A, China landscape painting referred to as "landscape painting". Chinese painting with landscape as the main description object. It was formed in Wei, Jin, Southern and Northern Dynasties, but it has not been completely separated from figure painting. Independent in the Sui and Tang Dynasties and mature in the Five Dynasties and the Northern Song Dynasty, it became an important branch of Chinese painting. Traditionally, it is divided into green landscape, golden landscape, ink landscape, light crimson landscape, small green landscape and boneless landscape according to painting style.
Secondly, compared with western landscape painting, China landscape painting is at least 1000 years earlier. In fact, it is a history of China's thoughts. As early as 7000 years ago, the awakening of the ancients was recorded in the form of patterns. Hemudu culture in Neolithic age has expressed the connotation of conceptual culture through line engraving. The origin of settled farming civilization not only makes people realize the beauty of tools, but also the beauty of metaphysics above tools. Art is not only an imagination to conquer nature, but also a symbol to conquer nature. From the beginning of ancient times and nature, with lively and logical discovery and artistic appreciation, people's eyes are interpreted, which makes a China schema of harmony between man and nature move from chaos to clarity.
Thirdly, from Yangshao culture, the relationship between man and nature has become symbolic. In geometric decoration technology, the concepts of symmetry and motion have been obviously applied to the expression of time and space. What is particularly touching is "Sacrificing to the God Ji". Under the background of building a country by agriculture, it has always been a practice to offer sacrifices to the millet god. The relationship between crops, fields and people in this painting conveys our ancestors' simple understanding of the meaning of life. Based on the understanding of the natural relationship among people, animals and plants, social consciousness has become the most critical origin of civilization. The village map of Cangyuan culture describes human understanding of "home" in the form of rock paintings. The most visually interesting thing about this painting is the road connection centered on the village, and the gradual deepening of scenes such as holding prisoners, driving away animals, offering sacrifices to heaven, and jumping around the front center. This painting strongly reflects the depth of the plane. In this way, the relationship between man and nature, man and society will continue to deepen and develop with the artistic point of view.
Fourthly, at present, there are many opinions about using the word "Li" to correct the name of landscape painting, including Gu Kaizhi's "The Goddess of Luo Fu Tu" and "The True Map of Female History". In the analysis of this kind of copywriting, we can see the complex expressions of peaks, stones, clouds, water and trees. This artist, who "has made contributions that the predecessors have not made, and is the teacher of future generations", moved landscape painting to the performance stage of China fine arts for the first time, and his painting Yuntai Mountain can be regarded as the pioneering work of landscape painting theory. Although the center of the topic is the story of Zhao Sheng who gave his life as a teacher, his description of the environment has become a reflection of China's landscape painting.