Try to understand the meaning of the whole article here. Please forgive me if it is wrong.
The key point of understanding here should be put on several repetitive sentences, such as: "Thinking in Kunlun, aiming at Penglai, meeting at the grave". If refined, there are only three key words: Kunlun, Penglai and Fuyang. At first glance, these three words are somewhat irrelevant, but as long as you know about Suo Jing Xiling, which Cao Cao selected, you will feel that it is naturally an organic whole.
Caption: Kunlun Mountain is the ancestor of Wanshan Mountain in China. China's three dragons, Long Mai, all have their roots in Kunlun Mountain, so Kunlun Mountain is also known as the "Taizu Mountain" of China's mountains. The treasure house of Feng Shui discovered by Cao Cao is also the "ancestral mountain" of the mountains in this area. In this area, Huajian Mountain has a position similar to the roots and ancestors of Kunlun Mountain. However, Huajian Mountain System is also a branch of Kunlun Mountain. Cao is called "homesick for Kunlun", but it should be understood as "homesick for Kunlun". It seems that Cao Cao really likes the fairyland scene here.
Penglai, the fairy mountain in the East China Sea. It is also a place that is inextricably linked with Cao Cao's Xiling. As I have already introduced, Huajian divides the water into three rivers, all of which pass through Jizhou and run to the "East Sea" and Penglai Mountain. Cao Cao's "going to the East China Sea to meet the sky" has been realized. Up to the west of Kunlun Mountain, Penglai is issued from the East China Sea, bearing Cao Cao's ambition to miss and unify the world for the rest of his life. Because of the water of the Three Rivers, Huajian has a close relationship with Penglai, which is "the first place in the mountains and the land of wild water", and the place where the Three Rivers flow is the land of Jizhou, which Cao Cao painstakingly managed and made outstanding achievements. Therefore, Cao Cao's ambition is not so much in Penglai as in Wei. Cao Cao said this because of his modesty.
Grave mound, "taking the grave mound as the meeting place", is like eulogizing the ancestor Dayu, but it is actually an expression of the funeral form that wants to emulate Yuzu's taking the mountain as the tomb. It also expressed his satisfaction after finding the ideal mausoleum-"Momo Mountain", which made the protagonist full of praise and let his imagination fly.
In this way, East, West and China are connected, which is a complete poem with clear and consistent artistic conception.
In my understanding, the topic should be the focus of essential language. Instead of "essence decomposition", no matter what the purpose of the fine column is, we must believe that Cao Cao is a master who can use it flexibly. His poems are magnificent, open-minded and frank, and we should also give priority to straightforwardness, with less prying tactfulness. I remember someone commented on Cao Cao's immortal works on the Internet: Cao Cao "doesn't believe in destiny", so "his immortal wandering is just a form to relieve his inner anguish, and his immortal wandering poems often contain his strong concern for real politics." I agree with this evaluation. Cao Cao's poems are solid and meaningful. Cao Cao's carefully crafted poems choose such a structure-repeating the essence without saying much, referring only to the face, referring only to the theme and keywords, and making it measured and timely; Not only did you keep a secret, but you also told me your heart. I didn't say a word because it was confidential, and I didn't let the cat out of the bag because I mentioned it. I freely expressed my feelings. A beginning and an end, life is short, which is the starting point and destination of choosing a land of geomantic omen. Start and finish. It looks like a fairy, but it's true. If you want to understand the true meaning of this poem, you must get the root of the secret. I think this poem is very simple, clever and accurate.