Tisch
The article "Research on the Evolution of Landscape Painting Method" of Express Education starts with the evolution of China's landscape painting method, combs the origin and evolution of landscape painting method from the aspects of "green change", "ink change" and "pen and ink change", and makes a detailed discussion on the inheritance and development of China's landscape painting in the 20th century. It can be seen that the author of the paper has made great efforts in collecting historical materials, distinguishing ideas and sorting out concepts. In the evolution of landscape painting, it is clear and accurate in stages, and puts forward its own opinions on key issues such as "change and invariance" to give readers a clear outline. The paper is original and provides valuable results for the theoretical research and creative practice of contemporary China landscape painting.
The text of the paper is clear, illustrated, rigorous in style of study and standardized in writing, which embodies the author's comprehensive literacy and academic skill.
Meet the requirements of doctoral thesis in fine arts.
It is suggested to continue to enrich and expand on this basis and write a book.
extreme
China's landscape painting is a big category. There are many discussions about specific painting methods in past dynasties, and there are many valuable achievements. However, it is rare to summarize and analyze the characteristics and evolution of landscape painting techniques as a system from a macro perspective. Starting from the advantage of being good at practice, the author of this paper chooses this traditional and practical topic, which is worthy of recognition.
The framework of the paper is clear, and the changes of landscape painting techniques are summarized into four paragraphs, which embodies my own academic thinking and speculative conclusions and has my own unique opinions. What is particularly worthy of recognition is that analysis can closely follow the "technique" noumenon, not empty talk, and it is credible to read, which is the direct experience result of practice and reading thinking.
The writing of the thesis conforms to the standard of doctoral thesis, and the academic level is good, which reflects the results of three years' study and can enter the defense procedure.
The argument of this paper focuses on the ontology of pen and ink elements, which has advantages and disadvantages, that is, the motivation of the four changes does not necessarily come from the inside of pen and ink, and the requirements, concepts and even functions of the times may also play an important role. It is suggested that a broader perspective should be adopted in related research in the future.
Tisso
This paper grasps the key to the change of China's landscape painting method, combs the cultural roots behind the change of external means and the spiritual pursuit of the painting subject, and finds out the evolution context of China's landscape painting's external performance and internal value. In the historical development, Chinese painting has a profound cultural foundation. No matter from emphasizing figure painting to landscape painting, or from turquoise to ink painting, it is by no means a simple technique innovation. Therefore, we can understand the interactive relationship between China's landscape painting expression means and cultural spirit by exploring the internal reasons of the landscape painting expression means. While exploring the reasons for the evolution of China's landscape painting, this paper firmly grasps the cultural causes behind it, and considers the changes of painting methods in the cultural environment at that time, so as to integrate metaphysical truth with metaphysical techniques, break through the disadvantages of only analyzing the function of techniques and ignoring the context inheritance of painting methods in the past, and strive to make the changes of Chinese painting expression methods conducive to the promotion of its spiritual connotation. This paper closely follows the development and law of traditional landscape painting, reveals the "invariance" and "variability" of China's painting in the historical evolution, and tries to seek the practical role of traditional landscape painting in the current landscape painting creation, which has practical significance for the healthy development of contemporary Chinese painting in inheritance and innovation.
This paper not only pays attention to the exploration of traditional landscape painting, but also compares and analyzes the influence of western painting on China landscape painting, and finds out the gains and losses of Chinese painting in the process of absorbing foreign painting elements, which has practical significance for Chinese painting to find a way out in the modern situation. This paper provides a useful reference for the development prospect of China landscape painting, and will undoubtedly play a positive role in the inheritance and innovation of China landscape painting.