Tang Ming in Feng Shui may not be as big and wide as it is.

Tang Ming in geomantic omen refers to the place where mountains surround caves, water looks out and life gathers. In ancient books, it is divided into large, medium and small, and there are also internal and external points. And we often hear geologists say that "the hall here is spacious and spacious, and there is a case in front of it, sitting on a mountain and facing the water", and then the compass goes on to say "you have to be three in one"; "Land of wealth"! Is that really the case? Not to mention the fallacy that Feng Shui cannot be used separately. As far as Tang Ming in Feng Shui is concerned, is it really good? This is not conclusive. This article will discuss this.

Before discussing, we might as well do some simple logical thinking:

1, in Feng Shui, the former is low and then high, and it is obvious that these have become * * * knowledge. These understandings are nothing more than fundamental principles: dragon, cave, sand and water; By distinguishing the four, we can know whether the land hides wind and gathers gas. After the addition, we will discuss the theory of Qi and Feng Shui, which is to use each other to form this principle: dragon, cave, sand, water and direction. Among the five cores of Feng Shui, there is also a * * * knowledge, that is, "Qi will disperse when it meets the wind and stop at the water world"; Therefore, the focus of Tibetan wind lies in dragons and sand, and the focus of gas accumulation lies in caves and water. It's just useless to hide the wind, because the ancients said, "gathering gas is the top, and hiding the wind is the bottom." And if you don't hide the wind at all, how can you really hide it unless you get too much gas and come more than you leak? It will only become a false symbol of wealth, that is, the so-called "hair is also empty" of the ancients, and it was missed while making money. Therefore, in view of the Tibetan wind, we must * * * look at gathering gas. From this, we can draw a conclusion that dragons, caves, sand and water must not be seen separately, but together.

Since feng shui focuses on coordination, it is like four pillars and eight characters. Is there any five elements, the more prosperous the better? Of course not. On the four pillars and eight characters, it depends on whether there is a need for Wang Wuxing in the overall pattern of eight characters. In other words, sharing happiness and avoiding using God are different, but isn't Feng Shui different? Therefore, since geomantic omen must cooperate with each other, Tang Ming can't generalize that the bigger the better. We must pay attention to whether it is necessary to be big or small.

3. Now that we have talked about this, let's talk about the theory in Feng Shui: "The overall situation can be either rich or expensive, and the small bureau can only be either rich or expensive." This theory is undoubtedly correct. Therefore, as we all know, getting the overall feng shui is definitely better than getting the small feng shui. However, this is inevitable, and it is difficult for Tang Xiaoming to achieve the overall situation. However, what if the game of sand-water cooperation in the Dragon Cave itself is small? So, does Tang Ming still need to get bigger? This requires deep thought.

In fact, the principle of feng shui is the same, and the point is that the key lies in everything that conforms to its situation. The ancients paid attention to distinguishing the pattern of wealth from feng shui, so they often told us something like "to be aboveboard". The spacious hall is often considered auspicious by many geographers. In essence, this is where many people don't think and read dead books.