is connected with God and blends with nature. Painters have their shapes, but their verve is not innate; Master got his wish, but his position was unstable. The predecessors got rid of the writer's habits and got carried away; It's time to be arrogant and cheat others. Therefore, there are many temporary workers, and the capital is difficult to change; After the realization of pen and ink, it is difficult to make a system. A hundred years. It's been a long time. Therefore, with Zhang and Xi Zhi, the elderly have no income. Or by its cleverness, it eventually loses its academic ability. It is not easy to establish a family name. Ten as one, the hills and valleys in the chest are easy to be poor; A picture is better than a picture, and the haze at the bottom of the wrist is endless. The whole situation is distributed in the heart, and the abnormality is born under the finger. The momentum is far away, and everyone is in the party; Charm and leisure, called yi pin. If you don't forget your eye, you will be famous in the world; If you lose it in the blink of an eye, it is a mediocre cut. The mountain seems to pass by, which is the real situation; If you can enter the forest, you will be very happy. Gather in the forest house between the surplus inches, and lead the peak thousands of miles away. Look up, there is no way to climb; Overlooking the jungle, I like to find many ways. There is no ape crane, but I suddenly smell its voice. There is a raging wrasse, but I can't see it. Close to the hook, scribbling can't copy the couch; Looking at the description from a distance, it is vivid enough to make people linger. Tones overlap, but the levels match each other; Complexity and simplicity are different from each other (the painter's six methods are to be vivid. Everyone can talk, but everyone can't get it. Everything is in pen and ink, grasping the life of nature. Only those who indulge in misty hills and valleys can understand this. Otherwise, although you have been practicing the ancient law all your life, you are separated by several layers of dust.
It is better to have a level without a level, and it is more stupid to have a level without a level. The shape is flat, although many hills and valleys are not for work; Looking deep, it is Shaolin Mountain, playing. The truth is that there are many pens now; Close your eyes, not in the whole picture. The scenery is in the grass and the taste is endless; When you are good at scenery, you will see it getting newer and newer. In secret, I am self-sufficient; In a short time, I will turn to Juan (the most subtle thing in this article is to explain the charm. His argument is subtle and his words are true. Scholars take every word as a Zen sentence to participate in it. The thickness of the mountain is the depth, and the water moves when it is still. Shadows in the forest, nowhere to camp; It's clear beyond the mountains, so why write? It is difficult to draw empty pictures, and the real scene is empty; God can't draw, reason is forced, and God is born. The position is hostile, and most of the paintings are warts; Reality and reality coexist, and everything that is not painted has become a wonderful place (where the road is unknown, the essays are filled, the whole picture is arranged, and everything is morbid. It is particularly interesting to point out where there is no painting and go further to get it. People only know that paintings are everywhere, but they don't know that paintings are everywhere. The emptiness of painting is related to the overall situation, that is, the method of coexistence of reality and reality. There are not many people with empty eyes, and the beauty lies in the full spirit of the whole picture, so the clouds are wonderful.
If you are in power, you can operate at will, and there are them in every corner; If there is a power failure, clean it wholeheartedly. The push-pull property of potential lies in several microcosms; The condensation of potential is due to phase. Painting avoids the board, because its charm is not born, so that the charm is not born, although it is conducive to flying; The painter is too naive, and the form is not like it, so he is ridiculous. A simple or healthy pen can easily enter the magical painting garden; Those who are diligent in painting should be interested in being experts. It is dull to look for hills and valleys through pictures, and it is god to forget the pictures when you see the hills and valleys (forgetting the hills and valleys is the aura of heaven and earth). The so-called art biography, the immortal biography).
Gaishanrong is similar with lightness, and it is false without mud and lightness; Use a false picture of a tree to describe it, don't ignore its truth. Hook up, that is, the peaks rise and fall; The division of the skull is the grain mark of soil and stone. Dating is the popularity of hook division, and shallowness is the change of rendering. White deficiency is yang, while white excess is yin. Mountain colors are heavily dyed, mostly because of shadows; The mountain is empty and most of it is reflected by the sun. The mountain is born according to the ridge, and the stone is hooked. Lying on the side of the foot of the mountain, the slope rises and is round. Pockmarked skin is empty, and mountains are empty, which also makes Changlin come true. The nail head is exposed, and the tree is supported by the tree. The ink is dry and light, and it is also wiped out; Wet the pen with water and dry it in the shade. The lining is complicated and dizzy inside, and the hook is simple and external. Clever hook, seemingly clumsy; Grinding is the same as rubbing. You know how to bake and dye without chopping; You'll know the meaning of tick if you don't dye it. Write the pen as a stroke and leave a blank mark to outline it; Ink is transported and dyed, and traces are kept. There is no difference between the round work of acupoints and the round work of phlegm; It's heavy, but strange. The overflow of the hook can be dyed; Dye the place, that is, replace it. Touched on the hook, but the stone surface is sharp; The outline is dyed outside, and the stone ridge is faint. If it is not enough, dye it again to make it shine; Light dyeing is enough to give birth to its rhyme The rope moves and the skin is quiet, and the grass is rotten and ugly. Nail your head to the wood, long and short; Douban is poured on sesame seeds, which is small and easy to place. Cirrus clouds and raindrops are in various forms, and firewood and lotus leaves are in various forms. The axe is close to the literati, and the literati is steep; A grimace is easy to get used to, and a famous hand is awkward for it. There are gaps in the big split and rust in the small split. There are thousands of layers of stone ridges, and the mountains are boneless and seamless. The ash pile is the change of alum head, and the cake is the dust after chopping (from ancient painters, each has its own portal, all because of different cutting methods). From the Tang Dynasty, the Five Dynasties and the Song Dynasty to the Yuan and Ming Dynasties, his brushwork was like a square chisel. But it has its own infiltration principle, so it can master one method and change the clutch. Then the paintings of various schools are consistent and have not stagnated. Now people can't be single-minded, so each family has nowhere to go. Looking at this theory, it is very detailed, revealing the mystery of Mo Miao, making up for the shortcomings of predecessors, and it is really a six-way punch line. In painting, painting is the most difficult, so we should talk about it urgently. Each painting method is not easy to combine, but it is necessary to paint the Northern Song Dynasty, so don't become the Southern Song Dynasty; Painting the Southern Song Dynasty, don't make a sum of money; Draw Yuan people, don't bring them into the Southern Song Dynasty. Every family has its own family, so don't confuse it. Only by understanding it and changing its prejudice can you suddenly realize.
It's vulgar to be full of ghost pepper, but if it's a ball, it's less charming. The knoll is like a wind reed, but it hangs like grass; Meticulous, clear roommate leakage, and hidden as a sarong. Even the hooks are dyed, and the machine moves with the pen; Like a stone mountain, I forgot my thoughts. There are many kinds of acupoints, which are used properly. The circle is multi-purpose and the edge is multi-purpose. Baldness with a razor, broken fingers with a loose pen. Throw the author's awn and press the author's sharp. If it is wet, it will be scorched by thirst. Fine dust, coarse falling stones. Light is broken, thick, and scattered. Complexity and simplicity have definite shapes, and the whole chaos depends on the prosperity of society (the focus of the method must be taken into account by various methods). Regarding the beauty of color setting, I will use the following words). Dan Qing wins and loses the true meaning of mountains and rivers; Greedy pen and ink is a bad situation of closing hillsides to facilitate afforestation. Eccentric modeling is easy to do, take in everything in a glance; Ordinary scenery is hard to work, and workers can't get tired of seeing it. Ink is used for rhyme, and color is used for clarity. Gently brush away the anecdote on the fiber, which is wonderful; It is difficult to hunt for color, and it is known as navy blue. Turquoise is thick in color, but it will be dull when used too much; The color of ochre is light, but if it is mixed, it will be covered with ink. Rough floating, though rich and dry; The shading gradually deepens, that is, it is light and uniform, and the meat quality is good. In order to avoid similarity, I don't know the change of a color; When a color Ming Che is gloomy, you should know the ethereal place without color (this statement changes in a color, creating a wonderful scene. When it comes to colorless places, subtle truths are almost all in the Tao. Should be strong and weak, then god is incomplete; It should be light and thick, and the rhyme is insufficient. Learning to use wood for mountains is dirty every time; The joy of imitating a peak is pale crimson, and it also involves helping the same. It can be seen that the bleak management seems to be nothing, based on the intention of change; Even if Huang Zhu is very miscellaneous, or work or birthday, it's not just about chasing the image. A thousand strokes are easy, but one stroke is difficult; A little effort will eventually prevent more mistakes. The atmosphere of mountains and rivers is static, but it is static when writing. Lin Quan's posture is quiet, but if the pen and ink are rough, the quiet posture will be reduced. When the cover is swept away, there is no trace of axe chisel, and the static air condenses between paper and ink. Calm down, what we don't talk about today. As for still painting, it is the pinnacle.
Mountain sky, pen into nothingness; The shadows of the trees are dim and the ink is smoke. He who uses ink with a pen is wise, but he who uses ink can. Ink takes the pen as the skeleton and the pen takes ink as the essence. When the pen is thirsty, the ink is burnt, and the ink is dizzy. People know that the pen is loose, but they don't know that it is loose rather than loose; People know that the ink is astringent, not astringent but dry. When the ink falls, it collapses; The ink is heavy and the color is like broken brocade. Pens have different uses of middle peak and side peak, and more of them are intentional or unintentional. Reverse the tide, fish scales swim, waves rise and fall. Scattered, falcons fly. Stroke is the fractal of oblique pulse, and it is a masterpiece of slope-folding pen. Pecking hair can make shadows sparse and move every time you teach. Stone circles are like crossbows, and sand is as straight as slippery. Therefore, the painting is halal, and the painting method is originally used for calligraphy; Fengshen is detached, and the painting heart is combined with the literary heart. Express your lofty and secret feelings and send the elegant rhyme of books. Pen idle window, bosom friend; Occasionally, we can learn from the ancients when we cooperate (here, we use eight methods to show people, let us see that calligraphy and painting are homologous, which is really eternal. This book "Raft" and Mr. Ren's "Painting" have the same meaning. The next four sentences in Yin Gao, especially the fundamental meaning of painting, should not be taken lightly.
As for figures, flowers and birds, animals, insects and fish, and crown clothes, there should be experts in clothing patterns. Look at his temperament, no regrets. Spring flowers and autumn calyx, flowers and leaves are all natural, and the writing style is as fragrant and colorful as floating; The wings of the cloud frost hoof, fly away naturally, vivid and beautiful. Fresh scales linger on the west beach, making pictures; Grass flies on the leaves, and the wind shakes every day. Gu Li, Han Dai, was a good ambassador in the past, and he was a legacy of the world. The aid is rich and colorful, extensive and profound. Those who can do this can look at the situation since the Enlightenment. There are many ways to draw, but there is no theory. The combination of nature and artistic conception and the subtle rhyme of pen and ink can only make sense in this series.
Postscript
Servants are sick, stay in the mountains, live alone, and share the same stone with the wood. Occasionally, there are two books, Book Raft and Painting, which talk about paying homage, but they dare not claim to understand. When Geng visited the Medical Lake, the manuscript was taken by the boy. When Mr Cao saw it, he was very pleased with it and ordered his servant Fu Zi. I snickered at Elaine's nonsense, and I didn't benefit from it. I thank him for that. Back to Wumen, two friends, Master Gu of Yushan and Uncle Tomoko of Piling, visited poetry and painting, and read this article, which was deeply appreciated. Because of his life story, I saw that the original work was handed down by many people in Tang, Song, Yuan and Ming Dynasties. Fortunately, all the articles are consistent, so I read them carefully and tried my best to help beginners. With the book raft, honesty and generosity are lucky.
/% C4 % BE % C7 % e 5567/blog/item/c 46 16b 9504 fecd 4 ed 0 135 e 7 1 . html