Jiangnan Spring is Ge Fei's masterpiece. As the final work of Jiangnan Trilogy, Spring in the South of the Yangtze River presents the reality of contemporary society and the situation of characters, and writes about people at present from a unique aesthetic perspective. In Ge Fei's contemporary society, poets become redundant people abandoned by the times, intellectuals become utilitarian in the prosperous times, utopian social ideals gradually decline, and the mental state of the whole society presents a barren scene; While depicting the desolate scene of the current spiritual world, Ge Fei presents the contemporary social reality in the text in a narrative way different from that of the early pioneers. The phenomena of environmental pollution, urban and rural demolition and information flooding in his works indicate that the material world of the present world is also going desolate. The spiritual world and the material world echo each other, and the isomorphism of * * * has become a barren picture of contemporary society in Ge Fei's works.