First, the golden age
The posters of the Golden Age series are very China-like. In this main poster, both macro and micro are done very well. Ink was originally a relatively small thing. Wang Hai narrowed down his role and put it next to Mo. You are one year older, which is interesting by comparison. Ink is a very China thing. This will not only show interest in posters. Show the taste of China.
This series of posters adopts macro and micro contrast. Huanghai enlarges three-dimensional Chinese characters. Interspersed with characters. The character is next to the pen of the word. Such posters are also very interesting. Similarly, American posters in the golden age. It is also an amazing work. He used the projection of gold as the main body of the pen, and then used the silhouette of the gap in the middle of the pen as the silhouette of the protagonist. The Japanese version adopts black and white ink style, and the protagonist is two people playing on the land. Then ink smoke floats around them. The Korean version uses watercolor style, and the close-up of the only heroine in the subject is surrounded by watercolor style. Second, let the bullets fly.
In the production of "Let the Bullets Fly" poster, Huang Hai also skillfully used the technique of silhouette. In the middle are close-ups of the faces of the three protagonists. Then in their close-up, the outline is the silhouette of a man with two guns and a hat.
Third, the poster of Monster Hunter in Monster Hunter is also a typical poster of Chinese style. The whole poster is a feature of traditional ink painting in China. The visual subject is a huge monster. Under the monster Yao stood a demon catcher with a whip. human body
They are all black and white. Topping at sea level is a feature of traditional Chinese painting, and the feeling of mountains floating in the distance.
Another poster is a green theme. The demon catcher with a whip stood on the monster's head. This monster has big eyes. The main body of the poster is the monster's eyes and green grass on his head.
Fourth, the Taoist priest went down the mountain.
The Taoist priest who went down the mountain skillfully used symmetry. There are mountains on both sides of the poster. Then the protagonist stood in the middle of the basket.