The conclusion of architectural geomantic omen

The development of geomantic omen in China has a long history of more than 3,000 years. It is not difficult for us to see traces of the development and application of geomantic omen from ancient buildings. China's cultural tradition stresses "the unity of heaven and earth" and advocates that man and nature complement each other and coordinate and unify, which is consistent with the proposition of Feng Shui. The scientific nature of Feng Shui has always been the focus of debate. Although modern sciences such as environment, space, ecology and psychology coincide with some geomantic theories to some extent, many metaphysical theories in geomantic omen are still full of mystery. The attitude towards Feng Shui should be to take its essence and discard its dross, just as many architects are also studying Feng Shui, but they study Feng Shui for the needs of architectural design and do not seriously regard Feng Shui as an independent academic. We can also see that China's concept of Feng Shui is actually deeply influenced by China's traditional Confucianism, Taoism and Buddhism philosophy and China's traditional aesthetic thought, which is the product of the integration of China culture.

The simplest expression of feng shui can be called "time and space", that is, all buildings have different time and space, orientation and orientation, and their qi is also different, and ultimately their good and bad luck are also different.