(1) geomantic theory. Geomantic omen has a far-reaching influence on Huizhou architecture from site selection, planning, design to construction. Through the choice and treatment of people's life and living environment, people's psychological needs are met, but it is essentially a means used by the ancients to coordinate the relationship between man and nature. Investigate and understand the natural environment carefully, use and transform nature, create a good living environment, win the best climate, geographical location and human harmony, and achieve the perfect state of harmonious coexistence between man and nature.
(2) Philosophical thoughts. The founders of Zhu Cheng, Cheng Shun, Cheng Yi brothers and Zhu, are all from Huizhou. Among them, Zhu returned to Huizhou to give lectures many times, with many disciples and great influence. Neo-Confucianism has been thoroughly implemented and realized in Huizhou. "The state of etiquette has the legacy of the first king." What is advocated here is to know the truth and obey the rules. Zhu Cheng's Neo-Confucianism endows Huizhou architecture with introverted quality and indifferent color.
(3) The influence of Huizhou merchants. The development of Huizhou merchants accumulated a lot of wealth, which provided a solid material foundation for the development of Huizhou culture. They donated land, established academies and trained a large number of talents. At the same time, Huizhou merchants have a subtle influence on the values of local people. China's traditional society has extremely despised commerce, which is the lowest class among "scholars, peasants, workers and businessmen". However, doing business in Huizhou has become an ethos, which is accepted and respected by people. However, even in business, they use Confucian theory to regulate trading behavior, maintain the characteristics of both Confucianism and businessmen, and treat people with sincerity and trust in their business activities. Therefore, Huizhou's architecture also embodies the harmonious consciousness of the golden mean.
In the process of the evolution from ancient dwellings to new dwellings in southern Anhui, the change of plane system, the simplification of decoration and the application of new building materials are the manifestations of people's enthusiasm and natural creativity in actively exploring a new life, and they are also places that we should face up to and learn from. Regional renewal is an irresistible historical trend, and the continuous development and innovation of architectural culture will be a historical necessity. With the development of society and the progress of science and technology, people's lifestyles are also changing. As an important carrier of Huizhou architectural culture, the changes of Huizhou folk houses tell us that innovation is not to abandon tradition, on the contrary, only continuous development and innovation is the best inheritance and protection of tradition.
At the same time, in the information age, the development of regional architectural culture is getting faster and faster. As an important carrier of Huizhou culture, the creation of Huizhou architecture is also a dynamic development process. The discussion of architectural regionalism and architectural culture has always been a hot topic in the industry. At present, facing the collision between tradition and modernity, how to create "modern" regional architecture? People are constantly exploring actively. For example, in the early 1980s and 1990s, on the one hand, foreign architects paid attention to the traditional regional architectural culture in our province, leaving us many excellent works, which greatly promoted the creation of regional architecture in our province. Such as Huang Shanyun Valley Villa created by Mr. Wang Guoyu and Professor Shan Deqi, Huangshan International Hotel designed by Master Qi Kang, and Huangshan Yupinglou Landscape Garden created by Professor Shan Deqi. On the other hand, architects in the province have done a lot of work in the practice of exploring the inheritance and innovation of regional traditional culture, leaving many valuable works. Such as Huangshan Xuanyuan Hotel, Hefei Yaming Art Museum, Huizhou Cultural Park and Anhui Hui Culture Museum. These architectural works give a new interpretation to the traditional regional architecture of Huizhou school from many angles, which reflects the positive thinking of regional architectural design in our province and the new height achieved in practice. Therefore, after the creative peak of the last century, the new Huizhou architecture will inevitably attract more attention and development, and will inevitably take root, blossom and bear fruit in China.
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