Summary of the Content of Zhou Libo's Great Changes in the Countryside and the Post-reading Feeling

"Great Changes in the Countryside" is the reader of "Storm". The book consists of a feature film and a sequel, which completely describes the development process of agricultural production cooperatives in Qingxi Township, Hunan Province from primary cooperatives to advanced cooperatives, artistically shows the mental outlook of farmers in China when they embarked on the road of collectivization and the social outlook of new countryside before and after the cooperative movement, and analyzes farmers' thoughts, feelings, psychological state and ideal pursuit in the great historical change, which indicates that agricultural cooperation is the second storm in rural China. Just like this storm, the great changes in the countryside also have a distinct sense of the times.

The preciousness of Great Changes in the Countryside lies in that it is a gallery of contemporary literature in China, adding a number of vivid characters such as Deng Xiumei, Liu Yusheng, Li Yuehui, Ting Tie, Wang Jusheng and Zhang Guiqiu. In particular, the old farmer's "pavilion batter" is simply the brother of the funny old grandson in "The Storm", which is very plump and full of three-dimensional sense.

In terms of characterization, Great Changes in the Countryside has distinct national characteristics, and each chapter focuses on portraying a character and describing a thing. The author is good at highlighting the personality of the characters through personal actions in sharp contradictions and conflicts. It is obvious to learn the techniques of portraying characters in classical novels.

"Great Changes in Mountain Villages" has strong local characteristics in southern China. The delicate and handsome rural geomantic color and the unique customs of Hunan mountain villages endow the novel with special cultural connotation and create a beautiful artistic conception that fascinates readers.

Zhou Libo is a master of language. The language of Great Changes in Mountainous Areas is fluent, beautiful and natural. The dialogue between characters is humorous, implicit and vivid. Especially the dialect application of Hunan dialect shows the skill of language masters.

Appreciation of works:

Zhou Libo's novel "Great Changes in the Countryside" 6, although not the first work to describe the cooperative movement with art, is not the novel with the most theoretical depth, but it has a very distinctive artistic personality, that is, starting from the natural, lively and simple folk daily life, it has opened up an artistic aesthetic space completely different from the severe and urgent political space. Zhou Libo participated in the left-wing literary movement in 1930s, and he has a good literary accomplishment at home and abroad. His translation of sholokhov's novel Virgin Land and Keesh's reportage collection Secret China are both very famous literary works. After Yan 'an Forum on Literature and Art was held, he consciously gave up his original road of literary accomplishment and creation, and at the same time tried to go deep into rural life and learn language and art from the people. His first novel, Storm, was based on the land reform movement, and together with Ding Ling's novel The Sun Shines on the Sanggan River, he won the second prize of Stalin Literature Award (195 1 year). However, this novel is not successful in learning from the people, and only stays on the surface of local colors and dialects, which is out of touch with the overall style of the work. From 65438 to 0955, he moved his family to his hometown in Hunan, and deeply understood and studied the mental state of farmers in the cooperative movement, perhaps because of his writing about his hometown. "Great Changes in the Countryside" successfully shows the writer's unique artistic language and creative personality, which is quite noticeable among similar themes.

In his attitude towards the cooperative movement, Zhou Libo undoubtedly stood in the position of the times and encouraged farmers to take the road of cooperation. The basic conception and character relationship of the novel, including the design of rural class struggle, are consistent with the mainstream ideology. This is similar to Liu Qing's History of Entrepreneurship, but the difference is that the author of the History of Entrepreneurship has a more rational grasp of the class relations and conflicts in rural areas, thus having deeper thinking and sharper conflicts among characters. However, it should be pointed out that this kind of profundity and sharpness stood on the position of the mainstream ideology at that time, and it was these two points that were lacking in the great changes in rural areas. The writer put a political movement on the stage of folk life, avoiding the profundity of thought, but getting the nature, mellow beauty and harmony of human feelings; Avoid the sharp expression of contradictions and conflicts between characters, but inadvertently write a few vivid peasant roles. "Folk cultural form" is a complete artistic whole in literary creation, and the isolated use of "national form" and "folk language" cannot explain the true artistic achievements of the novel.