148: Qiu Shuangzhai, Granny Liu, was an eye-opener, married far away and was honored by Princess Jia Tanchun.
Grandmother Jia invited Granny Liu to visit the Grand View Garden. At breakfast, Granny Liu was designed by Wang Xifeng and Yuanyang, as funny as possible. People are not interested in eating and drinking, just watching her performance.
Granny Liu has been cheated. It seems that Jia Fu is heartless. In fact, she came to bring shame on herself. She had psychological expectations, not to mention humiliation.
However, Wang Xifeng and Yuanyang asked her to say something like "Lao Liu, Lao Liu, eats like an ox and doesn't look up when eating an old sow", and teased her with ebony chopsticks, but they still got rid of Granny Liu's psychology. After all, there is a big difference between being teased and being insulted. Grandma Liu Can can't do it without mood swings.
After dinner, everyone came to Tanchun Room, and a small incident triggered Granny Liu's emotional catharsis.
It is inappropriate for Granny Liu to hit the child in front of Grandmother Jia, which also shows that her mood fluctuates greatly.
Grandma Liu's "anger" is not necessarily true anger. Banel's fault is only that the children are making noise. It's impolite to beat children and make them cry in other people's homes according to the rules. However, Ban Er pointed to the grasshopper in Tan Chun's tent and said, "This is a grasshopper, this is a grasshopper", which was regarded as a "lamella" touching Granny Liu. She came to Jiafu to "make a fortune" with humiliation and no intention of being laughed at by her family.
Granny Liu's beating the board is also Cao Xueqin's psychology of borrowing things to write. Grandma Liu was cheated beyond the bottom line of her heart, so that she needed an opportunity to vent. Jia family, she dare not presumptuous, can only borrow the board to "vent".
Grandma Liu patted the board and revealed the contradictions in her heart. Cao Xueqin took this opportunity to put forward "mother locust" to tell readers that it was not that Lin Daiyu looked down on Granny Liu, but that the author did it on purpose. She scolded Banel: "I asked you to come and have a look, so I was embarrassed." It's more self-deprecating than scolding children.
With granny Liu, I went back to Jia Tanchun's Autumn Cool Resort, but there were too many things to talk about.
Several characteristics of Qiu Shuangzhai fully fit Jia Tanchun's character and life, and Cao Xueqin wrote it carefully.
First of all, Jia Tanchun likes broadness, completely opening three rooms, which at a glance represents the grandeur of her mind and verve.
It seems to be similar to Wu Heng Garden, with a more elegant layout style, which not only echoes the later words of Wu Heng Garden. It also represents Jiafu education, Jia Tanchun's taste and self-pursuit. Ego is an excellent quality that distinguishes Jia Tanchun from everyone else.
Second, the interior furnishings are famous family stickers, dozens of precious inkstones, original works of Mi Fei and Yan Zhenqing. This shows that Tan Chun has a special preference and research on calligraphy.
In Jia's four seasons, Qin, chess, calligraphy and painting are all good at winning games, and Jia Tanchun is good at calligraphy, which can be seen from the indoor furnishings.
Yan Zhenqing's "straightness" and Mi's "pen" represent the tendency of calligraphy. They take Yan Zhenqing's "running script" as the model and seek a breakthrough like Mi Fei's. This is Jia Tanchun's consistent character liberation and pursuit.
Third, there are dozens of white chrysanthemums in the flower bag of Ruyao. Remember Jia Tanchun's poem Zanju? "The bottle is busy with the hedge every day, so I will take a break and recognize my makeup in the mirror." Chrysanthemum is not to decorate Tanchun's face, but to highlight its noble pursuit and character, which is different from the secular.
Fourthly, Yan Zhenqing's Smoke and Clouds Idle Bones, Wild in Spring is the refinement of Mi Fei's Smoke and Rain Map. To be sure, just like the couplet written by Qin Taixu in Qin Keqing's room, it can't be the original of Yan Zhenqing. Cao Xueqin's disguise is still shaping Jia Tanchun's character pursuit.
Living a light and carefree life is the realm of life that ancient literati yearn for.
The short temples are cold and exposed in three ways, and the kudzu towel is dyed with nine autumn cream.
When you are in high spirits, clap your hands and laugh at the roadside.
Jia Tanchun is lyrical with poetry, and "Zanju" just fits her indoor furnishings, which is also the freedom she yearns for.
However, it backfired. Tanchun's life is doomed to be impossible to be calm. If the above description represents her peaceful and happy first half of her life. Then, the "Gorgeous Marble Case" has already booked the magnificent life she will face, which is related to "bereavement".
Cao Xueqin is too good at foreshadowing and "light and shade". Since Qin Keqing, everyone's residence has represented the character and life of residents and has different meanings. For example, Xiaoxiang Pavilion, Wu Hengyuan, Hongyi Garden and Qiushuangzhai are all aimed at individuals. However, Qin Keqing's room is a fantasy in reality, with twelve pieces of furniture including twelve women in Jinling. You're welcome.
The first thing that Jia Tanchun's room needs to pay attention to is a marble case of Huali, in which "pear" and "reason" are both "separation". There are not many pears in A Dream of Red Mansions.
Pear fragrance court lived with Aunt Xue's family of three at first, and finally Xue Baochai was "mourned" by Jia Baoyu. There were twelve little actors living in the back, and the ending was unpredictable.
Xiaoxiang pavilion, full of bamboo, a big pear tree in the backyard and several bunches of bananas. Bamboo represents Princess Lin Daiyu, and banana represents Jia Tanchun, Jiao Xia's guest. The big pear tree means that the two will be together in the future.
There are too many words about Lin Daiyu and Jia Tanchun imitating Princess Xiaoxiang, so I won't repeat them in this article.
In a word, Cao Xueqin needs special attention when describing the furnishings in the house in detail, especially when observing from the perspective of a third person. This is the Xiaoxiang Pavilion that Grandma Liu saw before. This is the case with Wu Heng Garden in the following article. This article's autumn cool lent is even more so! The following will focus on the second half of the display, which is very important.
Five, the cauldron, Daguan kiln plate, bergamot, white jade and blue wood are not ordinary items.
"Ding" represents the instruments passed down from the ancestral hall, and it is also a symbol of the inheritance of imperial power. This is a symbol of becoming a princess after Tanchun.
According to the foreshadowing of Tan Chun's shadow Jiao Xing, the prince born after Jia Tanchun's favor finally became the heir of the kingdom, and Tan Chun became the queen mother.
Note: The princess in Jia Tanchun is an emperor princess like Jia Yuanchun, not a vassal princess like Princess Jing.
"Grand View" is the title of Song Huizong, which refers to a grand and spectacular scene; Daguan kiln, an official kiln in the Northern Song Dynasty, is also a symbol of the emperor. It reflects the honor of Jia Tanchun's "Red Apricot Leaning on the Cloud" in the future.
"bergamot" is amazing, so I need to say more. There are "dozens of exquisite bergamot" in the big plate of Daguan kiln in Jia Tanchun's room. It indicates that she will enjoy decades of longevity because of the honor of "Princess".
"Six Chapters of a Floating Life" records that bergamot is a gentleman in incense, but intentionally or unintentionally. "Compendium of Materia Medica" records that bergamot "has a light taste, but it smells great. If put in barnyard grass, it can last for several days. Sent to the north, people are very valuable. "
Break this golden body and give it to the forest.
It's hard to point at people, and you can communicate with your hands crossed.
Bergamot, as its name implies, is a tribute before Buddha. Those who have Buddhist karma are blessed with deep blessings. It means longevity, children and grandchildren, understanding and family happiness. The ancients often painted bergamot, and put it with pomegranate and lotus root, representing Fulu Xi Shou.
Dozens of "exquisite Buddha fingers" are placed in Jia Tanchun's room, and the significance is self-evident. The only place in A Dream of Red Mansions is the "real Buddha's Finger", which is exclusive to Jia Tanchun.
Jia Yuanchun thinks the "citron" in the painting is very special. Bergamot is a variety of citron, but the sour citron is not a blessing, but it implies that the heart is unwilling.
Jia's property before he was given death by the emperor in the future. It is clear from the judgment.
They are also "princesses", and their sister, Jia Tanchun, has a glimmer of hope to enjoy a real longevity from this bergamot. As for Wang Xifeng's possession of Jia Mu's "wax oil frozen bergamot", it can be seen from her ending that it is really true!
It should be pointed out that Banel got a bergamot from Jia Tanchun and exchanged a grapefruit with Qiaojie. It means that the two share "longevity" and there is fate in the future. You're welcome.
"White jade is better than eyes", which means harmony between husband and wife and harmony between the piano and the harp.
Based on this, you can simply deduce a story: Jia Tanchun and Lin Daiyu married to foreign countries as princesses, with Lin Daiyu as the mainstay and Jia Tanchun as the bride. Lin Daiyu could not entrust herself to others and soon cried to death. Jia Tanchun, on the other hand, has a bright side in every cloud, and is favored by the king. "An almond is planted on the cloud.". Sun is king, apricot is tanchun, and cloud is Lin Daiyu.
Soon after, Jia Tanchun became pregnant and gave birth to a prince. A mother's pregnancy is expensive and her husband and wife are harmonious. The prince succeeded to the throne and will become king in the future. Jia Tanchun was promoted to the honor of Empress Dowager and lived for decades. Longer than Jia Mu.
I still remember the first time, a lame Taoist priest and a monk agreed to meet in Beimangshan after three robberies. The third robbery was in 1990, and Jia Tanchun was probably the last robbery. You're welcome.
6. Platanus acerifolia is planted all over the window. Phoenix Platanus acerifolia implies that Jia Tanchun will eventually become a princess. Grandmother Jia regretted that the phoenix tree was too thin, implying that Jia Tanchun was born in poverty and had no parents and brothers to help him after marriage. This is Tanchun's unlucky life.
But the buttonwood tree will grow up eventually, attracting the phoenix to inhabit and multiply, which is another scene after Jia Tanchun's long marriage. People who are apricot are lucky.
There are so many houses in Daguan Garden that autumn is the only choice for exploring spring. The word autumn means the absence of spring and the decline. The word "cool" is Jia Tanchun's cool personality and life.
The lives of most daughters in A Dream of Red Mansions are full of joys and sorrows. And "autumn" means sadness, and "cool" means joy. Cao Xueqin borrowed Qiu Shuangzhai to hint whether Jia Tanchun would come after her long marriage.
The word "Shuang" is Jia Tanchun's life. Despite his birth defects, he lived a natural and unrestrained life. I am not satisfied with my life, but I am very satisfied with my life. In the end, I was "lucky" to become a princess ... Tanchun can control her own destiny most of the time. The word "cool" in autumn is really wonderful!
After the introduction of Qiushuangzhai, Grandma Liu's tour continued. The next time is not Xue Baochai's Wu Hengyuan, what is it? If you want to know how, listen to the next decomposition!
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