This may be a secret hidden by the author.
There are a lot of people based on this research or something
The following excerpt is from A Dream of Red Mansions. Author: Liu Publishing House: China Radio and Television Publishing House.
After the election of Fengzao Palace, the Grand View Garden was completed, so "Fu returned to the province for the Lantern Festival". When Yuan Fei entered the park, he was lucky, but he was ordered to send a pen to serve the inkstone, to be in charge of Hunan, and to give names to important places in the park. She only changed an original plaque proposed by Baoyu and others-changing "red fragrant green jade" to "Hongyi painted green". Baoyu didn't know about this. When he was ordered to write a poem, the words "Green jade is still rolling in spring" were still in the manuscript of Hongyiyuan. However, Xue Baochai was narrow-minded, and hurriedly pushed Baoyu to remind him that Yuan Fei changed it to "Hongyi Fast Green" because he didn't like the word "red fragrance and green jade". Now you prefer the word "green jade", isn't it "deliberately competing with him?" He also taught Baoyu to change "green jade" into "green wax" by Qian Yi in Tang Dynasty. He laughed at Baoyu's despair and said, "Thanks to you, tonight is just that. In the future, you may forget "a thousand grandchildren Zhao Li"! ..... This plot has always been regarded by theorists as an important pen and ink to describe Xue Baochai's character thought, and relevant analysis is also common; But now I want to ask: Is Cao Xueqin's writing about Yuan Fei changing the plaque just to show that she didn't like it by accident and has no deep meaning? Is this detail just to depict Xue Baochai?
Why can't Yuan Chun hide a word "jade" at this time? The word "jade" is clearly in her brother's name. It stands to reason that she should not be disgusted with the word "jade". Although Xue Baochai is sensitive to this, she can never use the word "jade" to annoy her at this moment, but it is also a mystery.
After reading A Dream of Red Mansions, we can easily realize that Yuan Chun is actually a political figure. According to my research in articles such as "Born in Poverty", the Jia family adopted and hid the daughter of today's emperor's political enemy, hoping that once the emperor was replaced by Qin's "backstage", he would prosper. However, Jia Fu also adopted the policy of "walking on two legs" and tried his best to send Yuan Chun to the palace, hoping that "today" would be particularly good for Yuan Chun; The development of the situation is that Qin Keqing's "backstage" was defeated in the contest, so Qin Keqing "painted a bright future", but "lost in the east corner and gained Sang Yu". At this juncture, "Jia Yuanchun chose the Fengzao Palace", which enabled Jia Fu to survive the crisis of "Qin Keqing's funeral" and achieved the goal of "flowers bloom and flowers fall, and fire is edible oil".
The return of Yuan Chun is not only a "grand event" for the emperor to show his grace and Yuan Fei to show his feelings for home and country, but also a trip of "treading on thin ice" with profound political significance! "Today" has noticed that the Jia family is hiding the Qin family and sneaking around with its "background", but first, the rebel force has basically collapsed; Secondly, in Yuan Chun's face, Jia Fu has not been investigated for the time being, so when Yuan Chun returned to Jia Fu, her heart was not only a piece of affection, but also a deeper sense of political crisis. She just couldn't understand that when she saw Jia Mu and Mrs. Wang, she "burst into tears" and then "choked back her grief and laughed loudly", saying that she was sent to "a place where she could hide" and he called him "only focusing on state affairs" and so on, except for the previous commentators.
What does it mean that Jia Baoyu saw a page about Yuan Chun in the official edition of Twelve Women in Jinling when he visited Taixu for the fifth time? Historically, readers will be involved in various lawsuits. They have been "distinguishing right from wrong for 20 years". What are "right" and "wrong"? Why "twenty years"? Has she been in the palace for twenty years? Or someone else's Twenty Years? Who is the equivalent of "tiger" in "Tiger Meets Big Dream"? Who is equivalent to "Xi"? Later, the song "Hate impermanence" sung by fairies about her was even more difficult to understand. What does impermanence mean? Abstract "fate", or concrete unpredictable human factors? What is the most important thing in Everything? The strangest thing is "looking at my hometown from afar, the road is far away and the mountains are high." She died in a remote place thousands of miles away from the capital. What happened? Before he died, he advised the Jia family: "You have to back off and get out while it's early!" Where to "regress"? Where to "get out"? Do you have time? Will it be like the second couplet of Zhitong Temple: "I forgot to put my hand behind my back, but no way back?"
I think, when Qin Keqing painted Liang Chun with incense dust, she should be exactly twenty years old, and Yuan Chun, who is about ten years older than her, has been arguing about the "right and wrong" of this nephew's daughter-in-law for twenty years. From before to after entering the palace, in the late autumn of twenty years, she was finally exposed in front of the emperor. The emperor realized this, but he also severely cracked down on those brothers who were either half-brothers or half-brothers. Plus, he really likes Yuan Fei, so he not only agreed to Yuan Fei's request, but also did not delve into Jia's position, and also promoted Yuan Fei's position (the so-called "pomegranate blossoms"), making Jia's family "extremely rich". Jia Zheng of Rong-Guo Mansion may be able to really sever ties with Qin from now on, and his younger brother Jia She, who lives in another hospital, will be gone. As for Ning Guofu, Jia Zhen really loved Qin Keqing and made friends with Feng Ziying. It is even more impossible for him to "forget Qin" and "talk endlessly is glorious, and suffering is really peaceful." I'm afraid that if Jia Zhen doesn't listen at all, not only will he not "retire", but he will continue to associate with chivalrous people such as "Jiangnan Qin" and "Tiewangshan", while Feng is a close friend of "Jiangnan Qin" and Liu has become a "girder" since he left home. Jia finally got involved in this power struggle. The reason why Yuan Chun died in a foreign country far from his hometown was obviously the result of a fierce struggle between tigers. She was either abandoned by the angry emperor and sent to a wasteland, or kidnapped to such a place by Feng Ziying and others, and died tragically against the son of a surname. Therefore, as a political victim, Yuan Chun can only "hate impermanence"-it is difficult to grasp the inside and outside of her life.
Looking back now, why was Yuan Chun so sensitive at the sight of "red incense and green jade" when she visited her mother? Maybe "Xiang" suddenly reminds her of Tianxianglou, but this problem is not too big. Seeing the word "jade", she must have thought of "jade before marriage, surnamed Qin when she came". I wrote an analysis, which is a poem that reveals Qin's true identity. If Yuan Chun is lucky enough to enter the palace, then Qin Keqing's blood is more noble than her-that is the "encounter" relationship with the "palace flower", that is to say, she is almost a princess! Qin's "backstage" is the royal family temporarily dormant in the south of the Yangtze River. After she married Jia Rong, she was named "Ke Qing". What about when she was unmarried? "Ming Yu"! So, when Yuan Fei returned to the province, she suddenly saw the words "red incense and green jade". How can she not be impatient! Not surprisingly, I immediately changed my pen to "Hongyi Kuai Green"!
"Jade is a famous jade before marriage, and my surname is Qin at this time" is two sentences in a poem by Liang in the Northern and Southern Dynasties. It is included in the widely circulated Yutai New Poetry, and it has also been quoted by Zhi Yanzhai in his comments, saying that "the second language is a big outline of this book, which is big Toby and ironic". Although it is hard to understand this criticism, Qin Zhong made this remark only because he thought it was a big one. Considering that the paragraphs of Zhi Yanzhai's "Life Deleted" and "Love for Heaven" are strictly controlled by the "political standard" that "this book dare not interfere with the court", this comment may be intentionally "misplaced", but in any case, the news leaked. It is really another "hidden text" about the power struggle in the imperial court. In this "hidden text", Harmony and Qin are the two wings that affect the fate of Jia family. After the Tianxianglou Crisis, Yuan Chun couldn't wait to see the word "jade" on his way home! Although Xue Baochai knows his subtle psychology, he doesn't know the inside story, and all the Jia people don't know it. Most of the readers of A Dream of Red Mansions are concealed by the author. The strange way is "Dou Yun's author is stupid, who can understand its taste"!