What is Tu Shanjing's knowledge of God?

The sacred knowledge of mountain scenery is a special spiritual power or existence.

According to the query, douban. Com shows that the magic fox in the picture is a special spiritual force or existence in the Sauvignon Blanc drama. This knowledge of foxes is an ability gained in the practice of mountain scenery, which can help to perceive and detect the surrounding environment, including the existence of people and things, energy fluctuations and so on.

Because the prototype of Tushan Jiing is not a fox, he is a protoss. The Tushan family is called the fox because their ancestors are descendants of the nine-tailed fox and the protoss, so the blood of the nine-tailed fox flows in their blood. He is Kyubi no Youko Shenhu, including Tu Shan Jiing's illusion of gods, all of whom are foxes. The novel also says that only a few protoss have mounts, while foxes have mounts.

Tu Shan is the noblest family of Kyubi no Youko Shenhu who lives in Qingqiu. Tu Shan in the back is divided into two branches, one is secluded Tu Shan, and the other is separated Qingqiu. Then Qingqiu became more and more impure from several expenses, and some lineages changed from protoss to demon race.

In Shan Hai Jing, Xiang Liu is a courtier of a worker. He has nine heads and the body of a snake. Where Xiang Liu passed, the ground would collapse into swamps and valleys, and Dayu killed Xiang Liu to control water. The advanced snake is dumpling, which usually turns into dumpling and dumpling into dragon.

Evaluation of sauvignon blanc drama:

Different from previous dramas, which only focus on single love, this drama shows the choice and attitude of carefree facing affection, love and friendship in the form of multi-line narration. Whether Xiaoyao tried his best to comfort and protect Daida, who lost her parents, or treated Asako, Chuanzi and Mu as family members after she became a sixth grader, all these showed Xiaoyao's kindness and responsibility.

The rejection of Tu Shanjing's kindness represents her emotional prudence. Through various depictions of Xiao Liu and Xiao Yao, the play shows the audience a strong, independent, cautious female image with good intentions and sincerity even after suffering.