And the basic principles of choosing various garden building bases.
In ...
The space at the bottom of the hall is infinite.
The ingenious use of terrain by pavilion foundation,
The base of the study is quiet and elegant.
Listen to the shoes and choose the right place.
Combining the inside and outside of the gallery foundation,
Rockery is free and loose,
Give us more inspiration in design thinking.
The full text is about 3000 words.
Where the garden is located, the hall is the main one. First of all, the beauty of framing is that it faces south. If there are several trees, plant one or two in the atrium. //The wall must be wide, with plenty of open space, and you can hold it at will and obey the arrangement; Choose a pavilion and build a pavilion; //The format is suitable and can be cultivated. If you choose a direction that is not limited to the room, Anmen must be in harmony with the main hall. //Open a mound and revetment along the pond;
Any garden foundation needs to determine the location of the hall (main building) first. The hall should be shot first, and it is best to sit facing south. If there are several native trees, you can keep one or two in the yard.
Building a wall to divide the space, the garden scenic spot should be wide, leave more open spaces, and build and arrange the scenery according to the idea. Choose the land to build a library, and build a pavilion in scattered places.
The scale, volume and shape of building types are suitable for the requirements of landscape artistic conception, and the cultivation of flowers and trees should be beautiful and interesting. The orientation of the building does not need to be limited to the geomantic scenery, and the garden gate needs to be in the same direction (and relatively close) to the hall.
Dig a pool and pile up soil into mountains. The bank protection of the pool is made of stone, which is natural.
Qing said: this paragraph is about the foundation-space division-architectural setting-landscape skeleton. Among them, the garden foundation is not only the basic position of the building, but also the rockery position, as well as the choice of pedestal, spatial environment planning and layout, and artistic conception, which can be said to be the preliminary investigation and preliminary conceptual design.
Qu Wan, Qing Bo; The wind is ten miles away and the fragrance is quiet. Weave fences, plant chrysanthemums, and make pottery that year; Mowing the ridge and planting plums can combine the past of Yugong. //Find a secluded place to move bamboo, and the flowers will fall into the scenery; Peach and plum don't say anything, like Tianjin; Pond reflection, intended to enter the shark palace. One school contains autumn, heavy yin and summer;
Twisting willows on the shore, the bright moon is in the sky, the water waves are clear and bright, and the wind is ten miles away, and the fragrance is sent to the secluded room. Weave hedges, plant chrysanthemums to make pottery, and hoe ridges to plant Yimei and Yugong.
Planting bamboo is very deep, and planting flowers is a landscape. The forest path bends naturally and twists and turns as if it leads to the ferry. Pond reflection, intended to enter the shark palace. As far as I can see, it is autumn, with heavy shade and quiet summer.
Qing said: As the painter said, "Take the depth by twists and turns", so the garden road needs twists and turns, and the flowers, trees and bamboo trees are hidden into affection. This method can create more experiences in a small space.
Water control needs to create an ethereal feeling, and the bridge is connected to the place where the water is going to be broken; Forest planting needs to consider the seasonal and environmental images of flowers and trees, and building houses should also take the characteristics and time sequence of flowers and trees as the aesthetic theme.
Rooms and corridors should be virtual and real, with twists and turns, pavilions and pavilions should be looming and empty, as if "this river flows through heaven and earth, and there are both mountains and mountains here" (Wang Wei's Overlooking the Hanshui River). You can express your interest in overlooking the green fields and enjoy the magnificent scenery of the mountains.
Adjust measures to local conditions, balance earthwork, cut mountains in high places to make them have mountain potential, and dig pits in low places to make them into ponds.
Qing said: 1. "If it is sparse, it is infinite" can be described as a major feature of private gardens in the south of the Yangtze River. Generally, the water outlet extends out of the water tail and the building is concave, and short bridges are often erected at the water tail to increase the spatial level.
2. It is also a common practice to take the images of flowers and trees as the names of garden buildings. According to the seasonal changes of plants, such as "Frost-waiting Pavilion" (citrus reticulata), Liuting (withered lotus) and Weiyun Pavilion (plum blossom) in Xiang Xue in Humble Administrator's Garden.
3. The high hills can be cultivated, and the low sides should be dug, corresponding to the previous article "The high sides want to build pavilions, and the low sides can open ponds".
The foundation of the hall (the choice and location of the land, the size and type of the building, the artistic conception of the space environment) has been based on five rooms and three rooms since ancient times. But gardening is different from building a house. The width of the building itself or the size of the environmental land including the building should be determined according to the width of the base. All four rooms are fine, and all four and a half rooms are fine. If the land is too narrow to be widened, you can use three and a half rooms.
Courtyard should be changeable and secret, connecting the former and the latter. In the wonderful use of this half room, endless reciprocating space and unpredictable scenery have been produced. This is a spatial organization mode that must be mastered and applied in landscape planning and design.
Qing said: suit measures to local conditions, not limited to form, use "half a room" to create an endless sense of space reciprocating. ("Half-room" is not the number of rooms, but the rooms that exceed the number in the house base, that is, the driveway between the house and the courtyard wall or the gable of the building)
According to the overall layout of the house, the pavilion site should be set up behind the hall (low in front and high in back), but gardening is different. Why not stand between the mountain and the water?
There is also a saying that the second floor becomes the first floor: looking up from the foot of the mountain, it is a two-story building. If you enter from the back of the mountain, it is a one-story bungalow, which is already upstairs, so you can go upstairs and overlook it.
Qing said: the pavilion can be halfway up the mountain, with a mountain pavilion in front and an open pavilion on the second floor behind.
Garden architecture, although there is no direction restriction, can only be established if the position of the gatehouse (garden gate) is consistent with the direction of the main hall and meets the requirements of the overall planning.
The foundation of the study (including the environmental foundation of the study), if you are in the garden, whether in the garden scenic area or outside the garden scenic area, you should choose a remote and hidden place, which can naturally lead to the garden scenic area and make it difficult for tourists to find the place of the study. In such a place, the study can be set as a study, a museum, a room, and a room. Using the study environment or the garden scenery outside its courtyard, it is naturally quiet and elegant.
If you want to build a building outside the garden, you must first look at the shape of the foundation, whether it is square or round, long or flat, wide or wide, curved or narrow. However, as stated in the foundation of the hall, we should strive to leave half a "clamped" place, with floating corridors sneaking through, resulting in endless space and unfathomable feeling. Building types, such as buildings or houses, corridors or pavilions, should be established according to the form of the base.
Qing said: if the study base is in the garden, it needs to be secluded, and there are mountains and forests to borrow the scenery, which will be interesting. If you are outside the park, you should adapt to local conditions and have an endless sense of space.
Pavilions and pavilions are built between flowers and trees, and pavilions and pavilions are built in a clear and spacious place by the water, which is a natural interest in gardens. However, pavilions are not only hidden in flowers, but also confined to water. Such as flowing bamboo forests and scenic hilltops.
Or in the dense bamboo forest, where pine trees stand, or on the bridge, watching fish and enjoying yourself, or standing in the water, the water is clear and clean. The pavilion should be designed according to the artistic conception, but there are no established rules on where to build it.
Before the building foundation of the corridor is established, it is necessary to reserve a position under the front and rear eaves of the house, leaving room for the relatively closed courtyard to lead to the open scenic spot.
Climbing mountains and wading in water, winding freely with the terrain, naturally intermittent, winding forward, this is an essential part of the garden.
Qing said: the corridor is the continuation of architectural space, and it is a space that blends inside and outside.
The foundation of rockery is mostly laid in underground water. Only by determining the height and top size of the measured peak stone can the weight be estimated and the foundation depth be determined.
Rockfill is the peak, and its visual image and position in space must be related to the surrounding space distance and environment. Remember not to place a single peak stone in the courtyard. Many peak stones are asymmetric in primary and secondary, so they should be arranged freely.
The next issue of the Easy Reading Series has been updated: Horticulture and Metallurgy Volume 8 Easy Reading-House
Reference books: History of Classical Gardens in China, Complete Interpretation of Gardening and Metallurgy by Zhang Jiaji, Illustration of Gardening and Metallurgy by Zhao Nong.
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