(Note: Modern times refers to the period from the beginning of the Sino-British Opium War in 1840 to the May 4th Movement in19/9. 19 19 is modern, and 1949 is contemporary. Ranking is based on time. )
1, Anji Wu Changshuo, Zhejiang (1844~ 1927). Master of the generation of "poetry, calligraphy and painting". Works handed down from ancient times include Tianzhu Flower, Wisteria Map, Mo Hetu and Apricot Flower Map.
2. Qi Baishi (1864~ 1957) was born in Xiangtan, Hunan. He reached the peak of meticulous brushwork, reached the peak of freehand brushwork and became a master of meticulous brushwork. He has made outstanding contributions to the development of Chinese painting, and his representative works include Shrimp, Crab, Peony, Petunia, Frog Rang Shili Mountain Spring and so on. There are many kinds of Qi Baishi albums published.
3. Huang (1865~ 1955) is an outstanding modern painter. Originally from Shexian County, Anhui Province, I was born in Jinhua, Zhejiang Province. In the history of modern painting in China, there is a saying that "Northern Qi refers to Qi Baishi, a master of flower and bird painting who lives in Beijing, and" Southern Yellow "refers to Huang, a master of landscape painting in Zhejiang. They are juxtaposed by the art world, which shows that Huang's artistic skill and achievements are extraordinary.
4. Gao (1879~ 195 1) is a modern painter, an art educator and one of the founders of Lingnan School of Painting in China. Gao is good at both freehand brushwork and meticulous brushwork. In the landscape, people, feathers, flowers and even insects and animals are omnipotent.
He boldly combined various techniques of traditional painting, borrowed from Japanese painting and western painting, attached importance to perspective and three-dimensional sense, boldly set colors, and paid attention to sketching, thus creating his own new style.
5. Yu Feian (1889~ 1959) is a master of meticulous painting. Painting advocates learning from the past without mud, and pays more attention to learning from nature. It can reproduce the instantaneous dynamic characteristics of a grass and a leaf, unlike a still life.
Zhu Qizhan (1892~ 1996) is a modern painter in China. Be good at landscapes, flowers, orchids, bamboo and stones. Create and inherit the tradition, integrate Chinese and western cultures, and strive for innovation. His pen and ink are vigorous and magnificent, with distinctive national characteristics and personal style.
7. Liu Haisu (1896~ 1994) is an outstanding modern painter and art educator. I studied oil painting in my early years. As a traditional Chinese painting, lines have the strength of steel and iron. After that, he devoted himself to splashing ink, and his pen danced with ink, with extraordinary spirit. In his later years, he splashed color, which was colorful and vigorous.
Pan Tianshou (1897~ 197 1) was born in Ninghai, Zhejiang. He is good at freehand brushwork of flowers and birds, landscapes and occasionally works of figures. Pan Tianshou's finger painting is also unique and has made great achievements. He is the author of History of China's Painting and Listening to Tian Ge's Painting Essays. He is a generation of master artists and art educators.
Pan Tianshou is good at freehand brushwork of flowers and birds, landscapes and occasionally figures. You are good at drawing eagles, starlings, fruits and vegetables, and pine plums. Boldly put pen to paper, be careful of dyeing. The ink color is interlaced, the composition is fresh and elegant, magnificent, interesting, and the picture is smart and fascinating.
9. Li Kuchan (1899 ~ 1983), formerly known as Li Yingjie, was born in Gaotang County, Shandong Province, and was a painter in China. Good at painting flowers and birds, freehand brushwork, bold brushwork, hearty, and the style of painting is known for its simplicity, boldness and boldness.
10, Lin Fengmian (1900~ 199 1), a modern painter and art educator. Formerly known as Lin, he was born in Meixian County, Guangdong Province. His works include Sunny Spring, Riverside, Ladies, Scenery, Still Life and so on. He is the author of China's New Painting Theory and published Lin Fengmian's Painting Collection.
He is the spiritual leader of China art circle in the 20th century, a master of modern painting in China, an outstanding art educator and the founder of China Academy of Fine Arts. He is a well-deserved master in the history of modern painting in China.
Extended data:
Strictly speaking, when you just start to learn painting, you should learn sketch first, generally starting from plaster geometry, still life and painting. You should know the basic elements of sketch, such as shape, proportion, structure, light and shade, texture, sense of space and so on. These nouns seem not difficult, but the concrete operation is really not easy.
Here, let's first understand the physical structure and proportion of the head. The shape of the head can be generally summarized as ellipse, cube or wedge. Further analysis shows that the skull is spherical, the frontal bone is oblate, the frontal bone is inverted trapezoid from the bottom of the mandible to the bottom, and the nose of the upper and lower parts is vertical between them.
The proportion of the head is "three stops and five eyes are horizontal". This is a summary of the general rules of the head, but there are still some differences between individuals. Cheng Ink Painting Appreciation (20) The step-by-step learning process of figure plaster statues and figure heads, but many of our beginners do not have this condition. Some candidates "cram for Buddha's feet" temporarily and draw figure heads directly without contact with basic training.
Such students often can't draw well. Cultivating correct learning methods is based on in-depth understanding of the object. Facing a model, beginners may be able to complete a portrait in a short time, but the picture is simple and empty, while people who have been trained in sketch can show it in depth and richness.
Because the visual sensitivity is different, the perceived content will be different. The latter can grasp the essence of the object, express the object concisely, clearly and clearly, grasp the most basic characteristics of the object in a short time, and cultivate keen observation methods.
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