It depicts the warmth and freshness of the spring breeze. Spring breeze is invisible, colorless and tasteless. How to describe the ethereal spring breeze through touch, smell, hearing and vision is actually vivid, tasteful and tangible.
Firstly, the author describes the warmth and softness of the spring breeze with the poem "Blowing the Face and Chilling the Willow Wind" written by monk Zhinan in the Southern Song Dynasty. He was afraid that readers would not understand it easily, so he immediately came up with a copy that everyone could understand: "Touch you like a mother's hand." The wind brought the smell of new ploughing, mixed with the smell of grass, and the fragrance of various flowers, all brewing in the slightly humid air.
The author writes about the spring breeze from the perspective of flavor transmission, which not only strengthens the breath of spring, but also naturally links this paragraph with the description of flowers and plants in the first two paragraphs. The spring breeze also sends the songs of spring birds and the flute of the shepherd boy into people's eardrums. "Harmony with the breeze and running water" The author describes the spring breeze in many ways, which makes this inexpressible thing vivid.
Extended data:
Spring is the work of modern essayist Zhu Ziqing. Spring is Zhu Ziqing's famous prose. The first edition was published in July, 1933, and it has been selected by China middle school Chinese textbooks for a long time. In fact, this poem Ode to Spring is full of the writer's thoughts and feelings in a specific period. His pursuit of life and personality shows the traditional cultural accumulation in the writer's bones and his yearning for the realm of freedom.
After 1927, Zhu Ziqing has been searching for and creating an ideal world in the depths of his soul-the world of dreams, which is used to place his "rather restless" boxing heart, resist external interference, make himself "independent" in claustrophobic study, and achieve his academic achievements. Spring describes and eulogizes a lush spring, but it is a vivid portrayal of Zhu Ziqing's inner world.
The author made a comprehensive and detailed observation of spring through children's eyes, and accurately and vividly described the unique scene of spring in Jiangnan through artistic techniques such as metaphor and personification. Personality is the glory of flowers. Vivid picture-like descriptions praise and express the creativity of spring, bringing people infinite expectations, thus encouraging people to work hard and forge ahead in a beautiful spring.
Thus, it expresses the author's praise for spring and his feelings of loving life and making progress with heart. He used three metaphors to praise spring and described it as a newborn doll, a beautiful girl and a strong young man. The soothing and quiet style suddenly becomes rich and fresh, which closely echoes the beginning of the work.
Slipping into the plain realistic situation, it suddenly pushed into the bright and cheerful artistic conception created by the first half of the work, and the whole artistic conception was connected again. The "newness", "beauty" and "vigor" of spring injected into Zhu Ziqing's whole body and mind, and Zhu Ziqing also melted into the whole spring and persisted under the guidance of spring. Zhu Ziqing was given a "new life".
Zhu Ziqing (1898165438+1October 22-1August 948 12), formerly known as Huazi, was renamed as Ziqing with some conditions. China modern essayist, poet, scholar and democracy fighter. Originally from Shaoxing, Zhejiang Province, I was born in Donghai County, Jiangsu Province (now Pingming Town, Donghai County, Lianyungang City), and later settled in Yangzhou with my grandfather and father, calling myself "I am from Yangzhou".
19 16 graduated from middle school and successfully entered Peking university preparatory college. Poetry published in 19 19. 1928 published the first collection of essays "The Back". 1in July, 932, he served as the head of the literature department of China, Tsinghua University. 1934, published in Europe and London. 1935 published a collection of essays, You and Me. 1948 August 12 died of stomach perforation in Beiping at the age of 50.
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