Question 1: The characteristics of Sichuan Opera's changing face FACE/OFF in Wang Daozheng has three characteristics: one or eight faces, all of which are full faces. Generally, "changing face" is mostly a half face, which is a bit like the movie Zorro, with the mouth exposed; Wang Dao regularized the whole face and solved the problems of exhaling, inhaling and vocalizing, which looked like a clean angle mask drawn directly. Second, two-way face change. First, the facial makeup of blue, yellow, brown and black reveals its true colors, and then becomes a golden face. In other words, Wang Daozheng first tore down Facebook one by one, unveiled his "true face of Lushan Mountain", and finally covered his face with a golden face, hiding his true body; Third, closely combine the development of the plot to express the inner feelings of the characters. Zijin cymbals have undergone several changes, and the fourth brown face of "magpies make plum blossoms" has appeared. He thought he had a way, subdued the white snake, and was as happy as a child, clapping his hands and jumping. When he opened his magic weapon of yin and yang, he exclaimed, "hey, I ran away!" " Suddenly, he turned blue with anger and was all in a blaze. Here, Wang Daozheng created a vivid image with a dark face and stars, and his head, chest and back shone. How many times has Wang Daozheng "changed" her face since 1985? He can't remember for a long time. From Chengdu to Beijing, from home to overseas, from east to west, from stage to screen, we have never made a mistake. Wang Daozheng summed up his "face-changing" trick as 14: "Manual with chest and feet, steady in place." Manual manipulation of the body, including the chest and feet, means that all parts of the body should cooperate closely, know fairly well, strive to be square, vivid in form, and have both form and spirit, so as to be stable, accurate, fast, handsome and beautiful. Just like people use household appliances in real life, the "face change" of Sichuan opera is also a face and a "button". In the performance, the actor can only touch by feeling, but can't see with his eyes. At first glance, they are in poor condition and distracted. Wang Dao is about to master the eight "organs" before he can change his face. Of course, it is not computer operation, and sometimes mistakes will occur, but it will not disappear after changing face, but during operation. Once I changed my face and ordered the third face book, but I touched the "button" of the fourth Facebook. Rich backstage experience made him feel calm and confident. First, I used several performances to confuse the audience, won an extremely precious golden time of 1 2 seconds, and looked for the third "organ" of the face book. Nevertheless, he kept changing in an orderly way.
Question 2: Why is Sichuan Opera's face changing called "face changing"? Drama characters express the audience's inner thoughts and feelings through their faces and body images. That's why I saw the face change on the stage. Face-changing was first used in dramas, such as Shui Man Jin Shan, Story Meeting and Guizheng Building in Sichuan Opera Legend of the White Snake. . . . Wait a minute. Later, through the face-changing king, Mr. Wang Daozheng proposed it alone and became a wonderful program performance.
Question 3: What are the colors of changing face and what do they represent? There are seven colors.
Gold and silver faces and variegated faces are cash lamps that show fairy faces;
White face (also called oily white face) is used for old heroes or murderers, as well as monks;
Generally, people with black faces are ugly and fierce;
The yellow-faced woman shows the bravery and ferocity of the characters;
Blue love face is a monster;
Red depicts the character's loyalty and courage.
People will think of representatives of historical figures:
Yellow face woman: Dian Wei.
Red face: Guan Yu
Black face: Zhang Fei
White face: Cao Cao
Question 4: What happened to the sudden change of face in Sichuan Opera? The face-changing of Sichuan Opera is called "national treasure, stunt and spectacle". With a wave of his hand, artists can transform more than a dozen faces, including black face, white face, painted face, red face, human face and grimace. It has been reported that face-changing artists can reach the fastest speed, and a face can be deformed in 270 seconds, or powerful and straight, or ferocious and horrible, or funny. No matter how hard the audience concentrates, they can't see any flaws. After reading it, everyone was amazed. After watching it in the early 1940s, Tian Han said, "Sichuan Opera has its own specialty in changing its face, and I don't know why."
Changing your face to Sichuan Opera is like breathing fire into Shaanxi Opera, both of which are signs and unique skills!
In Chengdu, there are many places where Sichuan Opera performs face-changing. In view of the low performance quality in many places, we recommend several authentic performance venues:
First of all, Shufeng Yayun Theatre was formerly a folk Sichuan Opera class. A few years ago, in order to meet the needs of tourism culture and develop the tourism industry, the theater gathered several famous people in the Sichuan Opera circle and displayed various unique skills of Sichuan Opera, which has a strong appreciation and good reputation in the Sichuan Opera circle.
There is also Jinjiang Theatre, which features traditional Sichuan Opera. Many middle-aged and elderly people like to come here to watch Sichuan Opera and have a cup of tea. This is really a pleasure. The performance was wonderful, with a face-changing and a fire-breathing, which was worth seeing and very distinctive. The face-changing show of Sichuan Opera is very effective, with complete plot, ups and downs and beautiful stage effect.
Chengdu Jinli Sanguo Tea Garden is famous for performing traditional programs, such as Sichuan Opera Face Changing, Tea Art, etc., and tourists are constantly coming. For a long time, the actors of Furong Gate Sichuan Opera have been performing distinctive Sichuan Opera in this area. Their performances are authentic, with ups and downs, realistic stage effects and strong flavor of Sichuan Opera. While watching the face-changing of Sichuan Opera, you can also see the long-mouthed pot tea performance and drink a cup of special tea "Furong Green Snow" created by Furong Gate, which is not only an audio-visual feast, but also a taste and smell enjoyment.
Changing the face of Sichuan Opera is a stunt in shaping characters in Sichuan Opera art. Revealing the inner thoughts and feelings of the characters in the play is a romantic technique. According to legend, "changing face" means that in order to survive, ancient humans sketched their faces in different ways to scare off the invading beasts. Sichuan Opera puts "changing face" on the stage, making it a unique art with wonderful skills.
Compared with the origin and broadness of Sichuan opera art itself, the formation of face-changing techniques belongs to the twentieth century. During this period, changing face has gradually become a major feature of Sichuan opera by constantly exploring, evolving and refining in the opera troupe's drama against Taiwan. The tragedy of Sichuan Opera is unique, and the comedy is also unique. It is useful to change your face where there are emotional twists and turns and sudden changes in your heart. With its grotesque and ferocious facial changes, it shows the unspeakable rhythm of the characters' hearts. As a very unique way of expressing characters' inner feelings, it undoubtedly greatly increases the expressive power of Sichuan Opera itself. Every time a famous actor changes his face, it often triggers an explosion. It can be seen that the people really recognize this extremely beautiful trick.
Emotional composition of China's traditional operas. Face changing was first used for supernatural figures and existed in the Ming Dynasty. There is a record of "changing face" in Ming Dynasty's zaju "Jiro Guan Kou Chops Jiao Jian". The change of face at that time was that the actors went backstage to change clothes. Later generations changed their faces on the spot and became stunts, which were found in many local operas, with Sichuan Opera being the most famous. Face changing can be divided into big face changing and small face changing. Full face changes, including 3 changes, 5 changes, and even 9 changes; A small face change is a partial face change. Changing faces requires quick action and no trace. It is mainly used for sudden changes in the mood of characters, such as panic, despair, anger, etc.
In the performance of Sichuan Opera, changing face is a romantic way to reveal the inner thoughts and feelings of the characters in the play. Because Facebook has its obvious typical characteristics, it shows the loyalty, treachery and integrity of the characters. Actors change their faces when the audience is not paying attention, emphasizing the changes and development of characters' personality and feelings. It turns the abstract things that can't be seen and touched into concrete things that can be seen and touched. This is an amazing technology.
Generally speaking, there are three ways to change your face: wiping your face, blowing your face and pulling your face. In addition, there is a kind of "luck" face change.
"Wipe your face" is to apply makeup paint to a specific part of your face, and then wipe it on your face with your hands to become another face. If you want to change everything, draw it on your forehead or eyebrows. If you only change the lower half of your face, draw it on your face or nose. If you only need to change one part, you can only paint the part to be changed. For example, in The Legend of the White Snake, the old ghosts in Pei Li and Fei Yunjian all use the technique of "wiping their faces".
In short, Sichuan Opera has changed its face >>
Question 5: The history of Sichuan Opera's changing face.
Sichuan Opera originated in Qianlong and Jiaqing years of Qing Dynasty. Every holiday, a stage will be set up in the temples at the docks of towns and villages in Sichuan to celebrate. Over time, Sichuan opera has gradually become a climate in the streets. In Qing dynasty, "two lakes filling Sichuan" brought many new elements to Sichuan culture. Kunqu opera, Gao opera, Hu opera, Dan opera and Deng opera are gathered near the wine shops in major cities in Bashu. Life, Dan opera, Beijing opera, ending and ugliness all appeared on the small stage of the teahouse, and gradually formed a common style over time. In the late Qing Dynasty, it was collectively called "Sichuan Opera", and it was renamed "Sichuan Opera" after liberation.
The face-changing technique of Sichuan Opera was formed in 1930s, and it was first used in the traditional opera Guizhenglou. In the play, a knight named Bei Rong changed his face several times to save people's lives, and this novel performance mode continued.
Question 6: What is the secret of Sichuan Opera's changing face? Generally speaking, there are three ways to change your face: wiping your face, blowing your face and pulling your face. In addition, there is a kind of "luck" face change. "Wipe your face" is to apply makeup paint to a specific part of your face, and then wipe it on your face with your hands to become another face. If you want to change everything, draw it on your forehead or eyebrows. If you only change the lower half of your face, draw it on your face or nose. If you only need to change one part, you can only paint the part to be changed. For example, in The Legend of the White Snake, the old ghosts in Pei Li and Fei Yunjian all use the technique of "wiping their faces". "Face Blowing" is only suitable for powdered cosmetics, such as gold powder, toner and silver powder. Some put a small box full of powder on the ground of the stage, and then the actor will do a prone dance, and take the opportunity to blow his face close to the box, and the powder will jump on his face and immediately become a face of another color. Be sure to pay attention: close your eyes, shut your mouth and hold your breath when blowing. Zizi in Capturing Zizi alive and Le Yangzi in Treating Zhongshan were all transformed by blowing their faces. "Face-pulling" is a complicated face-changing method. It is to draw a face on a piece of silk in advance, cut it open, tie a silk thread to each face, and then stick it on the face one by one. The silk thread is tied in a convenient and inconspicuous place (such as a belt) in the clothes. With the development of the plot, under the cover of dance movements, they were demolished one by one. For example, the bowl in The Legend of the White Snake (Zijin Bowl) can turn seven or eight different faces, such as green, red, white and black. Another example is the thief in The Old Main Building, and Nie Long in Watching Niang Beach. It's hard to pull a face. First, don't have too much glue on your face, lest you tear it off at that time or tear off all the faces at once. Second, the action should be clean and neat, and the fake action should be clever and can deceive the audience's eyes. Another way is to "change your face with luck." Legend has it that Peng Sihong, a famous actor of Sichuan Opera, plays Zhuge Liang in Empty City. Qin Tong reported that Sima Yi's soldiers were able to turn their faces from red to white and then from white to green with qigong to show Zhuge Liang's fear after liberation.
Remember to adopt
Question 7: The category of Sichuan Opera's face-changing stunt is incredible: it is really amazing that a face can change as many as fourteen in an instant. And Lu Xun's frowning "The Change of a Wide Face" also surprised the audience. A "face change": once the road ends, it will be miserable. Once in power, it's hard to look people in the eye. I didn't contact my friends and acquaintances, and I didn't say hello when I saw them. Even when walking, skirts are flying, wiping people close at hand. The second "face-changing": In the real society, people can often see dignitaries driving luxury cars, going in and out of luxury villas and clubs, and frequently participating in so-called communication and entertainment with clothes and incense, and they are so intoxicated and arrogant. Once "* * *", once you lose power, you will hang your head and look helpless and regretful, which makes people laugh and laugh. The third kind of "face change": I know a manager who is engaged in engineering construction and repair. A few years ago, he was well dressed and had a good face. He didn't want to be knocked down recently, but he changed a lot. He looked like a petty man and was down and out, and he was not confident enough to speak, which made people feel poor. When asked, I realized that it was because migrant workers were cheated by more than 300 thousand, and the loans of banks and individuals could not be returned when they expired. The fourth kind of "face change": an ugly woman does not enhance her loveliness through the cultivation of her own quality, but beautifies a delicate and beautiful face with the help of modern plastic surgery technology, but actually can exchange money or even a future for her. That's great! Indeed, money is a man's face. With money, men can dress up as Song Yu and Pan An, and even do whatever they want. Without money, a man has no courage, just like an empty shell without soul. When a woman is rich, she can also shape herself into a good family, a charming beauty or a demon princess. However, there are too many kinds of "face-changing", and no one wants this kind of "face-changing" to continue to change in every corner of society, so take out precious courage and be a necessary soul!
Question 8: Who said that? Can Sichuan Opera represent Sichuan Opera? What is Sichuan Opera? Do you know Sichuan Opera? What are the characteristics of Sichuan Opera? Sichuan Opera is a local opera performed in Sichuan dialect. Like other operas, it includes Beijing Opera, Huqin, Kunqu Opera and Gao Qiang. Gaoqiang is a unique style of Sichuan Opera. It has singing and supporting singing. A voice can show an actor's potential feelings. Like other operas, it is lively, dramatic, clean and ugly. Singing, reading, doing and playing. Before liberation, Kang could perform a chicken feather and stand still. The shaking of old students, water and electricity, etc. There are more acting skills, and changing faces is only a small part of them. It can't and can't represent Sichuan Opera. Once upon a time, I had to wait in line to watch Far Away in Sichuan, and sometimes I had to go through the back door. After the Cultural Revolution, eight plays were performed, and the audience was out of date. With modern diversified entertainment, the audience of various plays was less. Sichuan Opera is a local opera. It is also the heritage of Sichuanese. This requires the strong support of * * *. If you wait until it dies, you can support it. That's Monday morning quarterback.