-Appreciation of Qin Opera "Double Jinyi"

Tao exhausted human joys and sorrows.

Deduct Classics and Romance

? Text/Lohan

On the evening of July 9, after the rain, the copper market was breezy and the sky was auspicious. After a hundred years' careful polishing by ten generations of famous artists, Yi Sushe Qin Opera "Double Jinyi" which has been inherited for a hundred years premiered in Silver. On the 9th and 10, the two nights were divided into two gorgeous blooms. This masterpiece is still brilliant and fascinating after a hundred years. This is a big drama that needs to be watched with your heart. The lights are on, the curtain is opened, and all kinds of life BLACKPINK appear on the stage, which quickly brings the audience in, and the mood changes with the development of the plot.

The play tells the love story of the two daughters of the Jiang family against the Jin Bing in the Southern Song Dynasty. Generally speaking, Song Dynasty minister Jiang had two daughters, the eldest of whom was betrothed to Wang Shan and the second to Wu Gai. Jiang Gong ordered two women to embroider a brocade skirt and give it to their unmarried husbands. Wu and Wang's classmates, Jiang, Xu Bende, saw it and admired it. They killed Wu and Wang together and took their wives. One day, Jiang, Wang and Wu went fishing together. Jiang took the opportunity to push Wu into the water and then asked the media to propose. But when he refused, Duke Jiang hosted a banquet for Wang, Xu and Jiang to meet each other. The three of them live in a room in the garden. Jiang temporarily forced Wang to change rooms. Jean Qiu Lai peeked. When Wang found someone outside, he got the nerve to go out. As soon as he knocked out the lantern, Qinqiu left in a hurry. In the dark, Xu followed, pretending to be a voice, forcing Wang Gou to marry him in an attempt to discredit his reputation and destroy his marriage. In a rage, Wang left with a divorce certificate. At the same time, Jiang pretended to have sex with Chun and killed him with a mirror. Jiang Gong was furious and cursed, trying to throw himself into the river to protect the beam. He was rescued by Zhou Jisheng and his wife, a township official, and was regarded as her adopted daughter. Jiang Gong mistakenly thought that he was unfaithful and fled to buddhist nun with Yu Xiang, the servant girl. The nomads from the army invaded, and Qin Genting was separated from her parents who had just met in the war. The Duke and Duchess of Zhou followed the refugees all the way south to find their daughter. (Part I)

Gentiana macrophylla and Xiang Yu also fled to the south of the Yangtze River and soon fell ill. Xu Bende, invited by old ni to pretend to be a doctor, was driven away by Qin Gentiana and Xiang Yu. Xu also colluded with evil monks to rob two women. It happened that the Queen Mother passed by and saved two daughters. The Queen Mother admitted that Qin Gui was her adopted daughter. After Wang Shan left Fujiang, he led the rebel army to resist the gold, then surrendered to Zong Ze and was ordered to escort the Queen Mother. Xu Bende confessed that he and Jiang framed two sons of Wu and Wang, and revealed the truth at the banquet that night. Wang knew that he had a wrong rest that day. Returning home with Mr. and Mrs. Zhou, Jiang Youyuan, the father of Jiang, bought an official to be a magistrate, extorted money, and his subordinates acted steadily, killing students and dumping their bodies at Zhou's house for extortion. Jiang Gongtang recognized, published personal vendetta, forced to kill, and was sentenced to death. Wu fell into the water and was rescued. He assisted Kang Wang and offered advice. When I saw Chun Xue's case, I went to review it at night, and I knew my grievances very well. Jiang Gong begged a woman, and Lu ordered her to return to her hometown to meet her father and daughter. That night, Qin Genting and her parents went by boat with Wang Shantong. Chun Xue, Zhou Jisheng and Wu Tong were in the same boat and met in the river to celebrate the reunion. (bottom)

There are many characters in the play, and the plot is flourishing, just like Sherlock Holmes' mystery play. Go find Ben and throw the box away. Two young ladies fell, two son-in-law ran away, and the Chiang family was in trouble. Next, solve the case, sort out the mess, punish evil and promote good, everything will be fine, and all shall be well.

? Double jinyi, a large-scale traditional Qin opera, is the work of Mr. Lu Nanzhong, the old dean. It premiered on 1920 1 month and was directed by old coach Chen. Mr. Lu Xun once personally watched it and praised it. After repeated arrangement and polishing, it has become a classic. Singing and playing on the stage are all authentic Yi Sushe flavor, which keeps Yi Sushe's singing style for a hundred years and deduces Yi Sushe's unchanging humanistic feelings for a hundred years. Therefore, it has become a unique original housekeeping drama in Yi Sushe, which has been widely circulated for nearly a hundred years, so that as long as it is listed in Yi Sushe, it will be packed.

Twenty years after the last rehearsal, 20 15, I heard that "Double Jinyi" was rearranged for the eighth time, and the general director was Wang Zhihua. I longed for it and thought about it. Finally, I made a special trip to enjoy the play at the foot of Xiangshan Mountain in Gangu during the National Day last year. Meet again in Baiyin today, and feel the joy of meeting again after a long separation. As soon as the gongs and drums and the huqin rang, I was intoxicated.

This theater is grand, with two lines of main and auxiliary, complex plot, many characters and complete sets of ugly lines. There are as many as 40 protagonists in the play alone. Hui plays Jiang, Zhu Haie plays Jiang, Wu Gai plays Susan Wang, Wang plays Zhou Jisheng, Han plays Shi, Qu Peng plays Jiang, Yin Xiaolian plays Su, Li Honggang plays Jiang Youyuan, Li Weiping plays Jiang Chengshi, Tian Bo plays Xu Bende, Zhang Ping plays Xiang Yu, and almost all powerful actors in Yi Sushe appear. In addition to the leading role, other supporting roles are also the backbone of Yi Sushe.

? It's hard to imagine how busy the actors are changing clothes behind the scenes. Not only that, the role setting of the play is more complicated, with double pupils, double little Dan, double clown, double bearded students and double Tsing Yi. Everyone's scenes are evenly distributed, which is an absolute test for the strength of actors and associations. Besides, I have used my brain on Xiao Dan and Xiao Sheng. The first young lady is gentle and considerate, the second young lady is strong and courageous, and the two young students are both good at writing and martial arts. They have distinct personalities, high recognition and successful characterization.

? Jiang, played by the plum blossom award winner, national first-class actor and head Hui, looks dignified and handsome, sings euphemistically and passionately, is mellow and sweet, combines rigidity and softness, and has a pure charm. The previous impression of "double jinyi" only stayed at a discount of "ocean of arhats", "one son, two sons, three, four, five, six, three, six, eighteen arhats. I ask you, why are you happy, why are you laughing, why are you angry and why are you sad? Can you say you like me, laugh at me, be angry with me and worry that my feelings are not broken? How do you know that my heart is like ice and snow? " After listening to the little teacher's singing, it was euphemistic, delicate, lingering and well-known, which was very classic. Many times when I see other actors singing this passage, I am always used to comparing it with the classics to see if it looks like it. Hui, who plays, sings freely, is relaxed and eloquent. She is full of desolation in lingering and sweetness in sadness. She frowned slightly, sang and danced, and used song and dance to interpret the story. With her high rhythm and rhythmic stage movements, she had a strong artistic appeal. The poetic stage performance showed Qin's helplessness and sadness in escaping into an empty net to the fullest. It also shows Hui's delicate and feminine performance characteristics and solid artistic foundation. Because of his accurate grasp of the role and meticulous carving of every detail, he performed a stunning Keiko version of Counting Lohan, which did not get people's applause. I also learned a truth from this. An excellent actor like Hui will not stay at the level of imitating his predecessors, but will constantly dig deep into the characters' hearts, integrate their own styles and emotions, and constantly strive to shape the characters and interpret their own unique versions. This is also the reason why ancient dramas are always new and people can't get tired of watching them.

Jiang is played by Zhu Hai 'e, a national first-class actor and a disciple of the legacy of Shaanxi Opera. His performance is fresh and smooth, with beautiful singing skills, elegant and generous workmanship, tepid, just right, graceful and euphemistic, and full of feelings. Boutique is between graceful and unrestrained, soft with rigidity, cadence, distinct levels, superior to emotion. Zhu Hai 'e's performance is charming, measured, verve, calm and pinprick, which creates a plump and moving image of Jiang. Seeing her performance, there is a sculptural appeal and impact between movement and static, which is unique to Danxing.

Wang is the inheritor of the Centennial Art School, a national first-class actor and a famous Shaanxi opera actor. Known as "a popular student with both civil and military skills, black and white, and the inheritor of the' declining school' art" by the industry and outside, he has become a leader among Shaanxi Shaanxi Shaanxi students and has a wide influence among the masses. He pays equal attention to singing and doing, works solidly, respects the virtuous and keeps the tradition. He is a well-behaved actor. He is committed to inheriting and improving, and strives to show every play, every movement and every aria on the stage completely and accurately through the procedural skills of singing, reading, doing and playing, starting from the plot and starting from the characters' hearts and personalities. Wang is good at understanding and deliberation in inheritance, and diligent in standardization and summary in practice. He has created many loyal, brave, upright and distinctive stage figures, which fully embodies the unique charm of the "declining school" art, which is full of sound and emotion, consistent in form and spirit, natural and vivid. Seeing his performance, there are both exciting voices and passionate feelings. He is very good at using his own voice conditions. His bass is as clear and pleasant as a jade, and his treble is like a painter's pen, which makes people feel particularly hearty and can make the audience feel satisfied with their senses and shocked their hearts. A few years ago, after watching the week he played in three drops of blood in Shaanxi Opera, I really couldn't leave. I, a person who has never started singing Shaanxi Opera, also have a special liking for his Wutai County Officials Too Stupid and Doing Business in Shaanxi for Twenty Years, and I often can't help humming. Wang plays Zhou Jisheng in "Double Brocade", exaggerating the characters' emotions properly, singing impassioned, performing exquisitely and vividly, pretending to be elegant and steady, and his scenes are skillful, grand and dignified, and magnificent.

? Han, a national first-class actor who is deeply loved by fans of Dragon Opera and enjoys a good reputation in the northwest, plays a woman stone in Zhou Jisheng. She always controls the voice with the passion of the characters and is good at expressing the psychology of the characters. Whether it is ups and downs or subtle changes, she can handle it with ease. Her performance is simple, her singing skills are full, her turning point is ups and downs, and her singing is affectionate and cordial, as if she is telling her own feelings to the audience, which is exciting.

The two scenes of "Double Visiting Prison" and "Counting Lohan", also known as the soul of "Double Jinyi", are the ingenious pens of playwrights. In this play, Shi, played by Han, sings loudly, gently and vividly, hovering back and forth between her husband and adopted daughter. Coupled with Zhu Haie's Jiang and Wang's Zhou Jisheng, it is touching, changing the impassioned crying that is common in Shaanxi opera, sometimes crying, and sometimes sighing lightly, depicting the characters' hearts very delicately. The concern, worry and yearning between husband and wife, between mother and daughter, and between father and daughter in distress are vividly expressed, which has achieved amazing artistic effects and ignited the emotions of the audience.

? Qu Peng, a national first-class actor who plays Jiang in the play, has a wide voice, well-controlled accent, full timbre, vigorous and upright, generous and mellow charm. He is good at dealing with the rhythm and emotional ups and downs of large-scale vocals, giving people a hearty artistic enjoyment, and his performance is simple and steady.

Su, played by Yin Xiaolian, a national first-class actor and excellent actress, is sweet in singing, beautiful and lingering, delicate in performance and relaxed. Together with Qu Peng, she finished the opposite play of Jiang and his wife.

? When the country was destroyed and their relatives were separated, Jiang and his wife were trapped in hundreds of children fleeing. From north to south, they ran around, screaming and crying for land, almost crazy. Qu Peng properly used the skill programs such as shaking beard, swinging beard, circling the field, pacing and hanging hair, which profoundly showed the anxiety, regret and grief of finding a woman and made people act together with Yin Xiaolian.

In the final "reunion" scene, in the bright moonlight and sparkling, Yi Sushe's Shuang Dan twins appeared at the same time, and the guards, servants and boatmen filled the stage, and the boatman's singing was loud and lively. Picturesque scenery reflects the inner state of two unmarried men and women, showing high-spirited feelings of home and country and the painful state of missing lovers. Beautiful and handsome man, bright and blind, dreamy and elegant, romantic and sad.

On the whole, the performance level of Yi Sushe actors is superb, with no shortcomings. The performances of other artists, martial arts students, old students and clowns in the play are remarkable. Every character is very involved in the play, which can be expressed incisively and vividly through the lyrics, movements, dances, costumes and makeup of the actors. The characters are full, showing the centuries-old tradition and style of Yi Sushe. Just because of space limitations, I can't comment on them one by one.

? It is worth mentioning that Wang Zhiqiang, as the commander-in-chief of the civil and military scenes of the whole drama, has well controlled the ups and downs of the drama plot and the speed of advancement, and his command and performance have been integrated into the feelings and penetrated into every link of the drama. I saw that he was full of passion from beginning to end, waving his hands, lively and bold, or deep and vigorous, which provided strong support for the performers and became an inseparable artistic part of the play.

The newly adapted script is more refined, the plot is advanced rapidly, concise and lively, the scene changes rapidly and the time and space span is large. Nomads from the invasion, court change, nomads from Nuo Nuo evil, never slow. Late-night garden husbands, nuns, such as "Counting Lohan" and "Double Visiting Prison", and other emotional dramas and arias are generous in pen and ink, paving the way for rendering. Pay attention to the portrayal of characters' hearts and the use of programs. Inherited the original theme music, strengthened the atmosphere of color instruments, and highlighted the singing. The beauty of dance is mainly freehand brushwork, combining reality with fiction, and the background picture has reached a poetic artistic conception. The expression of traditional art using modern aesthetic concepts is more poetic and aesthetic than the stage mobilization seen by Gangu last year.

The play puts a series of complex stories involving love entanglements in the background of resisting the nomads from the Jin Dynasty, and deduces a series of complex bridges. Wu Gai assisted Kang Wang and Wang Shan in the Southern Song Dynasty to lead the rebels to resist the nomads from the invasion. Historical events run through the whole drama, putting personal feelings in the safety of the country and the nation, and conveying the concept of "national security is also safe" and homelessness without a country. Zhou Jisheng and his wife's kindness and struggle, and Jiang's road to finding women convey the theme of punishing evil and promoting good, and justice conquers evil, which also makes people feel the pain of parents all over the world. Ginger and his son, the father is fierce and the son is fierce; General Zong Ze, the teacher is honest and the students are loyal. Eulogize the patriotic feelings of Wu Gai and Wang Shan, and castigate the ugly behavior of Jiang and his son at the expense of others. Evil is rewarded with evil, and good with good. In the end, those who harm others die or sin, and those who are loyal to the good will eventually be complete.

After watching this play, I have to praise the great playwright. To be honest, the script is awesome. The core, eyes and soul of the play are outstanding, which integrates ideological and artistic features. Although the country is ruined, the mountains and rivers remain forever, the family is ruined and the people are poor, and the love between men and women is written. The fate of the characters in the play is closely related to the times. There are beauty of justice and kindness, ugliness of calculation, corruption and frame-up, brilliance and warmth of human nature, and deep compassion.

? The play skillfully uses misunderstanding and coincidence to weave customs. China's narrative style and traditional dramatic techniques, such as coincidence and misunderstanding, are fully expressed in the play. Without misunderstanding, Wu Gai, Chun Xue and Gentiana will not be separated; There is no coincidence, and they will not reunite. Happy endings are China people's favorite.

The play not only has the theme of "positive energy" that castigates feudal evil forces and advocates loyal love, but also has a bizarre plot and complex structure, especially several well-known classic aria, which is even more fascinating. This drama series integrates family affairs, state affairs, love, patriotism, anti-corruption and advocating honesty. Although not deliberately reasonable, it is full of China traditional values such as national destiny and national peril, as well as good and evil human nature, patriotism, filial piety and friendliness. The scenes in the play and the humanistic consciousness conveyed in the play are actually in line with our current "positive energy", which still conforms to the current spirit of the times after a thousand years. This is the greatness of this great realistic work.

? Shaanxi Opera not only provides spiritual food for the people in China who are suffering from severe disasters, but also soothes those injured hearts and gives strength to people in difficulties and adversity. Looking at the Shaanxi Opera also makes us understand how to face the difficulties and setbacks in life, gain and loss of honor and disgrace, and then take virtue as beauty, become attached to kindness and be a good person.

Shaanxi opera is a cold plum blooming in this desolate and barren land where we live. It has become a cultural symbol and regional symbol in the northwest. At present, governments at all levels are busy helping the poor, which is a great plan to achieve prosperity with the Chinese dream. But we can't ignore the spirit of poverty alleviation, send more plays to the countryside and show more good plays to the people, which is also poverty alleviation. Spiritual poverty alleviation is also a top priority. (20 18.7. 13 completed in Lanzhou)