The philosophical principle of "Relying on the Mountain" comes from Fan Zhen, a philosopher in the Northern and Southern Dynasties, who expounded the "Possession of Form and God" in his book On the Elimination of God.
Modern physics proves that there is a certain connection and interaction between substances in this natural world where we live. Living in this interactive material space, human beings will naturally be influenced by it. In the course of historical development, some discourses about the relationship between man and nature in the western world, such as: "If we lose the mid-levels as a support, 80% of the rich areas in the world will disappear", also provide another evidence for "relying on mountains to eat mountains". This statement coincides with our concept of feng shui. The natural human living environment, whether in the east or the west, naturally conforms to the standard of "looking to the future and relying on the future"
According to the viewpoint of traditional Chinese studies, everything can belong to the concept of five elements. Therefore, the natural landscape is also divided according to the five elements. In the five elements theory, the north belongs to water, the east belongs to wood, the south belongs to fire, the west belongs to gold, and the center belongs to earth. The shape and basic trend of mountains in all directions also exist according to the five elements and their shapes. The north belongs to water, and the mountains are water-shaped mountains; The east is wood and the mountains are wood-shaped; The south is a fire, and the mountains are flame-shaped; The west belongs to gold, the mountain is gold-shaped, and the steamed bread is shaped; The center belongs to the earth and the mountains are like hills.
Regarding the description of Wuxing Mountain, Yang Junsong, a Feng Shui master from the North School, made the most detailed statement:
Water-like mountains seem to come and go in series, shaped like raw eels. Soft language is its true meaning. Another example is the goose neck spring as its main vein, such as silk miscellaneous lines. The limbs are like dragonflies, and the mountains fly in 3355, like butterflies. The bones of this mountain are few stars and few peaks, and the star peaks rise slightly, naturally connecting the left and right. It's affection. If there is no peak, it will be as sloppy and heartless as an eel.
Fire-shaped peaks move like flames, and the peaks are steep. If the umbrella breaks like a plow, it will break. Although the flame is red and high, the black smoke will be very thick. The three peaks of the flame must stand tall like figures, and the two peaks on the shoulders are divided into two guards, of which the low fat one is the female peak and the high barren one is the male peak, which is the real fire-shaped mountain.
Mutou Mountain is like bamboo shoots and peaks, sharp and straight, which is the original temperament of Mutou Mountain. If it is a low peak, it is as small as a pen inserted into a tower and as flat as a silkworm lying on the top. The rock on the sloping side of Mushan falls into the air, and it must not be big or small, and it must not collapse in the air. Although the air is fine, it belongs to rotten wood after all.
Jinshan is like a drum and a pot. The foot of the mountain is like a melon. There is a small peak in front of the melon, as big as a crab and as small as a spider. The foot of Jinshan is like a sword, and the small peak is like a node. The toes are like halberds, and the cloth belongs to the left and right to determine its authority.
Tu Xingshan is mainly dignified and steady. Not sharp and not round is the foundation. If it is a mountain in the shape of a mountain, it looks like a tooth, with few branches and leaves, and it is rare to close the summer. There are one or two guards on both sides of the low peak below the mountain, such as herding sheep. Or support the joint, and the joint peak is mostly bimodal. If there is a continuous knot, there must be a sword escort after the continuous knot, and then there will be a dome after the sword is delivered, stretching like a shuttle, if there are traces of spider silk.
Wang Yongjie has been engaged in the research of traditional natural landscape geomantic omen for nearly forty years, and his footprints are all over the country. What he saw and heard confirmed that his views on the five elements of natural landscape were in line with Feng Shui theory. By cracking and refining, Mr. Wang combined the five elements of nature with landscape painting and calligraphy, forming a prominent feature of the combination of five elements and number elements. This is the theoretical basis of "relying on the mountain" Feng Shui theory.
People in real life have different needs for the external humanistic environment because of their different fates, personalities, occupations, social status and presentation forms. Mr. Wang Yongjie has explored decades of experience in studying the numerology of the five elements. According to the needs of different people, according to his own theory and a lot of practical experience, he conceived different absolutely targeted practical landscape painting and calligraphy works-"Back Mountain Map".
The five elements of the mountain in the back mountain map are too broken. Don't cling to yourself, be hard on yourself. Except for the main vein, the side branches in "Back Mountain Map" mean that the four beasts fall short. These four beasts should review each other before they meet in Long Mai. Gathering is to review the customs, so that it can gather gas. The veins are undulating, the mountain is suddenly big, and the peak is bound to be small. The endless places are endless, like thousands of children and grandchildren. The mountains are undulating and peeling, which is touching. Natural mountains and rivers show their five elements attributes with their unique shapes, so as to show the real functional attributes of foreign landscape paintings.
In recent years, some people who don't understand the principle of "relying on mountains" operate some ordinary landscape paintings as "relying on mountains", which is very harmful. The "Mountain View" invented by Mr. Wang Yongjie has rich principles. It combines the principles of integrity, Yi-ology, philosophy and numerology. Without in-depth discussion of many theories, it is difficult to become a "back picture." "Backing Mountain Map" has been registered with the State Administration for Industry and Commerce. All the works in the market without the seal of "Mountain Map", "Mountain Son" and "Xuanhui" belong to landscape painting, not "Mountain Map".