Painting process:
1, nodding your head and holding out your chest will look very energetic. But no matter what kind of action, keeping the center of gravity balanced is the key.
2. On the premise of determining the position of the main parts of the skeleton, connect the chest and abdomen to increase the body curve.
3. Draw arm movements. Use as simple and direct lines as possible to perfect the contours of hair, clothes and facial features.
4. Erase the auxiliary lines and draw a round and complete draft line with soft strokes. The movement of eyes and hands is the key. There should be no parallel lines in the picture.
5. Analyze the color mixing law of the reference picture, and spell out the changeable big tones.
6. Open your face. The warm red of the face contrasts with the cold blue of the eyes, which makes the picture not monotonous.
7. Draw the shadow of clothes and hair. The eye area is large, and the semi-light color and semi-heavy color are not dull.
8, increase the color of the eyes. Improve the small blocks with heavy colors and patterns in the picture, add ground projection, trace the whole line, and finally trace the line with white lines. Do you know how to draw characters in ancient watercolor cartoons now? After understanding, be sure to draw a picture yourself. Don't just watch and do nothing. More hands-on painting will make continuous progress, and action determines everything.
Watercolor is a technique of painting with Arabic gum diluted pigment. You can refer to his works and the pigments used in this method.
In addition to gum as a binder, watercolor pigments also include plasticizers, such as honey, sugar water, glycerol and so on. Maintain humidity; Wetting agent, so that the picture brush strokes are smooth; Preservatives such as phenol.
Watercolor painting is usually painted on hand-made watercolor paper with a brush, and the best brush is made of red mink hair. (See Brush, Red Sable). Watercolor is bright, gouache is opaque.
True watercolor painting is usually done by Bo Tu method, and the brushwork is free, relaxed and broad. The grain, texture and white effect of the paper itself add to the splendor and jumping feeling of the work. Throughout the Middle Ages, watercolor pigments were used to draw the illumination of parchment manuscripts.