China's classical music, in Tao Di's voice, is a profound thought of purity and inaction, a Zen-rich cultural heritage, an idyllic landscape dream and a tortuous life.
Good music can always stand the cycle of single songs and the repeated elutriation of time and trends, because it has beautiful melody and rich emotional expression. Everyone sounds different, and it sounds different every time. This is probably the charm of classical music.
Tao Di is a musical instrument with a long history. It is easy to think of another China classical instrument. Both have the same effect in timbre and texture. They also continue the elegance and emotion of the Chinese nation for thousands of years and convey the blood and wisdom of our ancestors.
Tao Di's voice is deep and long, like a sigh, like telling, and a sad and sad breath inadvertently runs through the whole song.
The leisurely piano background music is an infinite reverie, just like falling into a deep and thoughtful dream, which makes people toss and turn and daydream endlessly.
Dream soul does not step on orthodontic class, but goes straight to five clouds. The outline is really happy, elegant and elegant, and the water is clear.
Maybe ancient life is really better than modern life. Ordinary people cultivate and weave mulberry, work at sunrise, and live at sunset. dignitaries ride horses, play flute, fiddle and dance sword. There is no modern busy rhythm, no modern environment.
Even music, without the clamor of popular love songs, is a kind of quiet indifference, caring for music, understanding each other and cherishing each other.