The Low-level Characteristics of Song Jun Porcelain Bottles

Tire bottom: Jun porcelain in Song Dynasty is exquisite, which is more rational than aesthetic features. For example, in addition to palace names such as Fenghua and Fu Sheng, the bottom number of Jun porcelain is "1234" ... 90 ",which is the only and unique phenomenon in ceramic works. At present, there are four kinds of guesses about the bottom of the number. (1) to match flowerpots and containers. The book "Notes on Nanyou" explains that "there are one or two figures between the feet, which are consistent with the mark of a pair". (2) Tao Ya and Liu Yin Zhai claimed that in order to distinguish the glaze color of porcelain, the singular number of 13579 represented scarlet objects, and the even number of 24680 represented cyan objects. (3) In order to distinguish the size and specifications of objects. According to the records of Jun porcelain and the history of Jun kiln, it can be seen that the number of unearthed porcelain pieces and even Song Jun handed down from generation to generation indicates the size, that is, the height. With "one" as the highest, the caliber is the largest, which decreases in turn, and "ten" is the lowest and the caliber is the smallest.

There is also a view that the different grades and specifications used by the characters in the bottom section are a reflection of court culture, a positioning of "the monarch does not overstep the moment", a materialization of "the respect of the Ninth Five-Year Plan", the antecedent of the monarch, the minister, the father, the son and the three cardinal guides and the five permanent members, and a sign of the materialization of Neo-Confucianism in the Song Dynasty. This view is held by a group of contemporary Jun porcelain aesthetic theorists, who are "Runyazhai".

Carcass:

The tire in Song Dynasty was a kind of light gray tire with high density. From the observation of the carcass, the selection of raw materials for Jun porcelain is very strict, because there are no impurities, uneven particles and sand from the appearance to the fetal heart. The processing of raw materials is quite fine and strict. Under the magnifying glass, you can see small and uniform particles, without fracture and uneven size. Kneading and aging are very good, the density of the molded and fired objects is consistent, there is no foaming and deformation, and it also has the characteristics of purple mouth and iron feet. Minjun's fetal quality is very different. Some people knock with a metallic sound, others sound hoarse, but the general tendency is that the fetal quality is coarse and loose. Guan Jun usually goes to the bottom of glaze, with less exposed tires, while Min Jun has more exposed tires.

The matrix of Yuan Jun kiln porcelain is thick, hard and strong, which is completely different from the gray-green tire Jun porcelain produced for the court in the Song Dynasty. The color of the tire is white, the particles are coarse, and holes and cracks are easy to detect.

Attach a picture:

Appreciation: collection of azurite vase in Jinjun kiln, flower mouth, long neck, ball belly and high circle foot angle. The flowers are pressed along the mouth, and the shoulders and shins are close together. The soles of the feet were exposed for a week, and the rest were glazed. The lace glaze along the mouth is thin and yellow, and the mouth is slightly blue. The glaze is sky blue, and the pores under the glaze are small and deep, covered with fine lines of cow hair. The glaze is bright and slightly glazed, and it is very rare for copper red glaze to burn into such a uniform azure.

~ ~ I hope my answer is helpful to you ~ # _ #