China TV drama name: Four Gods of Thailand TV Station: South Korea MBC TV Station broadcast date: September 2007 episodes: 24 episodes Compilation: Ji na Song Director: Jong-hak Kim Performance: Bae Yong Jun plays Tan Suli as Ji Park Won soon as Yan Jiali.
The black iron swordsmanship and the solitary nine swords are both created by seeking defeat by solitude. There are similarities and differences between the two swordsmanship methods. The technique of black iron sword is simple and exquisite: the epee has no front, and the clever thinking is ineffective. The comparative theory of the nine swords of Dugu is comprehensive. Which swordsmanship is stronger, or: which swordsmanship is higher?
My opinion: The era of Condor is the era of airplanes and guns, while the legendary swordsman is the era of millet and rifles, and the protagonist's understanding of fencing depends on the requirements of the times. That is to say, even the same kind of swordsmanship turned into dark iron swordsmanship in Yang Guo and nine swords in Ling Huchong.
Why do you say that? When Yang Guo came to the lonely cave. I saw three swords, one is a sharp sword, the other is a dark iron epee, and the third is wood blade. In the end (arranged by Jin Yong), Yang Guo chose the darksteel epee. Why not choose a sword? -the requirements of the times, or the requirements of the situation. The era of carved gods is an era with strong internal forces. What kind of dragon is like Prajna Paramita? Eighteen palms must fall. The sky will suddenly fall, and Yang Guo's internal force is insufficient. It needs to be compensated by the weight of the black iron sword (first of all, you can't lose to the enemy in momentum). At that time, people liked simple martial arts, but they were unwilling (or disdainful) to rely on complex skills. For example, although Hong Qigong can beat dogs to help, he seldom uses them. First, I'm afraid it will crack if I use it too much, but more importantly, I think the dog gang is too stingy and flashy, and it's not as straightforward as fighting the dragon. Qiao Feng didn't learn at all after he arrived at Dragon and Eight Branches. Similarly, the formula of "weak is better than strong" and "empty and loose" is just "wind energy realizes dreams, flushes the poor and eliminates insects", but the Taiji biography in "Eternal Dragon Slayer" is a huge theoretical system. Jin Yong's martial arts and technology are different. The progress of science is marked by the completeness of theory, while the complexity of Wushu theory is marked by the weakness of internal force. For example, I can kill you with 50 Jin of strength, and I will never use 100 Jin. The complicated technique is to preserve internal forces. A passage in the sculpture illustrates this point. See the original text:
He pondered for a long time, only to hear the flute playing louder and louder. If it is higher, Ouyang Feng will be finished. But at this point, he can't go any higher. Finally, he realized that he couldn't help laughing: "I am so stupid!" Human resources are sometimes poor, something you think 19 century can't do. I know that if I punch, if I have the strength of 10 thousand Jin, the enemy will be destroyed, but how can my fist have the strength of 10 thousand Jin? The Seventh Master often said,' It's not difficult for others to carry the burden. You can break your spine by carrying it yourself.' Even so, let alone such profound martial arts. "
Ling Huchong's nine swords can be divided into broken arrow, broken palm and broken whip. The dark iron swordsmanship is not so clear, just a few simple actions such as "picking" and "stabbing". The legendary swordsman is an era with weak internal forces, and the complicated nine swords system in Dugu just meets the needs of this era. Personally, I think the nine swords of Dugu are the swordsmanship when Dugu seeks to defeat the weak crown, while the dark iron swordsmanship is the swordsmanship in middle age, because the internal force in middle age is relatively higher than the weak crown, and people with high internal force tend to be straightforward and simple martial arts. Yang practiced epee directly because he had a good internal force foundation. I have practiced the Jade Maiden Heart Sutra, Jiuyin True Sutra and Frog Skill before.
At the beginning, Yang Guo's swordsmanship had the flavor of nine swords alone, but with practice, it began to deteriorate. He practiced his sword in the tide and "shot" it in the tide. In the end, the sword didn't cut people, and the anger churned them out. He hit the tree with his sword, poured internal force on wood blade, and then broke the tree with a bang. This kind of martial arts is not so much a "black iron sword method" as a "black iron stick method". It's not that Yang Guo doesn't know the realm of no tricks, but that "people who are used to drinking in big bowls are not used to drinking in small glasses". Experts in the era of strong internal forces think that the realm of "no tricks" is too stingy. I can kill you with a thousand kilograms of strength. Why use 100 kilograms? Anyway, I have enough internal strength. When Yang Guo fought Qiu, it was from the wooden house. As a result, the wooden house was shattered, and then he jumped into the snow to fight. Snowflakes are flying and heroism is high. Yang Guo thinks this is the real battle. Therefore, his fencing is no longer "picking" and "stabbing", but "hitting" and "smashing". Just like his palm method, he beats people wave after wave, asking for nothing but fun. This kind of swordsmanship is no longer a dark iron sword, a solitary nine swords or even a swordsmanship. If there is a copper hammer, he can't wait to take it. However, he still holds a sword. First, it looks smart, and second, it won't be too lethal. As Ng Man Tat said, because the guillotine was too deadly, he used bananas instead.
The same is true of the Golden Wheel French King. In those days, Yang Guo's dark iron swordsmanship opened his eyes. When he got back, he thought about the countermeasures and realized that it was not the weak that defeated the strong, but the strong with violence. It is not that he doesn't understand, but that he can't swallow this tone. Are you strong? I am stronger than you. As a result, I spent more than ten years practicing "Dragon Elephant Prajnaparamita" crazily. Whether you have a move or not, whether you use a sword or a whip, I hit it with hundreds of pounds or thousands of pounds of strength. As a result, when two people meet (see original)
"Suddenly the sword wheel collided, sound like a dragon. Two strands of Julius are fighting with each other again. When Khartoum rang, Yang Guo's long sword broke into several pieces, and neither of the French king's two wheels could hold. They flew out of the platform and fell off it, killing three Mongolian shooters. "
This kind of drama, even if Ouyang Feng is resurrected, will be worse than sighing. After all, people will talk about some tricks when talking about swords in Huashan. At the end of the sculpture, when Yang Guo saw Jue Yuan telling Zhang Sanfeng that "fight first, fight first", he suddenly felt that "there is a hole in the sky": Oh, it turns out that fighting can still be done like this.
If Yang Guo doesn't know how to save the internal force, this situation will be even worse in "Dragon and Eight Branches". The Tianlong era can be said to be an era of excessive internal forces. It is not a pity that the internal force has been passed down for decades and hundreds of years. A rookie like Xu Zhu suddenly became a master.
In the legendary swordsman, Wushu is one of the changes. Since there is not so much internal force, we should haggle over every trick and every style, and take out both broken arrow style and expired style, with the aim of "achieving the best effect with the least internal force". Like Ling Huchong, there is a way of fighting in which weapons don't touch each other. If you play like this in the era of the condor, you won't be shocked by the somersault in the air.
Ren Woxing's dungeon is under the West Lake. It can be said that the martial arts atmosphere in the legendary swordsman has the West Lake cultural style, which is completely opposite to the desert martial arts style in the era of the condor. No more dusty momentum, more of a romantic battle. The West Lake has the amorous feelings and beautiful scenery of the West Lake. The most representative of the West Lake martial arts style is the sword that Ling Huchong played by the stream:
"He jumped up, pulled out his waist sword and stabbed a weeping willow branch by the stream. His wrist shook slightly, and with a loud noise, the sword was drawn. Then his left foot landed, and he looked up and saw five willow leaves falling slowly from it. The sword was drawn for the second time and turned into an arc in the air, and all five willow leaves received the blade. He took a willow leaf from the blade with his left hand, which was both happy and strange. "
This kind of swordsmanship, if seen by Yang Guo, will certainly be dismissive (with different aesthetics), but in the era of declining internal force, this kind of swordsmanship is the most exquisite and coolest, definitely much cooler than the waterfall modeling in Aaron Kwok. In addition, there are boudoir masters like Dong Fangbubai (try to compare with the war heroes of the condor god), and the piano, chess, calligraphy and painting of Meizhuang and the wild goose sword of Dahuanfeng are also important symbols of the West Lake martial arts. Tsui Hark's Dong Fangbubai and Zhang Jizhong's the legendary swordsman were both made into wrong styles because they didn't realize it. On the contrary, those 80' s martial arts films (such as killer and dream sword) can better reflect the artistic conception of West Lake martial arts.
The master of the era of smile and pride likes to pursue the realm of no tricks (such as Ling Huchong) or the realm of extraordinary speed (such as Zigong clan), but Ren Woxing went the wrong way. Although Ren Woxing could absorb the liquid, the internal force of people in that era was generally too low to absorb much. In addition, there is a bug in this kind of martial arts, that is, they can't completely use the absorbed internal force for their own use. An obvious example is that three masters from Ren Woxing and Ling Huchong besieged Dong Fangbubai and fought in the boudoir. The book doesn't say whether the things in the room are damaged, so it's estimated that it won't lose too much. But it would be strange if they play in Yang Guo and don't shake their boudoir.
As for Ling Huchong's internal force, how strong is it? Although he has practiced the star-sucking method, I think this internal force allows him to hold a sword at most.
In fact, there is no difference between the nine swords of Dugu and the sword of Tie Xuan. Nine swords of Dugu are suitable for people with low internal skills, and Tie Xuan sword is suitable for people with high internal skills. If the internal force is too strong, wood blade is enough.