English name of the project: Laihetai Square. Three demands of name design: new culture, new landmark and theoretical basis of new wealth name design.
1. The historical and cultural value of Yangzhou has a history of 2,488 years since the nine years (486 BC) recorded in Chunqiu Zuozhuan, when the State of Wu established Seoul and communicated with Jianghuai. The ancient Yangzhou, with riverside and sea, is also the north-south axis of the Grand Canal and the hub of China. The importance of geographical location makes it a battleground for military strategists in troubled times, a city and a cultural exchange center where businessmen gather in prosperous times. Frequent ups and downs, rich accumulation. Therefore, the people of Yangzhou have been able to integrate ancient and modern times, North and South, created exquisite and elegant history, culture and art of life, and have profound regional cultural resources. These resources should be transformed into cultural capital and generate new wealth.
2. Legend of Yangzhou Crane Culture In the traditional Yangzhou culture, the most closely related, oldest, most popular and legendary resource with commercial civilization is "riding a crane to the state". Yin Yun's novels were originally recorded in the Southern Dynasties.
[1], it has been more than 1000 years. This legend reflects the history of the ancient city of Yangzhou. Yangzhou was called "River City" in ancient times [2]. There are many large-scale buildings named after cranes, such as Xianhe Temple, which is one of the first four mosques built by Arab businessmen after landing in China in the Song Dynasty. This name is borrowed from the legend of Yangzhou crane culture. According to the records of the Department of Antiquities, Volume 23 of Rebuilding Yangzhou Official Records in the 15th year of Qing Jiaqing, there is an old crane pavilion in the north of Yangzhou and an old crane-riding building in the northeast. According to Li Dou's "The Story of Yangzhou's Original Boat" in Qing Dynasty, there is a "Lai He Tai" in the rest garden. In addition, there are Crane Pavilion and Laihe Village. If we look back on the poems about Yangzhou since the Tang, Song and Qing Dynasties, we can quote hundreds of works of this crane culture legend. All this shows that the people of Yangzhou in past dynasties borrowed the image of this legendary story to express their good wishes of re-creating a prosperous Yangzhou. The naming of the square is also implemented in the inheritance of this cultural context.
3. The origin of "Sehe Terrace" Sehe Terrace is a famous landscape building in Yangzhou Leisure Park in the late Ming and early Qing Dynasties. The owner of the garden, Xia Zhengru, was named Shijie, and he was named Yi Si. Gong Sheng in the 12th year of Chongzhen in Ming Dynasty. Works and poems, including Poems of Three Leisure Gardens and Poems of Leisure Gardens. Born in a salt merchant family. Father Zheng Zhiyan, whose real name is Zhong Juan, was born in Dongli, a scholar, proficient in business, a leader of salt merchants in Yangzhou, and a patron of cultural undertakings. (sound clip) Drink Sacrifice and The Scholars. There are four sons: Zheng, Zheng Yuanxun, Zheng He and Zheng Xiaru. Brother Zheng carefully built the garden. Zheng (word Changji) has "five acres of rooms and two acres" and "Wang Garden"; Zheng Yuanxun has a cinema; Zheng Jianjia Tree Garden; Xia Zheng has built a rest garden. Among them, the cinema and the rest garden are masterpieces of Yangzhou gardens in the late Ming and early Qing dynasties. At that time, the rest garden was "the most complicated structure, the most arduous construction and the most outstanding masterpiece in Yangzhou gardens."
[4] Built in the former site of Zhuyuan in Song Dynasty. Covers an area of more than 50 acres. There are more than 30 landscapes such as Laihetai, Kongcui Mountain Pavilion, Golden Goose Bookstore and Sanfeng Caotang, which contain the works of first-class artists such as Wen Zhiming, Dong Qichang and Xu Wenchang. During the Qianlong period, his son Zheng Weiguang compiled eight volumes of Xiu Yuan Zhi. According to Song Jiesan's Leisure Garden Records, the leisure garden is "far north and east, and it is as lonely as a traffic jam when you come to Hetai." It is also picturesque, and it is not secluded if it is not spacious. Not sparse is not dense. If it's not plain, it's not literature. "It can be seen that the Laihe Terrace is a noble and spacious landscape in its garden. At that time, the rest garden was also an important cultural activity center in Yangzhou. According to "Yangzhou Painting Boat", "The poetry meeting in Yangzhou is mainly composed of Ma's small exquisite pavilion, Cheng's small imperial garden and Zheng's leisure garden. Cheng Yuanhe is the most important. "
[5] One of the cultural implications of coming to Taiwan is the prosperity of Yangzhou and a symbol of the prosperity of the people. Her name is directly taken from the legend of "riding a crane to climb the state". Secondly, Yangzhou gardens are a model of China gardens. Liu Daguan, a celebrity in the Qing Dynasty, said: "Hangzhou wins in lakes and mountains, Suzhou wins in the city, and Yangzhou wins in the garden pavilion. The three are outstanding and cannot be magnificent. " At that time, people called it "Zhilun"
[6] Therefore, Laihetai should be the outstanding building that can best express the commercial and cultural legend of Yangzhou in ancient Yangzhou architecture. Thirdly, Yangzhou businessmen attach importance to the relationship between economy and culture. The family of Laihetai boss has always been a giant among salt merchants in Yangzhou, but they also come from Huizhou and have a unique culture-oriented Confucian merchant atmosphere among Huizhou merchants. They use commercial profits to sponsor local cultural undertakings and form the center of local cultural activities. Fourth, it is a symbol of Yangzhou people's patriotism and love for their hometown. People in Yangzhou love the legends of crane culture in Yangzhou. Constantly build buildings related to it. Entrust their love and best wishes for local life.
The modern docking and transformation of the concept of "coming to Taiwan" is the great wish of modern Yangzhou people. She inherited and refined the unique commercial and cultural spirit of ancient Yangzhou. She is an ancient legend, and modern Yangzhou people will turn her into reality. She can inspire Yangzhou people to be proud of their history again, to re-realize the prosperity and wealth of the prosperous times, to rediscover their own intelligence and wisdom, and to enter the era of innovation with confidence.
Name of main attractions of the project The main attractions of the design square are platforms, small bridges, waterscapes and mountain views in the southeast corner. Now, according to the allusions of ancient poetry and Fu, a naming scheme is designed for adoption. Taiwan Province's name-Laihetai is the same as the name of the square. Modern desktop landscape architecture with classical images shows that the name "Sehe Terrace" originated from the "Sehe Terrace" in Yangzhou Leisure Park in Ming and Qing Dynasties. Bridge-Fuyun Bridge is a poem by Shen Quanqi in the Tang Dynasty: "Traveling around the world by floating clouds", which means the lofty and affectionate cause of "coming to Taifang". Shui Ying quoted a sentence from Bao Zhao's "Dance of the Crane" in the Southern Dynasties, expressing the unique and extraordinary image of "Laihe Taifang" with the noble gesture of the crane. In Song Dynasty, Ceng Gong's poem "Dancing Crane" was published in "Mountain-Yushan Classic": "I suddenly heard Yao Qin playing, so I danced in Yushan Cen". Taking the noble residence of Crane as an example, it symbolizes the beautiful leisure and sightseeing environment of Laihetai Square and the superior and leading purchase conditions. Name of main functional area of the project The main functional area of the design plaza consists of office buildings, commercial buildings along Wenchang West Road, boutique pedestrian street and catering pedestrian street. Its name is based on the crane-themed idioms, auspicious words and poetry allusions. The office building-Yunhe Tower takes the phrase "Yunhe roams the sky". This is the tallest building in the square, like the head and neck of a crane, in the northwest. In the modern geomantic imagery of the square design, the hexagrams of the Book of Changes, which are based on the northwest, appear in the sky, resulting in "cranes in the clear sky row clouds and lead poems to the blue sky" (Liu Tang Yuxi Poetry), which shows the grand planning and prosperous weather of "Laihetai Square". The commercial building-Mingzhu Building takes the language of "cranes holding pearls". In the geomantic image of modern square design, the main axis extending from the northwest corner to the southeast corner symbolizes the image of "a crane holding a treasure". The ancient mathematical classic "Yilin" said: "White cranes hold pearls and eat bright at night. The cream is moist and excellent, and the country is rich. " It means that "Laihe Taifang" is a treasure house for making money and enjoying geomantic omen forever. Eating Pedestrian Street —— Zhitian Street takes the phrase "pecking rice for farming". The crane feeds on Ganoderma lucidum, showing the functional characteristics of the food street and arousing people's association with the best food. The seven buildings in Zhitian Street are all named after Ganoderma lucidum and Ganoderma lucidum. From east to west, there are Jinzhi Pavilion, Yuzhi Pavilion, Xianzhi Pavilion and Ganoderma Pavilion in the north. The three buildings facing the square in the north are Qingzhi Pavilion, Danzhi Pavilion and Xuanzhi Pavilion from east to west. Boutique Pedestrian Street —— White Gallery takes the phrase "White is drunk". One metaphor is that the goods in boutiques are as precious as the white feathers of cranes, and the other metaphor is that boutiques operate in good faith and cherish feathers like cranes; The third metaphor is that people in the upper reaches of boutique street, such as cranes, are comfortable and intoxicated by the spring breeze. Shopping Plaza-Suihua Garden takes the inscription of modern Pan Tianshou: "Crane and plum blossom * * * Suihua." Mascot Name Design Mascot Name: Yi Ming Mascot is a small crane wearing a Tang suit and holding a small flag, named "Yi Ming", which not only means that this small crane can be extraordinary and blockbuster in the future; It also means that Laihetai Square has a bright future and is famous all over the world.