Props are an important resource for Peking Opera to solve performance mistakes and cover up embarrassment during performances.
In the process of Peking Opera performances, actors will use props to solve awkward performances: tables, chairs, sofas, cabinets, screens, etc. The props include telephones, vases, teacups, food, door curtains, screens, and chandeliers. , satchels, suitcases, pistols, fans, food, cigarettes, bowls, plates, etc.
The design style of stage props is consistent with the style of scenery, lighting and costumes. When using props in stage performances, the most important thing is to play its specific role to make the dramatic performance more vivid, increase the atmosphere of the stage performance, and enhance the audience's emotional resonance. The functions of props:
1. Create character image. As long as there are actors in the stage performance, there will be the problem of character creation. Actors' makeup is used to imitate, reproduce, beautify or dress up the characters in the play. The large props of the scenery also play an important role in shaping the characters. 2. Create a plot atmosphere and create a plot performance space. Stage props provide the necessary visual sense and performance fulcrum to create a plot atmosphere in stage performances. Doors, windows, tables, chairs, tree stumps, etc. are all used to reproduce scenes in the drama "General Deng Baoshan" and to highlight the plot space as indispensable stage props.
During Peking Opera performances, actors also need to wear hats. Or use the sword in your hand to solve the embarrassment in the performance. As an actor, once he is on stage, all his actions are in the eyes of the audience. If an embarrassing problem arises, he can use the sword in his hand or the hat on his head to solve it, which will leave a good impression on the audience. impression. In the past, it was impossible to perform horseback riding on the stage in Peking Opera, but later this embarrassment was finally overcome. It was completely solved with a small riding whip, and the solution was extremely beautiful. This kind of performance is very consistent with Chinese aesthetics. The huge horses are completely omitted, but the specific and graceful posture of the horseman is clearly displayed. Everyone knows that life is like a play, and play is like life. One minute on stage, ten years of hard work off stage. The most important thing to avoid embarrassment is to be skilled enough.
Someone was in the middle of a dramatic performance. What other props will be used to solve the awkwardness in the performance? Usually a fan is used. Male actors use fans and female actors use handkerchiefs to make up for the problem that their hands are nowhere to be found in their performances. Actor uses fan. There are many tricks that can be done. Actresses cover their faces with handkerchiefs, spy on each other, etc. These "small props" are slowly used by the actors and become indispensable props. The four treasures of the study, a stove, a riding whip, an oar, a table and two chairs, etc. Jimo is a general term for the large and small utensils and simple scenery on the opera stage, such as the four treasures of the study, the stove, the whip, the oar, and a table and two chairs. The mosaic does not express the scene independently. Its primary task on the stage is to help the actors complete their actions, such as using flags to dance to express rough waves. The mosaics are not copies of daily utensils. Some of the mosaics are more realistic, but the realism also contains certain assumptions, such as candlesticks that are generally not lit. Others are deformed and decorated to make them more obvious. Hypothetical nature, such as car flags, water flags, etc. On the other hand, when using mosaics to depict the mental outlook of characters, great emphasis is placed on the clear, accurate and expressive expressions and gestures, such as waving a riding whip to express the scene of galloping on horseback.
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