1, double the brush, brush small, brush Gou Xianbi, brush big white clouds;
2, Bai Shengxuan 33×65 cm hemp, ink, a number of small porcelain plates, wash pens;
3. Pigments: cyanine, ochre, vermilion and titanium dioxide.
Second, the modelling of houses and fences:
Third, the sixteenth section notes:
1. Draw the pine tree on the left first, pay attention to the uneven outline of the pine tree, and draw pine needles in groups of three or five.
2. Use the axe handle to color the stone, pay attention to distinguish the yin and yang of the stone from the back, reflect the three-dimensional sense of the stone, and pay attention to the density relationship when coating.
3.？ Use ink, or the ink is biased, first draw the top of the treasure, then draw the corner, and pay attention to symmetry when it is tilted. Pay attention to avoid the place near pine needles, and the shielding relationship should be clear.
4. Re-ink the tiles and arrange them evenly. The lines are basically parallel and a little curved.
5. Draw the cornice and tilt it upward. The lines must be thin and reflect the parallel relationship between the upper and lower levels. Try to draw as long as possible, not too short and not delicate.
6. Draw railings under the pavilion, and the separation is basically even. Divide it into four or five pieces, and pay attention to where you need double hooks.
7. The roofs of the three pavilions are parallel, and the load-bearing columns must be vertical.
8. The outline of the distant mountain should be empty. The pine tree above should be outlined by a single line, and the pine needles should be represented by vertical points. The ink color can be heavier, thicker and lighter, and the change should be heavier.
Remarks: The description of pavilions and pavilions is more detailed, so we should pay attention to the angle of proportional relationship. You can prepare a small ruler. When you draw, you can draw the manuscript with a pencil first, and then sketch.