One-year-old Hua Lin will take a day off. If she stays for a long time, she will be disappointed to go to the Jian Jiang Pavilion.
One-year-old Hua Lin will take a day off. If she stays for a long time, she will be disappointed to go to the Jian Jiang Pavilion.
I'm really helpless, but I'm still worried.
The mountains are coming to the small garden, and Chunyin just wants to be close to the tall buildings.
Whose white jade hook is more drunk when the golden saddle suddenly leaks silver pot?
Li Shangyin's tragic life has cast his delicate and sad feelings, and even the brilliant spring scenery reveals a kind of loneliness in his eyes. Although there are many gorgeous colors in the pen, there is always a gray style in the gorgeous. He once said that Du Mu "intentionally hurts spring" ("Du Sixun"), but he himself is a person who hurts spring: "Although it hurts the eternal heart, if it hurts spring scenery, it is not much." ("Qujiang") "I am drunk because of the injury and I am too lazy to persuade pomegranate flowers." (The second part of "Three Stories of Anger at Korea in the Past") "Don't be surprised, five wins bury the fragrant bones, and the underground spring injury also makes you bald." ("Qushui Gossip Play in the Same Year as Li") "I am too bitter to listen to spring. Where is the Fengcheng flower branch? " In his eyes, spring doesn't seem to bring him much joy, only sadness and sigh. Even this spring improvisation is full of heavy sadness.
"One-year-old Hualin is closed today", and the annual beautiful Hualin ends on this day. The poet seems to be too heavy and depressed, and the beginning of the article is an embarrassing ending. He wrote "today" but began with "one year old", which shows that "today" is moved. The "flower of the year", the most brilliant and gorgeous flower in a year, is a beautiful spring after a long winter, which is hard to come by. The so-called "rain and rouge wet", how touching the scenery is. However, the touching "one-year-old forest flower" will be shattered on this day, and the one-year-old life will also end. At this moment, beautiful things will be destroyed. What kind of mood it is to face such a situation. Du Fu wrote "a flying flower reduces spring" (the second part of Qujiang's two poems), and "reducing spring" is only the end of spring. However, the "one-year-old holiday" disappeared completely, leaving no room, and the "one-year-old" forest flower "rested" on the "one-year-old". Judging from the comparison of time, "one year old" can still persist, but "one day" will have a rest. This disparity is so regrettable, it is so cruel and cruel. However, nature is so rude. Although people lament that "the flowers in the forest have withered in spring and they are in a hurry" (Li Yu's Wu Ye Topic), they still "spring comes back in a hurry" (Xin Qiji's Fishing). "Hugh" is rest! Regret, sigh, after all, is helpless, so we have to "stay in the riverside pavilion" and wander around the river and under the pavilion with infinite melancholy. This sentence vividly depicts the image of a lonely and desolate poet. Look at him. He doesn't intend to stay in spring. He is driven crazy and languishes under the Jian Jiang Pavilion. The word "feeling disappointed and staying for a long time" not only shows a kind of desperate pain and resentment, but also contains an expectation of some kind of hope. The subtle depiction of this ambivalence is the uniqueness of One Mountain.
Poets linger, always have something on their minds. In a rage, he sang over and over again, and I don't know how many times he carefully watched the cuttlefish in his hand. What will happen? Really helpless; Most of the flowers are scattered, but some of them are still blooming, because the sadness in my heart has not been alleviated. This sentence "It's really helpless to emphasize the delicate handle, but it's still not sad to open it" can be said to be a typical representative of Yishan's poem "Fine materials, dense packages, and more and more flavor" (Hu Zhenheng's "Tang Yin Gui Qian" volume 8 quotes Yang Danian's language). It twists and turns with a pen, with layers of twists and turns, "focusing on fine grip", both "focusing on fine grip" and "fine grip", heartfelt wishes and playful hands, showing the poet's attachment to the "immediate rest" forest flowers; And "really helpless" has become another layer, saying that even if you give up, it is involuntary and beyond people's control. Emotional depression, endless reading. The word "the fallen flowers are still blooming" is full of twists and turns, which not only shows the level of openness of forests and flowers, but also finds hope in despair. And this "still open" means "don't worry", which makes the whole sentence contain endless meanings. First, it says why it is still open, but it is still sad; Second, the implication is that the flowers will not bloom, that is, they will not let go; Third, there is a time when flowers bloom, that is, there is still a sad time; Fourth, flowers bloom and fall, and sadness naturally melts. Is this the sorrow of flowers or the sorrow of people? Both flowers and people, flowers and people are integrated here. People send flowers for a period of sorrow, and flowers lend people a period of affection, which is only the place where petals flow like tears (Spring Hope), or touching the scene, or empathy, which fully shows the poet's frustrated feelings. Mr. Qian Zhongshu attaches great importance to this couplet. He once said in "Talking about Art Record":
The seven laws of Shaoling are all wonderful and famous. ..... Chen Houshan is fine and strong, thin and hard, and intelligent. He is the origin of Lao Du, no matter what ... However, the so-called "Du Sample" in the world refers to the bold and broad, but it is loud and broad ... And the princes in the valley and Houshan only learned Du Lu's toughness, but did not follow such a smooth and sufficient plan. Only Yishan is in Du Fu, learning everything, and the seven laws can also be combined into two bodies. For example, today, "it's really helpless to emphasize the fine handle, but it's over and I haven't put my mind down", that is, Du Fu's He Pei Di is also "fortunately, it will hurt my old age, but I feel homesick when I watch it." The world tells us that he learned it from Du Fu.
Mr. Qian said that Yishan's couplets were "hearty", which is absolutely true.
In the process of "emphasizing the delicate touch" and knowing that he was "helpless", the poet turned his eyes to the distance: I saw the thick green mountains approaching the small garden gradually, as if to hold it up, and the gloomy clouds in the Spring Festival Evening were only near the tall buildings. These two poems are similar to another poem by Li Shangyin, "A sunset is left in a flower, and the clouds are overcast from the city" ("freehand brushwork"), but they are more delicate and fascinating. At this time, the spring blossoms, the red fades and the green is thick, the vegetation is lush, and the emerald on the mountain looks deeper and heavier, especially at dusk, when the sun shines obliquely, the mountain peaks look particularly tall and chiseled, as if they are getting closer, and the small gardens on the side of the mountain are also covered by mountain shadows. It seems that the mountain scenery has covered the small garden with its mouth. A word "title" can be described as the finishing touch, which brings the quiet mountains and rivers to life at once, which is very subtle and vivid. Su Shi said in the poem "Smelling Huangzhou Drum Horn on Wuchang Mountain": "The breeze makes Shuiyue embrace the mountain, and you spend the night crossing the Wu Wang offering." The title in this poem is synonymous with the title in Yishan's poem, but it lacks agility and novelty in Yishan's poem. And the sentence "Spring sounds only want to be close to tall buildings" is also very vivid. In the evening of spring, it is a very common natural phenomenon that clouds float to the ground, so we should approach the tall buildings first. However, the sensitive poet said that Chunyin only wanted to get close to the tall buildings, which means that it seems that Chunyin is not unable to get close to the low-lying places outside the tall buildings, but doesn't want to get close. A "desire" endows the spring sound with spirituality, which is beyond the reach of ordinary artistic skills.
After describing the helplessness of spring return, the ending of couplets always comes down to the loneliness and boredom of life. Tourists hurried home, the pommel horse disappeared, and the silver pot timed at night leaked, adding to the loneliness after the excitement; On a sad spring night, who should indulge in the hidden hook play tonight and entertain themselves with this sad spring? Some critics think that this sentence is about "an unworthy son, having fun day and night." Spring flowers wither and have no feelings. "It seems that the ending of the whole poem is not about' unworthy aristocrats', but about the poet himself. In fact, the first six sentences of the poem are all drunk and lonely scenes. From the river to the pavilion, the poet sighed and hurried to spring. He is too sad to know how to entertain himself. This scene is similar to another poem by the poet, "Jiang Ting ends, Liu Lu sings to the official residence":
Spring is brave and light, and the topic is half a cup.
Jiang has been killed, and Mei Zi has been hiding in the snow.
Widowed and true disciple, Yin's worry came at once.
What's the reward for longitudinal poetry? I only feel the impulse of twenty cents.
This poem is a feeling of expressing sadness and accelerating one's aging. Its mood is boundless, and its emotional state is exactly the same as the first six sentences of the poem Today. If we change "Today" to a specific topic, it seems that it can be called "Singing to the official residence along the pavilion road after the banquet". It was after the banquet that the poet was so lonely that he remembered that he didn't know who to go to dinner with tonight. This explanation seems to be more in line with the emotional development of the whole poem.
This song "Today" can be described as a complete story of hurting spring. The sense of regret under the riverside pavilion, the helplessness of reciting carefully and the sadness that can't be shaken off fully show the poet's boredom and unbearable sadness in the late spring. The poet's injury to spring is actually his own sadness. Some people say that Li Shangyin is a person who loves to hurt spring, which is related to his tragic character. On the other hand, it is also related to the decline of his time. In that era when there was no spring and no hope, he was full of enthusiasm, and the ideal flame could only burn in loneliness, just as the flowers in spring had withered, not to mention brilliance and prosperity. Therefore, there is no choice but to hurt the spring, and the sadness can only be melted by poetry. This is probably the best vent and sustenance for every scholar who is unable to do anything about feudal society on the bumpy road of life and is determined to go forward bravely.
In terms of brushwork, this poem begins with "one year old", begins with flowers and people, and from day to night, euphemistically and profoundly expresses sad feelings. The end of the pen sighs, layer upon layer, beautiful and subtle, tortuous. It is not only meticulous, but also subtle. Very sad and beautiful, don't feel depressed and frivolous. The first six sentences are written in plain language, elegant and sighing, while Chinese words are mostly used at the end: "golden saddle", "silver pot" and "white jade hook", which are poetic and give people an enduring charm. In addition, the whole poem consists of eight sentences, none of which are used in allusion, and are accompanied by sketching techniques, which are rare in Li Shangyin's seven-law poems. It seems that this "rex fish sacrifice" sometimes doesn't pay that much attention.