Cao Xueqin's use of the word official media actually implies that this woman, the so-called Aunt Zhu, is both a policeman and an amateur matchmaker after eight hours' work to earn some extra money. The appearance of this official matchmaker is actually an important hint of the fate of the Jia family being copied and many maids being escorted after 1980. The official matchmaker's first marriage to Jia's family was a tragedy, with a bad beginning, implying a series of tragedies of Jia's family being copied later and Jia's women. This official media, Aunt Zhu, is a rogue matchmaker, probably the key person who later undertook the selection and escort of Jia female prisoners, but this Aunt Zhu has a personality problem, is mercenary and is too rogue. Therefore, the tragedies of many women in Jiafu are actually inseparable from this aunt Zhu.
Therefore, Aunt Zhu Can can actually be said to be a very important person. She not only represents the feudal system that bound ancient women, but also represents the tragic fate of women. Perhaps this is what Lao Cao wanted to express when he wrote A Dream of Red Mansions. After all, a dream of red mansions is a small projection of society.
It is precisely because of the absurdity and ills of the feudal system that Xifeng Wang Xifeng, who was originally high above others, was subjected to others, and her fate was in the hands of a small official media. This is simply a great irony.