Poetic Immortal Li Bai Jing County Peach Blossom Pond
The great poet Li Bai of the Tang Dynasty lived from the autumn of the twelfth year of Tianbao (753) to the first year of Baoying (762), that is, from the fifties During the ten years from the age of three to sixty-two, he traveled to Xuancheng seven times, enjoyed the beautiful scenery of the mountains and rivers, wrote poems and expressed his emotions, and left behind many poems that have been sung throughout the ages.
"All the birds are flying high, and the lonely cloud is alone. I never tire of seeing each other, only Jingting Mountain." This poem is Li Bai's first visit to Xuancheng, the first time he climbed Jingting Mountain alone, It was made with emotion while sitting alone on the mountain. "Jingting Mountain is the only one that never gets tired of looking at each other" has been widely praised, and the name of Jingting Mountain has also become famous.
"The river city is like a painting, and you can see the clear sky at night in the mountains. There are bright mirrors between the two rivers, and rainbows fall on the two bridges. The crowds are cold and the orange pomelo trees are in the air, and the old sycamores are in the autumn colors. Whoever misses the North Tower will feel grateful to the father in the wind." The poem was written by Li Bai during his three visits to Xuancheng. He climbed the Xie Yuezhao Tower to look at the scenery of the river city and remembered the previous poet Xie Yuezhao. The whole poem not only expresses his deep nostalgia for Xie Yuezhao, but also vividly depicts the scenery of the mountains and rivers around the North Tower.
"In Ji Sou's Huangquan, old spring wine should still be brewed. There is no dawn at night, who can sell wine to?" This poem is about Li Bai's seven tours in Xuancheng. He learned that Ji Sou, an old man who was good at brewing old spring wine, had passed away. Sometimes, I cry and do it.
"Li Bai was about to travel in a boat when he suddenly heard singing on the shore. The water in Peach Blossom Pond is a thousand feet deep, and it is not as deep as Wang Lun's love for me." This poem is about Li Bai visiting Peach Blossom Pond at the invitation of Wang Lun, a famous scholar in Jing County. Later, he gave it to Wang Lun as a farewell gift. Wang Lun was a famous scholar in Jingxian County. He was very fond of Li Bai's poems. Whenever he got one, he would recite it day and night and never tire of reading it. When he learned that Li Bai had come to Xuancheng, he wrote a letter and warmly invited Li Bai to visit Peach Blossom Pond. The letter wrote: "Sir, do you like traveling? There are ten miles of peach blossoms here; sir, do you like drinking? There are thousands of hotels here." Li Bai accepted the invitation happily after seeing the letter. After meeting, Li Bai said to Wang Lun: "The first thing I came here to see is to enjoy the peach blossoms in Shili; the second is to taste the ten thousand hotels. It is hard to disobey this intention and it is hard to reject the good intention." Wang Lun replied apologetically: "The peach blossoms are from Shili. There is a Peach Blossom Crossing here, but there are no ten-mile peach blossoms; Wanjia is the surname of the shop owner, and there is no Wanjia Inn." After hearing this, Li Bai laughed and said: "When you are near Peach Blossom Pond, drinking Wanjia wine, you will meet Wang Lun. , this is also a happy thing." When Li Bai was about to leave on the boat, Wang Lun sang on the shore to say goodbye. In order to thank Wang Lun for his deep friendship, Li Bai wrote a poem "Gift to Wang Lun". "The water in Peach Blossom Pond is a thousand feet deep, not as deep as Wang Lun's sending me love" has become an eternal masterpiece.
The picturesque Jiangcheng has been a place of poets since ancient times
——Xuanzhou as described by the poets of the Tang Dynasty
Chen Zhuoting
“Xuancheng has been a place of poets since ancient times. The famous city Shangjun, the stars are divided into Niu Dou, and the land controls Jing and Wu. It is the confidant of the world and is the most fertile land in the south of the Yangtze River. It has both the beauty of mountains and rivers and the abundance of sea and land. After Yongjia, many people came to Jiangzuo for refuge in clothes and clothes. Cultural relics of the Six Dynasties It was raised in Siyi, and the lingering wind still exists. Although chanting continues in the lanes and lanes, Xuancheng is the county seat, the mountain is the city, the pillow is the town, the mountain is Lingyang, the water is Wanxi... Looking north to Jingting Pavilion It rises in the mountains and rivers, standing like a barrier, stretching for thirty miles. It is particularly majestic in this county. It is a place that high-ranking people must stop and climb quickly." This is what Li Bai's younger brother Li Zhao invited Li Bai to visit Xuancheng! The letter introduces Xuancheng. This passage contains a true description of Xuancheng's history, politics, and human geography. It shows Li Zhao's love for Xuancheng and the charm of Xuanzhou in the Tang Dynasty.
Xuanzhou, through archaeological excavation of cultural relics, found that there were traces of human activities here as early as the Stone Age. During the Xia, Shang and Western Zhou dynasties, the territory under the jurisdiction of the Xuancheng area belonged to the "Jiuzhou" in "Yu Gong" The territory of "Yangzhou" in "Yangzhou" was the so-called "land of wasteland" at that time. It belonged to the Wu State in the Spring and Autumn Period, to the Yue State during the Warring States Period, and after the Chu Dynasty destroyed Yue State. In the Qin Dynasty, this was the land of Zhangjun among the 36 counties, and the county name was Yanling. Danyang County was established in the Western Han Dynasty, and the county government was located in Wanling (today's Xuanzhou City). From then on, the Wanling River and the foothills of Lingyang Mountain became increasingly prosperous. In the ninth year of Kaihuang's reign in the Sui Dynasty (589), Xuancheng County was changed to Wanling County (the county was changed to Xuancheng County in the early days of Daye). In the third year of Tang Wude's reign (670) Restored to Xuanzhou.
In addition to serving here once from Shen Chuanshi, Du Mu came here five or six years later to serve in Cui Danmuzhong for two years and four or five years. By this time, Du Mu had already become famous for his poems. During his tenure, he had extensive contacts with his colleagues and sang harmony. , played a great role in promoting the rise of Xuancheng poetry style.
According to the "Xuancheng County Chronicle" and "Complete Tang Poems", there are about 20 poets who traveled to Xuancheng and left poems, including Xing Ju, Wang Changling, Liu Changqing, Liu Yuxi, Lu Guimeng and others. Xing Ju, a native of Yangzhou, wrote "A Work on Traveling to Qinxi and Wuping in Xuancheng" when he visited Xuancheng. Wang Changling visited Xuancheng and was demoted in Tianbao. He passed through Xuancheng and left poems. Lu Guimeng, Liu Cang and others wandered around Xuancheng's natural scenery and historical sites. After the "Anshi Rebellion", more poets went to the peaceful land of Xuancheng, such as Zhu Qingyu, Luo Yin, Li Qunyu, etc.
There are countless other poets who mentioned Xuancheng in their poems. This long list includes the main first-line poets of the Tang Dynasty. These poets were officials or traveled in Xuancheng. Intoxicated by the mountains and rivers here, he was so excited that he splashed ink and left behind many beautiful chapters and enduring legends. From then on, literati and poets of all ages rushed to come here to pay homage to the past, following in the footsteps of their sages. The eternal songs echoed here for a long time, echoing in front of the mountains and rivers for a long time. In this way, Xuancheng was closely connected with the history of literature and became the history of literature. a footnote.
Tang poetry is a magnificent chapter in Chinese culture, and the poet's chanting of Xuancheng is an important page in it. The number of Tang poems related to Xuancheng has been searched in "Full Tang Poems", and there are about 290 of them. The subject matter of Tang poetry is very wide. Among all Tang poems, poems about people, affairs and scenery in a specific area only play a small part. Even though poems about Xuancheng account for 1/200 of all Tang poems, poems about Xuancheng Poets who wrote poetry in Xuancheng accounted for 1/50 of all Tang Dynasty poets, which is also a large proportion ("Celebrities and Xuancheng"). These "Three Hundred Tang Poems in Xuancheng" have become a historical and cultural heritage that Xuancheng can be proud of. , it contains rich political and economic historical materials, historical materials of humanistic activities, and historical materials of social life and customs, and its value is immeasurable. The human activities mentioned in many works are connected to form a historical picture. These poems write about local products, humanistic customs, and provide a wealth of information for people to understand and study Xuancheng in the Tang Dynasty.
So what does Xuancheng do to welcome tourists from all over the world, so as to attract many tourists to come in droves, linger and admire endlessly? What did you rely on to win the honor of "Poetry City"? The answer lies in the nearly 300 Tang poems they left to Xuancheng.
1. "Jiangcheng is like a painting"
"Ascend the North Tower of Xiezhen in Xuancheng in Autumn"
Li Bai
Jiangcheng is like a painting Here, I look at the clear sky at night on the mountain, with the bright moon between the two rivers, and the rainbow falling on the two bridges.
The crowds of people are crowded with oranges and pomeloes, and the old sycamores are in the autumn colors. Who wants to be in the north building and feel grateful to the father in the wind?
This poem was written by Li Bai when he visited Xuancheng three times, climbed the Xie Tao Tower, and looked at the scenery of the river city in memory of the previous poet Xie Tao. The whole poem not only expresses his deep nostalgia for Xie Tao, but also vividly depicts The beautiful scenery of Xuancheng. Xie Tao is a famous poet in the Southern Qi Dynasty. He served as the prefect of Xuancheng during the Jianwu period of Emperor Ming of the Southern Qi Dynasty. He "looked at things with high standards, chanted and whistled with ease, and governed the county." He was an honest official and had many benefits for the people and the priests. Moreover, the large number of poems he left in Xuancheng are also a valuable asset to Xuancheng. His poems are full of praise for the beautiful scenery of Xuancheng and his sincere love for the people of Xuancheng. It is these poems that have attracted the attention of all generations. Literary men came in droves to sing about the beautiful scenery and pay homage to the sages. Li Bai "bowed his head to express thanks to Xuancheng all his life" and admired Xie Zao so much that he followed Xie Zao's footsteps and visited Xuancheng seven times, leaving behind many beautiful poems and poems, among which the most famous poems were written by Li Bai. The most famous one is the poem "Farewell to the Secretary Shu Yun at Xuanzhou Xiezhen Tower", "Those who abandon me will not be able to keep yesterday's day; those who mess up my heart will be filled with worries today, and the wind will send the autumn geese thousands of miles away. For this, you can enjoy high buildings, write articles in Penglai and build bones, have a small thank you in the middle and clear your hair, feel relaxed and strong, and want to fly, want to go up to the blue sky to catch the bright moon, cut off the water with a knife, the water will flow more, raise a cup to relieve sorrow, and the sorrow will become more and more sorrowful. Life is not satisfactory in this world. , "Ming Dynasty distributed and made flat boats" was written by Li Bai as a farewell secretary to Provincial Secretary Li Yun when he was in Xuancheng in the last years of Tianbao.
The first two sentences of the poem directly express depression, and are completed in eleven words in one sentence. They express the anger and depression caused by political encounters for a long time, and let people see a distracted and restless Li Bai. However, facing the vast sky of Xuancheng and the thousands of miles of wind blowing from Xie Zhen Tower, the poet became happy and cheerful again. The previous depression was swept away, as if all the worries had flown away to the sky again. Suddenly, It gave rise to a desire to fly and the ambition to reach the moon. However, the author is in the world after all, and the contradiction between ideal and reality is irreconcilable. This makes the author's inner depression even more serious, so the author wants to cut off the water and escape from reality. To seek inner peace, "Life is not satisfactory in the world, and the Ming Dynasty's dissipation will ruin the boat." Li Bai's strong ambition and stubborn character doomed him to a life of sorrow. The beautiful scenery of Xuancheng can only trigger the poet's infinite nostalgia for the sages. To seek true freedom and ease, we must also place our hope in the "Ming Dynasty". As one of the cultural landscapes in Xuancheng, Xie Tao Tower is not only named after Xie Tao, but also attracts literati and poets to contribute poems and tributes with its beautiful natural scenery. Xie Tao Tower is built at the highest point in Xuancheng city. If you climb up to the top of the tower, you will have a panoramic view of the entire Xuancheng scenery. It is adjacent to Wan River and is far away from Jing Pavilion. Therefore, there is a saying that "in the north of Shilou County, the windows are open to Jing Pavilion." ( "The North Tower of Xuancheng came here from Shunyang Guild in the past" (Bao Rong), "The fragrance lasts for days, and the curtains of colorful silk curtains float, and the sound of singing by the stream surrounds the painting building. It is a pity that Yu Yi has to go to Fengchi to visit the beautiful place" ("He Xuanzhou Shen" "The doctor climbed to the North Tower to express his feelings"), "Accompanying Fan Fang Pond to get drunk in the North Tower, the water flowers are shining brightly in Yingzhou" ("Accompanying Dr. Cui Gong of Xuancheng to fan the Hou Pond and Bei Tower Banquet" Xu Hun and many other poems to Xie Tao Lou's praise.
Xuancheng’s natural scenery and historical sites are also reflected in many Tang poems. It was Li Bai who comprehensively described the scenic spots in Xuancheng. In Li Bai's poems, he wrote about Jingting Mountain 13 times, Wanxi 11 times, Qinxi 6 times, and Xiezhen Tower 5 times. After Li Bai, the poet who described the most scenic spots in Xuancheng is Du Mu, he wrote about Kaiyuan Temple the most, with 7 attacks, followed by Wanxi, Xiegonglou, Shuixi Temple, and Jingting Mountain. Jingting Mountain was chanted the most by poets in the Tang Dynasty, with 31 attacks. , Jingting Mountain has simply become synonymous with Xuancheng.
Jingting Mountain, lying across the beautiful Shuiyang River in the northern suburbs of Xuanzhou City, was originally called Zhaoting Mountain. In the early Jin Dynasty, it was renamed Jingting Mountain to avoid the taboo of Sima Zhao, Emperor Wen of Jin Dynasty. It is a tourist attraction that combines natural and cultural landscapes. Because poets of all dynasties have left a large number of famous works here, it is known as the "Mountain of Poetry through the Ages". Why is Jingting Mountain so famous? This begins with Xie Zao, a great poet of the Southern Qi Dynasty. When he was the governor of Xuancheng, he often recited poems to praise Jingting Pavilion. He also specially built a building on the mountain to enjoy the scenery and appreciate the natural scenery. He wrote "Yu Xia" with fresh brushwork. There are many famous lines and famous poems such as "the Qi is scattered, the clear river is as quiet as practice", which outlines a series of distant and affectionate ink paintings, creating a new style of landscape poetry. This "Jiangnan Poetry Mountain", which has been famous for thousands of years, also became famous in one fell swoop. The great poet Liu Yuxi also said: "Xie Shou in Xuancheng wrote a poem, which made him famous among the five mountains."
Li Bai, the great poet of the Tang Dynasty, "bowed his head to thank Xuancheng all his life". His poems were deeply influenced by Xie Zao. When Li Bai came to Xuancheng for the first time, he settled at the foot of Jingting Mountain. The beautiful scenery of Jingting Mountain and his admiration for Xie Zao made him have an indissoluble bond with Jingting Mountain from then on. He wrote 42 poems in Xuancheng. , there are 14 poems written about Jingting Mountain, the most famous of which is "Sitting Alone on Jingting Mountain" "All the birds are flying high, and the lonely cloud is alone. I never tire of looking at each other, only Jingting Mountain" ("Xuanzhou Chronicles") "There are the last four sentences in it: "He Ta leads the tree peaks, rushing to calm Chu, with the highest peak in the middle, as if receiving the heaven's words."). This poem was written in the twelfth year of Tianbao (753) when Li Bai visited Xuancheng in autumn. It had been ten years since he was forced to leave Chang'an in the third year of Tianbao. The long period of wandering and loss of ambition made Li Bai taste the bitterness of the world and see through it. The coldness of the world has added to the sense of loneliness. This poem describes the emotions of sitting alone on Jingting Mountain. It is a portrayal of the poet's life seeking comfort in the embrace of nature with his feelings of unrecognized talent and loneliness. The first two sentences of the poem use movement to contrast the stillness, which captures the loneliness of Jingting Mountain. It seems that after a burst of birdsong, the mountain looks particularly pure, and after a white cloud drifts away, the mountain looks particularly quiet.
It is this kind of loneliness and tranquility that makes the author seem to have found a close friend. Therefore, the last two sentences of the poem describe the poet's love for Jingting Mountain. In a lonely and silent environment, the poet and the mountain watch each other, "Looking at each other." "Two are not tired of it" expresses the deep feelings between the poet and Jingting Mountain, as if in the author's eyes, the mountain also has friendship and meaning. It can make the author forget the ruthlessness of the world and indulge in the fresh and elegant beauty. "The white clouds in the Jingting Pavilion are beautiful, with blue and green trees, reflecting the twin streams, like a mirror lake from the sky" ("To Zhong Jungong, Lingyuan Temple, Xuancheng"). What is different from the previous poem is that this poem has changed everything before. They are all far away from the symbolic techniques of Jingting Pavilion and abandoned the poet's, and are decorated with white clouds and set off by streams, making the Jingting Pavilion more delicate and spiritual. No wonder the author said, "Wash your heart towards the stream and the moon, clear your ears and respect the clouds in the pavilion, and build a house in the people." The poet loves Jingting Pavilion so much that he wants to build a room there. Similarly, Li Bai seems not as free and easy as Tao Yuanming when he is in a human environment. "I am in a human environment, without the noise of carriages and horses. I ask you how you can do it. Your mind is far away and you are biased." Tao Yuanming's "mind is far away". Li Bai, on the other hand, had to "close the door", which shows that Li Bai still had something in his heart that he couldn't let go of. In his poem "Climbing to the south of Jingting Mountain and looking at the past to give Master Dou a book", he said, "If you get rid of the things under your eyes, how difficult will it be to get back to it! A hundred years old Halfway down the road, the early days were long, and the strong food was not good enough. He woke up in the morning and sighed. "Seeing the declining trend of the world, how can Li Bai not be disappointed and sad when he thinks that his ambition has not been fulfilled?" In the poet's writing, Jingting Mountain has simply become a fairy mountain, and he also wants to follow the footsteps of the immortals and travel away: "When Jingting looks back, he can see the southern end of the sky. Five or six immortals often hear about this tour. Stream The piano is high in the water, and the stone towers on the Magu altar. The white dragon descends to Lingyang, and the yellow crane flies to the sun and the moon. Looking down at the universe, the sky is full of waves. , How difficult is it to recover from this? The early days are long and long, and I will sigh in the morning. I would like to follow Zi Ming to refine the golden elixir. ), the tranquility and aura of Jingting Pavilion were indeed suitable for literati to practice Zen and enlightenment in the Tang Dynasty when Buddhism was prevalent. Lu Guimeng said in his poem "Sending a Friend" that "In the cold night at Jingting Pavilion, in the sound of the stream, I listened to Mr. Taixu talking about Taixu. I climbed the ladder without looking back, and the fishing rod was still beside the five lakes." Jingting Pavilion has become a worldly thing. It is the intersection with the fairy palace in the sky. Poets all want to transcend here and become immortals. Not only Li Bai loved Jingting Mountain, there were many poems about Jingting in the Tang Dynasty, such as "I think of Jingting in the distant spring, when all the flowers fly to the willows at the beginning of the willow blossoms" (Liu Yuxi, "Giving Thanks to Ancestor Shi Returning to Xuanzhou"), "Southern The moon floats over Longchuan River, and people descend to Jingting Cen in the east (Li Qunyu, "Sending a Virgin to Sutai from Panyu's Journey to the East"). ).
Taibai loved Jingting Mountain, while Du Mu loved Kaiyuan Temple. Among the more than 40 poems he wrote about Xuancheng, 7 were about Kaiyuan Temple. The tower of Kaiyuan Temple was built in Yongning in the Western Jin Dynasty. In the 19th century (AD 302), the name of the pagoda was changed with the name of the temple. It was originally named Yongning Pagoda, in the Tang Dynasty it was called Kaiyuan Pagoda, and in Song Dynasty it was called Jingde Temple Pagoda, also known as Duobao Pagoda. It has a history of 1,700 years since it was first built. The pagoda is located on the right side of Kaiyuan Temple. , now the temple has been destroyed by the war, but the scenery of this thousand-year-old pagoda is still there. It is connected with Xiezhen Tower and Crocodile Lake to the south, and to the north is the Twin Pagodas of Guangjiao Temple and Jingting Mountain. It complements each other with the literary giants Li Bai, Du Mu, Bai Juyi, Wen Tianxiang, Mei Yaochen, Tang Xianzu and Buddhist monks Huang Ti and Jian Zhen have visited successively and left a large number of poems.
Du Mu wrote about Kaiyuan Temple, especially this poem "Inscribed on the Water Pavilion of Kaiyuan Temple." "The cultural relics of the Six Dynasties are connected to the sky, the sky is light and the clouds are clear, the same as the past and the present, the birds are gone and the birds are coming and going in the mountain scenery, people are singing and people are crying in the water, the late autumn curtains are raining in thousands of houses, and the wind is blowing on the balcony at sunset." , see Fan Li melancholy without reason, smoke and trees scattered across the five lakes east. "This poem was written during the reign of Emperor Wenzong of the Tang Dynasty. At that time, Du Mu was serving as a judge of the Xuanzhou regiment in Xuanzhou. During this period, he often visited Kaiyuan Temple to appreciate and compose poems. This was Du Mu's second visit to Xuanzhou. Eighty-one years ago, Shen Chuanshi was appointed as Xuanshe to observe At that time, Du Mu once served under Shen. The two changes were as he said: "I was not thirty when I first arrived here, and my brain was sharp and my muscles were light." Spring level.
"("On the way from Xuanzhou to Beijing, I accompanied Judge Tan back to Xuanzhou, because of the inscription"), which naturally deepens his sense of the changes in the world. This mood permeates the description of the scenery in three or four sentences, Jingting Mountain is like a huge screen, spread out near Xuancheng. Birds come and go, all hidden in the mountain scenery. On both sides of Wanxi River, people live along the river, singing and crying, mixed with the sound of water. As the years go by, these two sentences seem to be describing the scene before us, writing "now", but at the same time "now" and "ancient" are connected. The poem describes Xuancheng's scenery very beautifully, and weaves "birds" into it. There are some distinctive images such as "Go where the birds come to the mountains" and "The wind blows on the rooftop at sunset". The rhythm and tone of the poem flow briskly, giving people a refreshing feeling and making people nostalgic for Xuancheng. (There are also others with the same characteristics. Another poem of his, "When Xuanzhou sent Magistrate Tan to Shuzhou, Mu wanted to go back to the capital" "The sun is warm, the mud is melting and the snow is half gone, the grass is fragrant and the horses are singing sweetly, Jiuhua Mountain Road Yunzhe Temple, the willows are blowing in the Qingyi River The bridge, your intention is as high as the sky, my heart is shaking, we come together but cannot go back together, my motherland is lonely in spring." The poem is about the early spring in Xuancheng, the air is fresh, the sun is bright, and the grass is fragrant. It is delicious, and it is in such beautiful scenery that the farewell of friends is used to express sadness. The more beautiful the scenery, the stronger the sadness.) Similarly, facing Kaiyuan Temple, there is another poem that brings out the reverie of ancient and modern times. "Inscribed on Kaiyuan Temple in Xuanzhou", "Xieyu City in the Southern Dynasty, the deepest part of Soochow, the cloud country has gone like a river. The ruins of the temple are hidden in the smoke dock. The towers are ninety feet high, and the corridors are surrounded by four hundred pillars. They are high and low, and the wind is blowing. The pine and laurel trees, the green moss shining on the Zhu Pavilion, the white birds talking to each other, the sound of the stream enters the monk's dream, the moonlight shines on the pink wall, and the scenery is endless. There is a bottle of wine from ancient and modern times leaning on the railing, watching the spring rain on the front mountain. ”
In addition, Du Mu also wrote a close-up of Kaiyuan Temple in his "Inscription to Kaiyuan Temple": "A crane once roosted in the Pine Temple. The moon was high and low on the tower late at night. Who was leaning on the east tower pillar? It was the stream rising from the snow on thousands of mountains." "Inscription on Kaiyuan Temple" "South Building of Kaiyuan Temple": "The small building only has a bed, and the spring mountain wine is poured all day long. It's a pity that the gentle wind and rain come at night, and the window is wasted in the drunkenness." Master, everyone knows that after thousands of years of monk practice, we are in the meditation place on the tower late at night. When the bell rings after the fast, the rain and green moss invade the ancient paintings, and the red leaves of autumn fall with new poems. I advise you not to be disgusted with the guests in Jiangcheng. Although there is a different period in the world, "Inscribed on Kaiyuan Temple in Xuancheng" by Zhang Qiao: "Whose smoke path is long with berry moss, and the golden bamboo railings are open. The running water is far away from the mountains. When the apes are clearing, they bring the sound of horns. The bright moon of the Six Dynasties is the only poem. Three There are geese returning to Chukong Mountain, Dali Shi should be all melancholy, and monks should be able to talk on the rooftop."
In addition, the picturesqueness of Jiangcheng is also reflected in other landscapes, such as Wanxi "I. Lian Wanxi Pavilion illuminates the heart with a hundred feet, how grateful is Xin'an Water, Qianxun can see the depth of the moon! "Li Bai); "The clear stream clears my heart, and the color of the water is different from other waters. I ask the Xin'an River, what is the bottom of it? People walk in the mirror, birds watch in the screen, the orangutan crows in the evening, and the sky is sad for the wanderer in the distance." (Li Bai's "Clear Stream" "The clear stream is better than Tonglu, the water and trees are beautiful, the mountains are ancient, the rocks and the sky are tilted, the colorful birds have not been known in the past, the white apes have just met each other, but they don't see the same people, and they sigh in vain" ("Xuancheng Qing Dynasty") Stream"). Another example is Shuixi Temple: "The main hall is connected to the clouds and the Shuangxi River, and the bells are ringing in unison with the drums. If Chang'an asks about Jiangnan, he will say that the scenery is in Shuixi" (Xuanzong Li Chen's "Shuixi Temple in Jing County"). In the Shuixi Temple of Tiangong, cloud brocade shines on the east coast, clear rushing water roars back to the stream, and green water surrounds the flying pavilion" (Li Bai's "You Shui Xi Jian Zheng Ming Mansion").
The third chapter of "Nian Xi You" by Du Mu
"Li Bai wrote a poem about Shuixi Temple. The ancient trees return to the rock pavilions and the wind blows. He traveled half awake and half drunk for three days. Red and white flowers bloomed in the mountains in the rain. "
"Shuixi Temple" is Tiangong Shuixi Temple. It is a very famous temple in Shuixi Mountain in Jing County, Xuancheng County. "Of the fourteen courtyards in the temple, the best one is called 'Huayan Academy'. There are pavilion roads across the corridors of the two mountains, and springs flow down them" ("Jiangnan General Chronicle"). Li Bai once visited here and wrote a poem "Wandering the West Slips of Zhengming Mansion". Du Fu's poem goes straight to the point, mentioning that Li Bai wrote this poem Regarding the poem, Li Bai said in his poem: "The clear rushing sound returns to the stream, the green bamboos circle the flying pavilion, the cool breeze makes the day unrestrained, and the guests take a rest."
"Describes the beautiful scenery of this mountain temple. Du Mu condensed this beautiful scenery into "ancient wood rock pavilion style", which captures the characteristics of Shuixi Temple. The buildings across the two mountains are connected by pavilion roads and are surrounded by green ancient trees. Green bamboos, towering pavilions, mountain breezes, what a wonderful scenery! Li Bai had a rough life, wandering around the world for a long time, and he was obsessed with the mountains and rivers. Du Mu's situation here is not only similar to Li Bai's, but his mood is also somewhat similar. Li Bai is in a wonderful place. He said: "It's time to stay when visiting." When facing the beautiful scenery, Du Mu said: "Half-awake and half-drunk for three days." They all wanted to relieve the depression after political frustration in the beautiful scenery that can make people forget their worries. Putting the sentences together, you can see this scene: In the drizzle, mountain flowers are in full bloom, red and white, with a delicate fragrance. It seems that the poet is walking in this scenery with strong natural wildness, and looks like a sinful poet. How contented it is that the scenery described in the second and fourth sentences of this poem is majestic, refreshing, delicate and elegant. Is the poet completely immersed in this picturesque mountain scenery? Or is he using the natural scenery to sway his heart? Have both.
Second, "Xuanzhou Prefect Xian"
"Send the Scholar Zhang to Visit Xue Shilang in Xuanzhou"
Quan Deyu
Two scholars in scholarly clothes, sailing on boats in the valley and streams in spring, the moon in the lake is for poetry, and the scenery is expensive.
The sails cover the bank of the river, and the pillows are proud of the sunny weather. There is no need to worry about traveling and proclaiming.
This is a poem written by the poet to comfort the two scholars who came to pay him a visit. Quan Deyu had been an official in Xuancheng for many years, so he naturally knew the situation in Xuancheng very well. He said "Don't worry about traveling, the prefect of Xuancheng is wise" was a comfort to the second scholar. It is better to say that this is the author's true inner feeling.
Perhaps this is due to Xie Tao, who worked in Xuanzhou in the Southern Dynasty. The prefect had a clear political life and simple folk customs. Xie Xuan was deeply loved by the people, so much so that people called him "Xie Xuancheng". Later, literati and poets all used "Xie Shoucheng", "Xie Taocheng" and "Xie Gongcheng" to refer to Xuancheng. : "Xie Yucheng in the Southern Dynasties is the deepest part of Eastern Wu" (Du Mu's "Inscription on Kaiyuan Temple in Xuanzhou"), "Rituals are added to Xu Ruzi, and poems are received to thank Xuancheng" (Du Fu's "Accompanying Pei Shijun to Climb Yueyang Tower"), "Re-introducing the pond to think about, and returning "Climb the Xiezhen Tower" (Xu Tang's "Send Off Ruzhou Li Shiyu Returns to Xuancheng"), "Under the Jingting Mountain are hundreds of leaning bamboos, and among them is the poet Xiao Xie Cheng" "Xie Gong took advantage of the stream beside the city to dream, and Su Xiao The willow brushing his head in front of the door" ("Du Mu from Xuancheng to Officials in Beijing") The poet Xie Tao became a role model for officials, and Xuancheng became a holy place that people yearned for: "Xuancheng is an elegant place, Xie Shou's voice and hearing are harmonious" ("Send Off") Ren Zhizhi, the second scholar from the ancient Qi Dynasty, traveled to Xuancheng from Dongting and prefaced by Meng Jiao), "When I came to Xuancheng County, I drank clean water" (Gu Kuang, "Farewell to the Thirteenth Chief Zhai") "It can also be interpreted as poetry and politics, Nong. How can our home be like Xie Xuancheng?" ("Inscribed on Xuanzhou Zhai Xianggong's New Residence" by Bai Juyi).
People say that the power of role models is infinite. If you serve as an official in the place where Xie Shou used to be, you should make some political achievements and make some achievements. To put things into perspective, there were many "virtuous governors" in Xuancheng, and Yuwen was probably the most famous one:
"Li Bai presented a gift to the governor of Xuancheng, Yuwen, and also to Cui Shiyu"
Li Bai
White as fresh as an egret, as clear as a chirping cicada. Receiving Qi has its own nature and is not changed by external objects. Drinking water on Jishan Mountain, eating snow and heading towards the top of the Yangtze River.
Enter the car to avoid Chaoge, cover your mouth to steal the spring. Cangyao Guangchengzi, Lu Zhonglian was suave. The two outstanding men are extremely loyal.
In the past I climbed six dragons to fly, now I am refining hundreds of lead. Huai En wanted to repay his lord, so he threw his hat to Bei Yan. The bow is bent and the green strings are open, and the full moon is not afraid of being strong.
Hunting on a leisurely horse, one shot can pierce two tigers. It spins like a stream of light, turning its back and falling into a pair of kites. Hu Lu sighed three times and knew the five military powers.
The spears and spears burst into the clouds, but they hide my beauty. When most of the children are suppressed, they first use the whip of their ancestors. According to Ankong, who can declare his ambition?
I come back after a long time, sitting with sorrow and hatred. It's hard to break the waves without wind, so I missed the Yangtze River. Danger cherishes the decayed light, and the golden waves suddenly come in three directions.
When I visited the Jingting Pavilion, I listened to the wind and slept in the pines. Or the moon is shining over the stream, and the empty boat is sailing along the river. Mr. Yan made 300,000 yuan and paid all of it to the restaurant.
Every time Xingfa takes it, he talks to the drunken immortal and sleeps. Nothing happened here, let’s talk quietly about Qiu Shui. You come from Jiuqing, and the country of Shui has a good year.
The market is full of fish and salt, and cloth and silk are like clouds of smoke. Get off your horse and don't show off, the curling stone shines on the clear river.
The old people in Shuangmei City are all beautiful, prefects and virtuous people.
To comfort customs from time to time, they often come out of Dongtian. The bamboo horses count the children, and they greet the white deer. He asked the envoy with a smile, "Can I turn around day and night?"
Then he went back to the pond and drank some wine, covering himself with the gentle breeze. Zeng Biao looked up at the floating clouds and caressed Xie Tiao's shoulders. The building is high, the blue sea is exposed, and the ancient trees are hanging with green roses.
The Guanglu Zixia Cup is passed down from generation to generation. A good plan sweeps the desert, don't let your dreams linger. Wealth and honor are getting sparse day by day, and I would like to say that there is no fate.
There is a straight way to climb the dragon, relying on jade blocks the feast. If you dare to propose a strategy to circumvent the court, I would like to join Guo Tai's boat. How can one say that a shallow water seems to be separated by nine heavens!
Cui Shenghe is so proud that he indulges in drinking and talks about mysteries. As a famous young man, his talents are hard to come by. The flying phoenix supports the tall tree, how graceful the wind is!
Being a person is pure and honest, not moving for things, and being an official is a person who understands politics and people, and children and old people are praised as virtuous. Such a prefect does not disgrace his title of gentleman.
Among the poets who served as officials in Xuancheng, Pei Yaoqing had a very high literary and official position. He served as prime minister, and when he was the prefect of Xuancheng, he also had outstanding political achievements: "I have heard about good governance from far and near, and I have admired great sages all my life. "(Zhang Jiuling in "Sending Pei to Xuanzhou on the Way"); and Zhang Jiuling, "The country is full of beautiful algae, Xie Shourang's first name" (Qian Qi in "Fenghe Xuancheng Zhang Taishou Wish Friends in Nanting Qiuxi"); Zhao Taishou: " Zhao Debao's talismans are prosperous, his achievements in mountains and rivers are preserved, three thousand guests come and go in the plains, the breeze from the six countries is blowing, how can the heroic voice be noisy? .
In addition, Li Bai often mentioned his cousin Li Zhao in his poems. Li Zhao once served as the prefect of Xuanzhou. Li Bai praised him and said: "Zong Yingzuo Xiongjun", "Erzuo Xuanzhou" The county guard is clean and leisurely, and he often praises the beautiful clouds and moon, and invites me to visit the Tingshan Mountain. "It is precisely because of his leisurely life, Taishou's hospitability, and beautiful clouds and moonlight that poets come here one after another to "have a pleasant view" ("Happy View"). Sending the 20th younger brother of the county king to Yimu Xuanzhou (Li Yu).