(1) is fresh, indicating that the language is novel and unconventional, such as Wang Wei's Autumn Night in the Deep Mountains.
(2) dull. Also known as the plain. Expressed by sketching, it is unpretentious, true, profound, approachable and straightforward. For example, Bai Juyi's "Village Night": "Frost grass worms are in a hurry, and people in the south of the village are absolutely unique. Looking at Noda before going out alone, the moon is in the sky and buckwheat is like snow. " The picturesque night in the mountain village is so quiet, so peaceful and so vivid in the author's pen.
(3) gorgeous. Mainly refers to the rich text, gorgeous literary talent, fantastic feelings. For example, Li Shangyin's Banqiao Bie: "Looking back at the high city and the small river, the microwave pressure in the pavilion window. Narcissus wants to go to carp, and lotus tears more all night. " It is a common parting in life. Through the poet's unique fantasy and gorgeous language, reality and fantasy are combined to create richness.
(4) hint. It means by implication, either citing it without sending it, or trying to say that it is still resting. For example, Du Mu's "I only went to the tombs of Leyou to perform five-star stunts" said: "I was incompetent in the Qing Dynasty and loved solitary monks alone. I want to take a group of people to Jianghai and Leyuan Scenic Area to look up at Zhaoling. " When the poet asked for something, the Leyou tombs began to say that they would see Zhaoling, but they came to an abrupt end without saying a word.
(5) simplicity. It means clean and concise. For example, Jia Dao's ten words "Living in seclusion with Li Ning" and "Living in seclusion with few neighbors and grass in an empty garden" show the characteristics of seclusion. Another example is Liu Zongyuan's "Jiang Xue", "There are no birds in a hundred mountains, and there are no footprints in a thousand paths". It takes only ten words to write a cold environment, and the emptiness and seclusion are ticked off.
(6) Linguistic features caused by the author's life experience and personality characteristics, such as Li Bai's bold and elegant poems, magnificent passion; Du Fu's poems are gloomy and frustrated; Wang Wei's poems are fresh and ethereal; Li Shangyin's poems are magnificent and implicit.
(7) Linguistic features of poetry schools. Realistic poetry advocates observing life objectively, describing life accurately and delicately according to its original features, expressing life, truly reflecting reality and criticizing the current disadvantages, such as the works of Du Fu, Bai Juyi and Lu You. Romantic poetry is good at expressing the passionate pursuit of the ideal world, with passionate feelings, rich and colorful language, magnificent imagination and many uses. Exaggeration and other rhetorical devices, such as the works of Li Bai, Li Shangyin and Li He. The graceful school represented by Liu Yong, Li Qingzhao and Jiang Kui in Song Ci, whose works are graceful and implicit, mostly take eroticism as the theme and strictly observe the melody. The bold school represented by Su Shi and Xin Qiji, whose works reflect the broad social life, diverse styles, broad-minded and free-spirited, and generous.
(8) The rhetoric of poetry has linguistic features. The above appreciation methods are not the only description of the linguistic features of poetry. Common analysis methods include: analysis from the aspects of language form, ideographic meaning and image. However, because the above classification method is used in middle school textbooks, and this method is more comprehensive, it is widely spread.