In China, Feng Shui can be divided into three categories:
The first category, metaphysics, traditional humanities: knowledge category, China tradition, extensive and profound, divided into several schools, countless. Such people are scattered all over the country.
The second category, metaphysics, traditional humanities and environmental design: Some experienced designers have realized the role of geomantic omen in environmental design after long-term practice, and made a detailed exploration of China's geomantic omen theory and combined it with design. Most of these people are in Beijing and big cities.
The third category, metaphysics, combines traditional humanities with environmental design, and then blends into social science to become "new humanities": the author's geomantic theory and practice are crystallized here, emphasizing verifiability, and named it: commercial geomantic omen, and the author is also the founder.
There is no difference between these three categories, but the service groups are different. It is not good to elaborate on the difference between "groups" here, but one thing is certain: they are all solving various problems for specific groups, and they are all creating good feng shui.
"It's better to believe what it has than what it doesn't have" is a common view of Feng Shui at present.