How did calligraphy develop in Qing Dynasty and Ganjia Dynasty?

The development of calligraphy in Ganjia period in Qing Dynasty is characterized by the fact that calligraphy and stele study keep pace. After the Qing regime entered Qianlong, it reached its peak, which was an era of internal and external stability.

After 60 years in office, Emperor Qianlong attached great importance to the construction of cultural undertakings, and organized and compiled various large-scale books, among which the number of volumes of Sikuquanshu reached 787,365,438+0. He also copied the famous cultural relics collected in the Forbidden City into Sanxi Hall, Fa Tie, which is comparable to Chunhua Ge Tie.

In addition, Gan Long himself is good at calligraphy, especially in Zhao Mengfu in Yuan Dynasty. Influenced by it, the calligraphy of Tiexue in Qing Dynasty reached its climax in the middle of Qianlong period, and a number of famous calligraphers such as Liu Yong, Liang, Weng Fanggang and so on emerged. Since then, bloody calligraphy has gradually declined.

With regard to the development of calligraphy in Qing Dynasty, Ding said in On the Essence of Calligraphy: Zheng Xie and Jin Nongfa took the opportunity to develop, Ruan Yuan led the way, Deng added fuel to the fire, Bao and Kang Youwei added fuel to the fire.

Among them, Zheng Xie, namely, Deng, came from Ganjia Dynasty. On the other hand, the North-South School of Calligraphy and the South-North School of Calligraphy, which represent Ruan Yuan's viewpoint of valuing calligraphy and respecting steles, are epoch-making works, which will reverse the value and aesthetic concept of calligraphy and mark the establishment of the theory of stele study.