What are Deng's masterpieces? What about his art and calligraphy?

Deng (1743- 1805), whose first name was Yan, was like a stubborn stone, so he used line characters, and later he became more stubborn. Because he lives at the foot of Wangong Mountain, he is also known as Taoist, Wanbai Mountain, Feng Shui Fisherman and Longshan Qiaochang, and is from Huaining County, Anhui Province.

representative works

Deng was a great calligrapher of epigraphy in Qing Dynasty, who was good at four books. Li Si and Li were the first students of his seal script. Later, he learned the inscriptions of Zen, Sangongshan, Tianbu, Yi and Hanshu. He used official script as seal script, which broke through the barrier of imperial seal for thousands of years and opened up a new world for seal script in Qing Dynasty. His seal script is criss-crossed, and the font is micro-square, which is close to Wadang and Hanbei in Qin and Han Dynasties. The official script comes from the Han tablet, which is compact in structure, vigorous in appearance and magnificent in atmosphere, and also makes the official script of the Qing Dynasty look brand-new. Regular script takes the tablet of the Six Dynasties, and also takes the posture of Ou Yangxun and his son. The brushwork is firm and the words are tight, which makes it look vigorous and powerful. Cursive calligraphy mainly absorbs the cursive calligraphy of Jin and Tang dynasties, and its brushwork is soothing and elegant. Chinese cursive script, the weather is open and the artistic conception is boundless. Generally speaking, seal script has the greatest achievement, followed by Kai, Xing and Cao. Deng was also a seal engraver, who initiated the Deng School in Huizhou School. He entered the seal script with the small seal script and emphasized the brushwork. His style is vigorous, simple and graceful, and calligraphy and seal cutting complement each other. Deng's seal has the characteristics of "horse racing in a sparse place, but not in a secret place"

At that time, people spoke highly of Deng's calligraphy, calling it "the four bodies are absolutely unique, ranking first in the country." His calligraphy is the most outstanding, and the achievement of seal script lies in Xiao Zhuan. Taking Si and Bing as his teachers, his seal script is a little longer, but he creatively combined the brushwork of official script and boldly raised the ups and downs with long front and soft hair, which greatly enriched the use of seal script, especially in his later years. The lines are round and boundless, creating a typical seal script in Qing dynasty, making immortal contributions to the development of seal script art, and official script has benefited a lot from the long-term immersion of Han steles. The official script that can write the meaning of seal script, combined with the strength of Wei Bei, is naturally unique in its style. Regular script didn't start in Tang Kai, but traced back to the source, directly using Wei Bei and Fang Bi. The strokes make it convey Li's meaning, and the structure does not seek meaning by the method of horizontal light and vertical weight, low left and high right. It is simple and unsophisticated, which is out of tune with the customs of the times and shows the spirit of courage to explore.

Liu Yue said, "It has never happened for thousands of years."

Cao Wenzhao: "This Jiangnan Gaodeng situation is also the first in the country."

Bao's Art Boat and Twin Towers: Quality comes first.

Zhao: "the mountain people are the first of the national dynasties, and the mountain people take the official script as the first;" Ren Shan's seal script pen comes from official script, which claims that it is not as warm as here. However, even if it is not warm, people who are good at it will not talk about it. Poetry must be poetry, and it is the same to know that it is not a poet. "

Sha Menghai's "Calligraphy in the Past 300 Years": "It is not Liu Yong, a bachelor of Dongge, nor Weng Fanggang, a bachelor of cabinet, but Deng Shiru with crutches and sandals."

Deng's works

Inscription work

In the big house of Ban Deng's family in Berlin under Dalongshan in the north of Huaining County, Anhui Province, there is a long couplet of "Longmen" in regular script 146, namely:

One day in the sea, under the red city, Emei snow, Wuxia cloud, Dongting moon, Peng Li marriage, Xiaoxiang rain, Wuyi peak, Lushan waterfall, these cosmic wonders, painted the walls of my den;

Shaoling poems, rubbings, Zuo Zhuan's essays, history, Xue Tao's notes, You Juntie, South China Sutra, Xiang Rufu, Qu Sao, integrating ancient and modern techniques, set up my mountain window.

This couplet was inscribed as Bibishan Bookstore, written by Deng Suo, a famous calligrapher and seal engraver in the middle of Qing Dynasty. This couplet is magnificent and unique in conception, just as Liu Xie, a literary critic in the Southern Dynasties, said that it is magical to "see Wan Li" and "think about the Millennium".

The photos on the Internet are colorful and colorful; The next step is to take the text, and the chapters overlap. The upper and lower qi veins are coherent in one go. Typical scenery, the essence of literature, elegant language, profound meaning and outstanding structure entrusted by China, the United States and China.

In addition to the above, the popularity of this couplet is also related to the author's good use of brocade rhetoric.

Jin Lie's rhetoric is a sentence composed of nouns or noun-centered naming structures. It has no adjective predicate, but it can describe scenery and express emotion. There is no verb predicate, but it can describe feelings.

Doing things in the world: heirloom old books. -Title Suzhou Hanshan Temple Monument Gallery

The cause lasts forever; Xinxiang recommended it four times. -Ink

Sitting in the autumn waters of South China; Ping Jian Beiyuan Chunshan. -Self-topic

Wan Huasheng came out of Song thousands of feet; Birds sing a crane. -Self-topic

Open the book and wander for thousands of years; The heart of the curtain is in the mountains. -Self-topic

The third month after the enlightenment of a good book; Good friends come, and there are four springs. Self-theme

Two lines of tears waded through the mountains; When the wind and moon are in the sky, I often feel an old man's heart. -Wan

There are several layers of strange stones around, and the moonlight is empty, like looking at Xi Gu; Its land is 100 feet high, and the shade is withered, sometimes strange. -Title Xiaojinshan Caotang in Slender West Lake, Yangzhou

There are 89 huts, fishing in the rain and growing cigarettes. You have to believe that being rich is not as good as being poor, and being expensive is not as good as being cheap.

There are thousands of words in bamboo books. If you know that it is suitable and happy, you should be free and clear.

-Shuhuai

Let people be humiliated, stay in the hospital, drink and worry, think less and dream, plant flowers but vulgar, burn incense and pollute;

* * * Make up for work, stay alone to make up for deficiency, save money to make up for poverty, make up for kindness, calm down anger and benefit qi, and make up for troubles silently.

-claiming to be a thatched cottage

Seven feet long and seven feet big, you can't enjoy the benefits and fame, but you can't enjoy the odds and ends.

What clothes does this stinky skin need? It's better to throw it into the wild grass, so it's quick.

-Self-sustaining

seal cutting

Thousands of feet burst its banks with the sound of the river, which makes my book's meaning impossible. I read ancient prose in a variety of ways. My home is in the mountains and rivers of Siling, meaning to the ancient society, dancing with pen and ink. The city grows day by day, Lingshi Mountain grows day by day, spring buds, half a pavilion, and Wanbaishan people print accidentally.

calligraphy

Poems in Five Gardens, Axis of Seal Characters, Temple of Seal Characters, Four Screens of Official Records, Seven-word Couplet of Official Records, Excerpts from Official Records, Wen Xin Diao Long, and Chen Jihe's Book.

Poetry and prose

Deng Dai

Dai's rank is very high, straight up and down. Nothing is limited, only the sky is near, and no one is tall.

I lost Qilu in a fleeting moment and regarded Cao as my son. Don't be surprised by the dusty traces of Zunyan, and finally dry Kun several robes.

Completed the manuscript of Baishan people sending cranes.

Baideng Mountain guest Deng nodded, presented a book, and Chen Chuanhua spoke to the crane. The owner of this crane, who has leisure time to prove that he is 130 years old, passed by the public or the public's door. According to Tai Shitao's Poems on Ancient Crane in Wanling, this crane lived in Jiang's family in Changshu, then in Shen's family and then in Xu's family in Deqing. Yuan Lecture Hall of Jingkou Agriculture Department spent 1000 yuan to rent into the 36 Peak Museum, which has a history of 130 years. Not a few years ago, you can take the exam. The mountain people have been traveling at home for many years, and the son of the minister of agriculture ordered the crane to call the mountain people and said, "This is the monarch." It is said that cranes are suitable for mountain people, so they are given to them. The villagers have been obedient these years, so they have to be their wives and waste their time. In the autumn of the first year of Jiaqing, Sun Zhongcheng greeted him by crossing Jinling. He wants to hire a mountain crane and give it to the mountain people with two gray cranes. This puffin is not a crane. If you are a crane's slave, the crane will not suffer. Instead, take my crane home. The villagers' home stands on the wall with a lot of index fingers. Every inkstone has a living wife. They are afraid that cranes will be treated by savages, so they choose a place to send cranes at the monk's house in Jixian Pass. Although the Zen room is barren, the trees are lush, the bamboo forest is green, the pass is dangerous and solid, and the mountains and rocks are rugged. It is the main road leading to Tianqu, which was specially set up in Long Mai, Anhui Province. Monks should rely on the power of Buddha to create prosperity, to support the streets, to cultivate feng shui, and their sincerity is far-reaching. It is less than 30 miles away from the mountain house, and it is common practice to feed the cranes every month. Although I treated this crane, I kept it from the monk. He wished the monk a crane training and said, "You are a bird with a floating mound, walking through the cloud gate, flapping your wings and flying with a voice bearing the ambition to fly in the clouds. I am afraid that you will not be poor in the end. " I have a distant heart, and I also listen to the vastness of my soaring, but I don't care. I am a monk, the same age as Sauer. The monk entrusted her to help him become famous. I have no intention of sending cranes up the mountain, but I can wander here. There are ancient bamboo forests here, which can shelter you; There are ancient Buddha lanterns that can be repented; There is a Lingbao cover, which can be used to prestige; There is an altar of law, which can be solemn; Lying lion and elephant can protect you; There are scattered winds in Luoyue, which can linger; There are wild flowers and weeds in the mountains, which can slow your steps; There are streams and springs that can feather; There are mountains of stones that can be used as bird mouths; There are mossy embroidered bricks, which can be proud; There are many high roads, and Zhang Kegai; Cangteng hangs down and can be arranged in a row; With the muffled sound of bells and drums, you can beat the wind and watch Qingyun; If there is the sound of wind and rain shaking the vegetation, it can lead to mountains, and if there is a responsibility to keep Mu Zhi; The noise of birds singing in the mountains can help groups blend with each other and make me happy; If there are horses and chariots marching in the footsteps, you can indulge your servant in the dust while you comb your feathers and swim with your head down. With the canopy, scholars can stop, but they can read that they are doing things in the wild, driving and walking all the way, which is conducive to showing that you are clear-headed, energetic and lonely. I will silently lead it to change the humiliation of four o'clock in the mountains, the moon in the snow and the wind, rain or shine. Chyi Chin accepted my instructions. "

Then he said, "The monk goes to your company, and the monk goes out to guard it. The moon is white and the wind is clear. Listen to the classic and nod. Don't just drink water and peck, clean up your feathers, your clothes will be too clean, and you can ride a horse and swim. Without a fortune, it is difficult to go to Yangzhou. I don't live far away. I don't know where it is. If you return to your hometown, Longshan Phoenix Water. Listen to my congratulations. " I wish you all the best. The crane looks around with trepidation. Do you have any ambition to escape? The comforting thing is: "Before you came, you were very satisfied here." The crane then converted to Buddhism. Although converted to Buddhism, cranes are still cranes in Shan Weng. The monk put forward his name, and Yu Yue said, "It's a treasure, and several names are worthy of humiliation. The Buddha can make it." Hence the name Buddha slave. There is no place to send cranes, and there is no place to be happy. The crane is a monk, and its help is reasonable. There is no stone storage in the villagers' house. Before that, they used ten gold coins to help monks build a crane pavilion and gave tea to help pedestrians. Last autumn, during the drought, I still used 10000 yuan to help monks build this East Pavilion. Bamboo poles are being built now, and the house is full of shade. You can get rid of your troubles if you pass. Today, I heard the monk say that you are killing time here, dancing under the steps of the crane, and celebrating from the official rank, thinking that the official rank is a symbol of one product, pointing directly at the ears of Japanese affairs. If you don't look around, you will be tied up by your comrades and sent to the Ministry. The monk's name is in the Tao, and the crane is on the pawn. Instead of welcoming the mysterious car, he is humiliated by the prison system. The speaker of the matter is auspicious, and he is so sleepy. From then on, the lotus curtain invited guests and friends to compete for the birds that were not hired by the window, and the cold courtyard was dry. Yan is there, and the crane is there. Everyone in the village knows that your intentions are far from perfect, but people close to the waiters are trying to ask them to enjoy their ears. Or the plum blossom cave pavilion, for entertainment for the time being. Zhang Qiong gave a banquet with flowers, and all the guests were drunk. No? Hey? Zhai bird, how can you enjoy this elegance? Take the opportunity to recruit and enjoy lingering, so in a few days, the crane will still belong to the villagers. Or enjoy political leisure, cherish people when seeing things, and admire the wind of the ancients, so as to make it clean and shine in Anhui. The mountain people are the people under their rule, and they are also honored. If they have it with their bare hands, can the villagers bear the gift of a crane from Yuan Lang? I am ashamed of this crane, too. And from the appearance, it is said that the satrap took the name of the mountain crane. If you commit the crime of desecrating the dignity of grass, the villagers will become cranes, and cranes will become mountain people, without hesitation. So through the whole story of Chen Guhe, I shared this concern with monks and mountain people. I used it to describe Chen, which was very scary. The mountain people want to eat again.

At the end of the book, it says, "He Shou doesn't know his discipline, but he died a hundred years ago." The ear of the universe. The crane was given to officials, villagers, monks, buddhas and satrap. The satrap, monk, Buddha, villagers and officials were all sent to Crane's Ear. Are cranes for people? People give it to cranes? However, although the life span of human cranes is uneven, they will eventually return to the universe. What's good for me! I have been a servant for many years, and I own this crane. When I returned, I just thought my eyes and ears were playing for a while. I had never dealt with Crane Spirit. After writing this book, I used cranes, love cranes, train cranes and wish them good luck, which made me forget cranes. Despite this, there is nothing wrong with the crane, but some people are not at ease with the crane. Storing books and storing cranes can be described as cranes without cranes and cranes without cranes. Hey, hey, hey, don't wait for me. Why not go swimming in the desert with mountains and water? How about leaving?

artistic appreciation

brief introduction

Deng: (1743- 1805), formerly known as Yan, also known as stubborn Bo, No.,,ancient Huan Zi, wandering Taoist, Feng Shui fisherman, Longshan craftsman, etc. , from Huaining, Anhui. Some people classify him as Huizhou school, and more people regard him as "Deng school" because of his outstanding contribution in the history of seal cutting.

When Deng was a child, his family was poor and his social status was low all his life. He said to himself, "I tried reading at the end of my youth and tried everything." When I was thirteen or fourteen years old, my heart was whispering and I took pleasure in books. At the age of twenty, my grandfather brought it to Shouzhou, and now I can teach me to be old. People don't treat each other like literati. " Such a "coarse cloth" with little reading has grown into a great artist by unshakable faith, tenacious will and hard exercise. After seventeen, he began to carve his own food with books. After the age of 30, through the introduction of friends, I gradually got to know friends such as the three Mei brothers in Nanjing, and visited the rare epigraphy books collected by the Mei family. Every famous stele always has to be copied more than a hundred times, so I get up early and get greedy for the dark, laying a solid calligraphy foundation for seal cutting in the future. So at that time, people evaluated his four-body calligraphy as the first person in Qing Dynasty.

In Deng's time, Huizhou School and Zhejiang School occupied the altar of printing, but he was never satisfied with the achievements made by his predecessors. Based on his wealth and calligraphy, he achieved "the book is printed, and the book is printed from the book", which broke the traditional procedure of official seal cutting in Han and India, pioneered the use of small seals and inscriptions in seal cutting, broadened the scope of seal cutting and formed his own vigorous and graceful seal cutting. Deng's brilliance has always influenced Bao, Zhao, Hu Shu and others in the same period. Deng is an outstanding figure in the history of seal cutting development. Unfortunately, few of his original stones have been circulated in the world, such as Wanbaishan seal cutting, Wanbaishan seal, Deng seal and so on.

Introduction of works

The sentence "thousands of feet burst its banks when the river flows" is one of Deng's representative works and Su Shi's post-Red Cliff Fu. Artistic conception is the most taboo. In calligraphy theory, he once put forward the aesthetic idea that "understatement can make you walk fast and keep secret", which can be said to be a vivid embodiment of this idea. The words "flow" and "broken" increase its density and make it dense and sparse. The word "Jiang" echoes the words "Shore, Thousand Feet", and the brushwork is open, echoing the word "Duan" in a large area, in sharp contrast to the complexity of flow, presence and sound. His knife technique is different from that of Huizhou School and Zhejiang School, but it makes the knife technique like a pen and rotates smoothly, carving out his vigorous and graceful style.

The printing of My Intention is Impossible can be said to be unprecedented in fine white engraving. However, he abruptly developed the lettering method of Zhu Wen in the Song, Yuan and Yuan Dynasties to this fine white lettering method, and the printed Chinese characters Fiona Fang twists and turns were completely randomly matched according to the printing form. This white line can best reflect the brushwork interest of his calligraphy and the stone taste with a knife as a pen.

"Reading ancient prose and listening to different words every day" is the same as Shang Yin's style. Although the knife method is not as powerful as Shang Yin's, the composition is painstaking. The eight characters are divided into three lines, and the lines are sparse and dense, which is the characteristic of this seal.

The seven characters "home is in the mountains and rivers of Siling" are printed, just like its books. The composition of this seal is just the opposite of the last seal, dense in the middle and thin on the left and right. Tight places will not make people feel suffocated, and sparse places will be more than enough. Influenced by this, Huang, a master painter, also said "carefree, carefree" in On Painting.

The two seals "Ling Shi Shan Chang" and "Spring Bud" echo diagonally, and Bai Zhu sets each other off. The whole seal is full of ink, round and simple. One side of a seal often has a hue. In contrast, the white seal on the "Spring Yard" is due to the slight skill between the turns. Feng Zikai, a master of art, once said that seal cutting is "operating within a square inch, but the appreciation is almost unscathed, judging its density and distinguishing its beauty". Therefore, "calligraphy and painting are of the same origin, books are deeper than paintings, and stones are deeper than books." Therefore, "there is no exquisite artistic accomplishment, and there is no shortage of language." These penetrating insights are of great significance to our understanding of Deng's art.

Interpretation of calligraphy

Since the Wei and Jin Dynasties, the integration of seal script has gradually become silent, and calligraphers who are good at seal script have also become like morning stars. Until the Qing dynasty, with the rise of epigraphy and textual research, the spring of the revival and prosperity of seal script was ushered in. During the reign of Ganjia, the appearance of Deng completely broke the deadlock of seal script depression and opened up a new look. Deng changed the writing method of seal script in the past hundred years, and made full use of the specialty of brush to express the meaning of seal script, which made the writing styles of lifting and pressing the pen, starting and closing the pen more diverse, and broke the fixed pattern of Chen Xiangyin in the structure, which influenced and became popular.

Deng, whose real name is Yan, whose real name is Yi Bo, is from Huaining, Anhui. Cloth for a living, self-sufficient by engraving books. He studied calligraphy seal cutting all his life and made pioneering contributions to the achievements of seal cutting. Seal script is based on Shi Guwen, Taishan Stone Carving, Yishan Monument and Mukai Stone Que, and is integrated into the interest of Han Monument. Font Fiona Fang used pens for each other, with novel posture, profound brushwork, graceful posture, generous posture, flexible brushwork and strong bone strength, which swept away the combination of rigidity and softness at that time. Also, seal script changed from official script to official script, and from official script to official script, forming its own style. After the Qing Dynasty, all the seal writers were influenced by him. It can be said that for more than 200 years, the artistic style of seal script is rich and colorful, and everyone comes forth in large numbers. This brilliant scene really began with Deng.

Deng Zhuanshu was written after the first year of Jiaqing, and it is Deng's calligraphy handed down from ancient times. Its brushwork is sharp, its bones are as strong as cotton wrapped in iron, its brushwork is calm, and its brushwork is like silkworms spinning silk, especially with the official pen as the seal. When studying this post, you should observe it carefully and deeply understand its changeable brushwork characteristics. As far as collection is concerned, there are both reverse collection, introverted and implicit, and reverse entry and exit, which is easy and smooth. The strokes of his arc painting are either lifting and turning to see the circle or closing to see the square strength. These subtle changes in the use of pens must be in place and must not be excessive when studying. We must do what Sun said, "Those who observe are still refined, and those who seek are also expensive." In terms of suffix, Deng's seal script strives for a unified white method, which makes every seal character appear stable and serene, but it drags on in the blank, thus forming the unity of opposites of sparse, virtual and real. When dealing with uniform and dense white cloth, we should also pay full attention to the parallel, symmetrical, embracing and opposing relationship of lines. In addition, the serrated lines of Deng's seal script are also an important aspect that cannot be ignored. The zigzag arrangement of seal script lines is often the key to creating vividness. Wang Shuyun, a scholar in A Qing, said: "Seal script has three essentials: first, it should be round, second, it should be fine, and third, it should be uneven. Round is power, thin is thin, and uneven is neat. One of the three is lost, slave book ear! " We should keep this in mind when writing Xiao Zhuan.