In "Traveling in Streams and Mountains" by Fan Kuan of the Northern Song Dynasty, the artist used strong and powerful brushwork and thick ink to truly depict the majestic beauty and majestic momentum of the mountains and rivers in the north. The landscape paintings of the Southern Song Dynasty tended to express the artistic conception of the works. "Picture of Music in the Deep Hall" shows this kind of aesthetic pursuit. The real scene in the composition is tilted to one corner, leaving a large blank space in the picture, making the picture a mixture of reality and reality, misty and poetic, and the sound of the piano is lingering. Painters of the Yuan Dynasty placed more emphasis on the expression of personal emotions and the presentation of individual style. For example, Ni Zan's "Six Gentlemen" uses dry but moist concise brushwork to create an artistic conception of desolate, cold and empty lakes and mountains: near, the autumn trees are sparse and bleak, while in the distance, the mountains stretch across the landscape, and the water in between is empty and cold. Many people wrote poems on the painting, among which Huang Gongwang wrote: "Compared to the six gentlemen, he is upright and unbiased." The so-called six gentlemen are based on six kinds of trees: pine, cypress, camphor, nan, locust tree and elm. symbol. Such a simple and light picture not only reflects the frustrated and lonely mentality of the literati in the Yuan Dynasty, but also vividly embodies the painter's aesthetic ideal of simplicity and innocence. His side-brush folding and chaffing techniques and his unique artistic style added a new artistic look of simplicity and elegance to the landscape paintings of the Yuan Dynasty.