Appreciation: This passage vividly describes the hot weather. Xiangzi pulled a rickshaw under the scorching sun, which showed the hardships and tragic experiences of Xiangzi pulling a rickshaw.
Second, "those gray and cold ice, moving trees and pale towers are all lonely, and they seem to suddenly scream or walk wildly!" " Even the white stone bridge under his feet is surprisingly empty, especially white, and even the lights are a little dim. He doesn't want to walk, he doesn't want to watch, he doesn't want to be with her: he really wants to jump, bow his head, break the ice, sink, and freeze in the water like a dead fish.
Appreciation: this passage shows that Xiangzi wants to get rid of Tigress's entanglement. At this moment, Xiangzi's favorite scenery in his life became extremely bleak, rendering an atmosphere of helplessness and sadness.
3. "The wind bent the trees on the roadside, tore up the cloth of the shopkeeper, opened the newspaper form on the wall, covered the sun, sang, shouted, roared and echoed! Suddenly straight, like a crazy elf, tearing the sky and tearing the earth; Suddenly panic, chaos in all directions, like a demon who doesn't know what to do, decided to run into it; Suddenly sweeping, unexpectedly attacking everything on the ground, twisting branches, blowing off roof tiles and breaking wires; But Xiangzi was there watching; He just came out of the wind, and the wind didn't do anything to him! "
Appreciation: This passage personifies the wind by using personification rhetoric devices such as "tearing, uncovering, singing, whistling and roaring", which shows the strength and speed of the wind, the strength of Xiangzi, and sets off Xiangzi's tenacious will and optimistic attitude.
Fourth, there is news in spring that the scales on the branches are obviously red and fat. But in this complex, spring will not go to the branches first. There is no such thing here.
A flower and a tree. Here, Spring Breeze people first blow the ice in the yard into some potholes, and blow out some fishy smell from the dirty soil.
Appreciation: This passage describes the scenery in the yard in early spring, highlights the desolation in early spring, and also describes the hardships and difficulties of Xiangzi pulling carts outside. In June, there was hardly any human voice in the yard during the day.
Five: children grab early and pick up what they can with broken baskets: by nine o'clock, the poisonous sun has cracked their thin backs, and they have to take back what they have picked up and give it to adults. Then, if the older ones can find the smallest capital in the world, they will buy it with them and collect some ice cores to sell. If we can't find this capital, we will go out of the city to take a bath in the moat, steal some coal from the station, or catch some dragonflies and cicadas and sell them with that rich boy. The smaller ones dare not run far. They all go to places with trees outside the door to pick up locusts and worms and dig up "golden steel" (note: steel is the pupa of locusts and worms. ) what to play?
Appreciation: This passage describes the scene in the yard in early June, with children playing and men going out to work. The viciousness of the sun makes the weather dry and hot. This passage shows the hard life of the middle and lower classes in the courtyard, and also shows that Xiangzi is unwilling to give in to fate, which is a contrast to his later transformation.
6. The wind bent the trees on the roadside, tore up the cloth of the shopkeeper, opened the newspaper form on the wall, covered the sun, sang, shouted, roared and echoed; Suddenly relaxed, like a frightened elf, tearing the sky and the ground; Suddenly panic, chaos in all directions, like a demon who doesn't know what to do, decided to run into it; Suddenly swept by surprise, everything on the ground was attacked, branches were twisted, roofs were blown off, and wires were broken; But Xiangzi was there watching; He has just come out of the wind, and the wind has no effect on him. ?
Appreciation: Taking the life of Beijing residents in the late 1920s as the background, Tianqiao, Drum Tower and Baita are archways, streets and lanes, as well as car factories, painting houses and bustling crowds. This is old Beijing decades ago, but there is no idyllic happiness here, while Xiangzi's big feet keep running in the streets, writing about Xiangzi's difficult life.
Reference: Baidu Encyclopedia-Camel Xiangzi