Pushing Li Jie to Fuyang New Town for three days and waiting for an epiphany of Feng Shui is a seven-character ancient poem by Su Shi, a writer in the Northern Song Dynasty. The meaning of the four sentences in the whole poem has changed. First, the poet must wander in the spring mountain without poetry and Li Wei. Then write the scene of tracking each other all the way, and draw Li Wei's "beautiful and graceful" juvenile demeanor from the perspective of others; In the third paragraph, I was blocked by the mountain stream, so I couldn't travel at night, so I had to spend the night. I saw plum calyx in the water at the stream bridge, so I imagined a horse tied to the other side, and the rock flowers fell vividly. In the last paragraph, Li Tuo not only treated his wife and children three days in advance, but also stayed up late with his fellow travelers, and was compared with those secular villains who were vying for fame and fortune, showing Li Tuo's valuable character of cherishing friendship. The whole poem is fluent and natural, and the feelings are promoted layer by layer, making waves among the people.
Go to Lijie, Fuyang New Town, and stay for three days before seeing Feng Shui (1).
Spring birds sing in the spring mountains, and there is no need to sing without me here.
It's a long road near Jiangpu (3), and you can't leave here.
I didn't see you by the goldfish pond, and I chased you across Dingshan Village.
Passers-by say you are not far away, and the boy riding a horse is clear and graceful.
Yanfeng Water Cave used to be famous, so it's not good to just stay opposite the mountain stream at night.
Plum calyx floats on the stream bridge, and you know it's Mahua.
It's not too late to go away for three days. When will my wife and son blame you?
Children all over the world boast that they run fast, as if you were at ease today.
Sentence annotation
⑴ Fuyang New Town: Fuyang belongs to Zhejiang now, and the new town is a town in Fuyang, which was the county of Hangzhou in the Northern Song Dynasty. Li Jietui: refers to Li Tuo, the official of Hangzhou Jietui. Short for Jie tui, Jie tui Guan. Feng Shui Cave: Song Zhu Mu's Yu Fang Sheng Lan, Volume I, Lin An Fu, says: "Feng Shui Cave, 50 Li to Qiantang, in Ciyan Courtyard of Yangcun, the cave is big, the water is inexhaustible, and there is another hole at the top of the cave, and the breeze is slightly out, hence the name."
⑵ (zhé) ⑵: Onomatopoeia refers to the singing of birds.
(3) Long: long and far. Next to Jiangpu: From Hangzhou to Fuyang, along Fuchun River, it is cloudy.
(4) Goldfish Pond: After Kaihua Temple on Qiantang River, there is golden crucian carp at the bottom of the mountain stream, so it is cloudy. Su quoted from the Chronicle of Song Poetry (Volume 21): "After reading Pagoda of Six Harmonies's poem, I said," Stay late for golden crucian carp. "It goes without saying at first. After Qiantang, I knew that there was this fish in the back pool of the temple, which was golden. " Goldfish, a kind of "golden crucian carp".
5. Dingshan Village: 47 miles southwest of Qiantang County.
[6] Beautiful and graceful: Describe Li Tuo's youthful demeanor. Clear, that is, beautiful eyebrows; Wan, beautiful face.
(7) Slippery: a small stream of water, referring to a stream. Plum calyx: This refers to plum petals.
Out of town: a "trip" (wēi) Night: Go back to the way you stayed. Jiang Yan Biefu: "The boat is stuck on the waterfront, and the car is behind the mountain." If you are late, you will make a mistake.
(9) wife (nú): wife and children. When: Write "Why are you late". [ 1] [2]
Vernacular translation
Spring mountain is full of birds singing happily. Without me, there can be no singing. The road by the river is so long that you and I can't live without it. I couldn't find you by the golden crucian carp pond, so I quickly followed you and went straight to the edge of Dingshan Village. Hurriedly chasing, straight to the edge of Dingshan Village. Passers-by say you haven't gone far: you have seen young people riding horses, with fine eyes and graceful demeanor. I have long heard that the scenery of Feng Shui Cave is very famous, but it's a pity that we can't cross the mountain stream at night. In the morning, plum blossoms are floating under the stream bridge. I think you used to tie your horse here and shake off the rock flowers. You have been out of town for three days, and you are still waiting. Your wife and children scold you when you will come back! Little people in the world compete for fame and gain. How can anyone love me like you now? [2]
Literary appreciation
The first four sentences are double-headed, writing both the poet himself and Li Bi. Clash, the sound of birds singing. Spring mountain is already beautiful, and there are spring birds. It is necessary to write poems. This is about himself. But it's a long way and someone needs to talk to him, which was written by Li Wei. Long, long look. Qu Yuan's Lisao: "The road is long, and it is Xiu Yuan, but it is Xiu Yuan." From Hangzhou to Fuyang, along the Fuchun River, it is said to be "riverside".
"Golden crucian carp" four sentences, the poet chasing Li Wei. The words "chase you straight through Dingshan Village" and "straight through" indicate that you are in a hurry and walk very fast. The word "Du" means that Su Shi inquired about Li Yu all the way. The boy on horseback refers to Li Mi. Beautiful and graceful, is the praise of passers-by to Li Yu, from the Book of Songs, "There are beautiful women, young and graceful." The above four sentences are closely related to "a gentleman's words are indispensable", which shows the eagerness to catch up with likui jy.
Yan Feng wrote four sentences about Li Wei waiting for himself. The word "only across the mountain stream" echoes "not far from you" from a distance, and wood can catch up quickly; However, because of being "separated" by a mountain stream, I can't go at night, so I can only come to meet the DPRK. This writing is not only a documentary, but also a good writing. Su Shi's plum calyx floated from a small flowing water under the stream bridge in the morning. It is speculated that Li Tuo was shaken down from the plum tree in the geomantic rock. This fictional word is very kind.
"Out of the city" is a word of thanks to Li Tuo for "treating each other". Although it is a joke, it has serious content. Stagnation and stagnation have similar meanings. In another version, the word "late" is "late" and the word "when" is "late". Chen believes that "it is too late" and "when to return" should be understood as: "when to return" is a word that has not returned. Although poetry was conceived by generations, since it has not returned, it should be' when will it return'. Since the rhyme of "time" has been established, the "lingering fear" in the last sentence should still be "lingering fear". "("Su Shi Compilation and Annotation Integration "Volume 9) Wang Wen's statement is generally credible. The last two sentences compare Li Tuo's "treating children with each other" with the diseases of children all over the world, both praising Li Tuo and mocking "children all over the world". The "sons and daughters of the world" here actually refer to the "new brave" who speculate on the new court law. Therefore, this poem later became one of Su Shi's charges of "slandering the New Deal". Su Shi's "Confessions of Wutai Poetry Case" said: "On the 27th day of the first month of the sixth year of Xining, I visited the Fengshui Cave, and Li Tuo, the official of Linzhou, arrived and waited there. When he arrived, he wrote a poem on the wall, and the dead chapter didn't fit the cloud,' The children of the world boast and gallop', so he mocked the villains of the world by all means. "
This is the meaning change of seven ancient and four sentences. First, the poet always needs Li Tuo to go with him, and then he writes separately that he pursues Li Tuo and Li Tuo waits for him. Finally, he fully expressed his gratitude for Li Tuo's censure with his wife and children and the world's scurrying to "treat each other". Ji Yun was full of praise for the beginning of the poem, but he was not satisfied with the ending, criticizing it as a "bland ending" because it did not meet Ji Yun's standard of advocating gentleness and modesty. In fact, the ending of this poem can well represent Su Shi's character and the characteristics of Su Shi's poems: laughter and scolding are both articles; Pick whatever you want. It's fun. The rhyme of the seven ancient sentences changes, and each rhyme jumps quickly, which just reflects Su Shi's relaxed and happy mood during his visit.