1. Poems describing landscapes
A river of water protects the fields and surrounds them with green, and two mountains with rows of gates bring greenery - Song Dynasty Wang Anshi's "Book on the Wall of Mr. Yin on the Lake" Mingyue Pine Occasionally, the clear spring stone flows upstream - Wang Wei's Tianmen interrupts the opening of the Chu River, and the clear water flows eastward here - Li Bai's "Wang Tianmen Mountain" The mountain reflects the setting sun and the sky connects the water, and the fragrant grass is ruthless, even outside the setting sun.
--Fan Zhongyan The half-autumn moon in Emei Mountain casts its shadow into the water of Pingqiang River. The clear stream flows towards the Three Gorges at night, and I miss you and go down to Yuzhou without seeing you.
-- "Moon Song of Mount Emei" Li Bai The water is so dull, but the mountains and islands are standing tall. --Cao Cao's "Viewing the Sea" A river of water protects the fields and surrounds them with green, and two mountains with rows of gates bring in the green ---Wang Anshi's "Book of Mr. Hu Yin's Wall" It's good to be clear when the water is shining, but the mountains are empty and rainy, which is also strange.
---Su Shi's "Drinking from the First Sunny and Later the Rain on the Lake" The water is like waves in the eyes, and the mountains are like the gathering of eyebrows and peaks"--Wang Guan's "Bu Shuanzi". 2. Poems about landscapes
1. Poems describing mountains: In Li Bai's "Sleepwalking Heavenly Mother's Song of Farewell", the Heavenly Mother extends to the sky, stretching out the five mountains and covering the red city.
The rooftop is 48,000 feet long, and it is about to fall to the southeast. . The stone wall of Xilin is seen by Su Shi as a ridge with different heights.
I don’t know the true face of Mount Lu, just because I am in this mountain. Taiyi is close to Tiandu. From the mountain to the corner of the sea, the white clouds look back, and the blue mist comes in. The peaks change, and the clouds and clearings are different.
I want to stay somewhere, across the water. Ask the Woodcutter. 2. Poems describing water: If you don’t see it, the water of the Yellow River comes up from the sky, and it will never return to the sea! In Bai Juyi’s “Remembering Jiangnan”, the sun rises and the river flowers are redder than the fire, and the river water is as red as the spring. Green as blue, how can we not remember the south of the Yangtze River? 3. Poems describing mountains and water: Wang Wei's "Green Stream" talks about entering the Huanghua River and chasing the green stream.
The journey will be endless with the mountains. There is no sound in the rocks, but the color is deep in the pine trees. The ripples are clear and clear, and the clear river is so calm. > Please trade on the stone. The fishing is about to end.
Wang Wei's "Looking at the Han River" The three branches of Chu and Xiang are connected, and the river flows beyond the sky and the earth.
p>Buqianpu, a county town, is full of waves in the sky. It's a sunny day in Xiangyang, and I'm left drunk with the mountain man.
Mountains: 1. There is no way out amid the mountains and rivers, but there is another village with dark flowers and bright trees. (Lu You's "Visiting Shanxi Village") 2. You can't be seen on the mountain winding road, leaving a place for horses to walk in the sky above the snow.
(Cen Shen's "Song of Bai Xue Sending Magistrate Wu Back to the Capital") 3. The water is so dull, the mountains are so empty. (Cao Cao's "Guan Cang Hai") 4. The green trees border the village, and the green mountains slant outside.
(Meng Haoran's "Passing the Old Friend") 5. It looks like a ridge on the side and a peak on the side. The heights are different. (Su Shi's "Ti Xilinbi") 6. When you reach the top, you can see all the mountains.
(Du Fu's "Wang Yue") 7. Climb Dongshan and you will be small. Climb Mount Tai and you will be small. The world. (Confucius) Water: 1. To the north of Gushan Temple and to the west of Jiating, the water surface is initially flat and the clouds are low.
(Bai Juyi's "Spring Journey to Qiantang Lake") 2. The water of the Yellow River comes up from the sky and flows to the sea. Never come back. (Li Bai's "Jinjinjiu") 3. Who knows that there will be no less time in life? The water in front of the door can still flow to the west.
(Su Shi) 4. Peach Blossom Pond. The water is thousands of feet deep, not as deep as Wang Lun's love for me. (Li Bai) 5. As for Xia Shui Xiangling, there is no way to go back.
(Li Daoyuan's "Three Gorges") 6. The water is all blue, and you can see the bottom a thousand feet away. The fish is fine and the stone is unobstructed when you look directly at it.
(Wu Jun's "Book of Thoughts with Zhu Yuan") 1. The remaining clouds dispersed into clouds, and the Chengjiang River was as quiet as practice - (Southern Dynasties) Qi. The wilderness is vast, and the grass is blown by the wind, and the cattle and sheep are low - (Northern Qi) The folk song of the Northern Dynasty "Chile Song" 3. When the rooster sings, the world becomes white - Tang Dynasty. Li He's "Wine Tour" 4. The wild sky is low and the trees are low, and the river The clear moon is approaching - Tang Dynasty Meng Haoran's "Su Jian Dejiang" 5. Steaming clouds and dreamy lakes, shaking Yueyang City - Tang Dynasty Meng Haoran's "Looking at Dongting Lake and presenting it to Prime Minister Zhang" 6. The wild sand bank is pure, the sky is high and the autumn moon is high Ming Dynasty - (Southern Song Dynasty) Xie Lingyun's "First Arrival at the County" 7. The water of the Yellow River comes up from the sky and rushes to the sea never to return - Tang Dynasty. Li Bai's "Jinjinjiu" 8. One man can guard the gate, but ten thousand people cannot open it - Tang Dynasty .Li Bai's "The Road to Shu is Difficult" 9. The green mountains on both sides of the strait face each other, and a solitary sail is approaching the sun - Li Bai of the Tang Dynasty "Looking at Tianmen Mountain" 10. The stream flows down three thousand feet, suspected to be the Milky Way falling from the sky - Li Bai of the Tang Dynasty "Wang Lushan Waterfall" 11. The shadow of the solitary sail is gone in the blue sky, but only the Yangtze River can be seen flowing in the sky - Tang Dynasty Li Bai's "Send Meng Haoran's Visit to Guangling from the Yellow Crane Tower" 12. The sight of green mountains is endless, but the flowing water is so interesting - Tang Dynasty Qian Qi's "Accompanying" "A Banquet at the Pavilion in the East Pond of the City Outside the City of the King of Examiners" 13. The river is a green belt, and the mountains are like jade hairpins - Tang Dynasty. Han Yu's "Sending the same word "nan" to Dr. Yan of Guizhou" 14. The summit is so high that you can see all the small mountains - Tang Dynasty .Du Fu's "Wang Yue" 15. The river flows beyond the sky and the earth, and the mountains are beautiful - Tang Dynasty. Wang Wei's "Hanjiang Linfan" 16. Viewed horizontally, there are ridges and peaks, with different heights near and far. ——Su Shi of the Song Dynasty, "Inscription on the Wall of the Western Forest" 17 The clear water is beautiful when the water is shining, and the mountains are empty and rainy, which is also strange - Su Shi, the Song Dynasty, "Drinking on the Lake at the First Sunny and the Rain" 18. There is no way out amid the mountains and rivers, and the willows are dark and the flowers are bright again. One Village - Lu You, Song Dynasty, "Visiting Shanxi Village" 19. One water protects the fields and surrounds them with green, and two mountains with rows of gates bring greenery - Wang Anshi, Song Dynasty, "Book of Mr. Hu Yin's Wall" 20. Green mountains cannot cover the east, after all. "Bodhisattva Man Flows Away" by Xin Qiji, Song Dynasty.
Victory Order". 3. Poems related to landscapes (complete)
When Wang Wei lived in seclusion in Wangchuan, he created a number of exquisite landscape poems.
He compiled the "Wangchuan Collection" by himself, which contains twenty five-character quatrains each of which he and his friend Pei Di sang in harmony with each other. The content mainly describes the scenery near Wangchuan Villa and expresses the life of seclusion. Interesting. Let’s take a look at “Xinyiwu” among them: hibiscus flowers at the end of the wood, red calyx in the mountains.
There is no one in the stream, opening and closing one after another. In the silent mountain stream, the Xinyi flowers bloom and fall by themselves, growing and dying by themselves. They are not fake, have nothing to do with the world, and no one knows about them.
This is a world far away from the hustle and bustle of the world, and it is also the unique artistic conception of the poet Wang Wei that integrates subjectivity and objectivity. It is simply a symbolic realm of the Buddhist concept of emptiness and annihilation. Therefore, Hu Yinglin, a literary critic in the Ming Dynasty, said that this poem is a work that "enters Zen". "When I read it, I forget my life experience and all my thoughts are silent."
(Volume 6 of "Shisou") Wang Wei The artistic conception created here is born outside the image. It is a combination of poetry and Zen. It has great suggestiveness and strong artistic appeal. This kind of artistic achievement can only be attributed to his study of Buddhism and the influence of Buddhist thinking.
Wang Wei was called the "Poetry Buddha" by later generations. He believed in Buddhism at an early age.
My mother, Ms. Cui, has been practicing Zen for more than thirty years. Wang Wei and his younger brother Wang Jin "both worshiped the Buddha and lived on a vegetarian diet, which is not as good as meat and blood" ("Old Book of Tang·Biography of Wang Wei").
When Wang Wei was 31 years old, his wife died and he no longer married. He lived alone in a room, isolated from the world, and "had no descendants" ("Referring to Brother Biao"). He also wrote many poems and essays about Buddhism and had high attainments in Buddhism.
Among the Buddhist schools of the Tang Dynasty, Wang Wei believed in Zen, and mainly believed in Southern Zen. Nanzong Zen is the product of the combination of Buddhist thought and China's native Confucianism and Taoism. Its philosophy of life of letting one's fate prevail provides the latest and most complete way of life for Chinese scholar-bureaucrats and intellectuals.
Some of the practice methods of Southern Zen are similar to poetry creation with Chinese characteristics. Yan Yu, a literary critic in the Song Dynasty, said: "In general, the path of Zen only lies in wonderful enlightenment, and the path of poetry also lies in wonderful enlightenment" ("Canglang Poetry Talk").
Wonderful enlightenment is the insight into Zen and can also be expressed as the sensitivity to art.
Both poetry and Zen require keen inner experience, both emphasize revelation and metaphor, and both pursue implication.
Nanzong Zen talks about "sudden enlightenment" and often uses visual expressions to teach the Dharma, with particular emphasis on the role of intuition, suggestion, induction, and association in understanding. Wang Wei has gained experience in Zen practice, so he naturally has a deep understanding of this method of grasping the world.
He integrated his understanding of Buddhism into his outlook on life, turned religious emotions into poetic thoughts, and created a poetic artistic conception of "emptiness", "silence" and "idleness". Zen Buddhism advocates the style of scenic mountains and forests, and it also guided and inspired Wang Wei to consciously get close to mountains and rivers and explore their aesthetic value.
Wang Wei described his inner experience in the poem "Zhuli Pavilion": Sitting alone in the secluded bamboo, playing the piano and whistling loudly. People deep in the forest don't know that the bright moon comes to shine.
The poet sat alone in the deep bamboo forest, playing the piano and screaming. No one knew his existence, only the bright moon came to accompany him. Nature understands his inner loneliness best, and the clear brilliance of the bright moon brings him a kind of quiet happiness.
Things and I are one and things and I are forgotten, Zen and poetry are in harmony. The same is true in "Deer Chai": No one can be seen in the empty mountain, but people's voices can be heard.
Returning to the deep forest, the light shines on the moss again. There is no one in the empty mountain, only intermittent human voices can be heard floating in the deep forest, and a ray of sunset shines on the moss deep in the dense forest, making it so trance-like and desolate.
This is exactly the kind of empty and lonely realm far away from the hustle and bustle that Wang Wei pursues. Although it is lonely, it is also enriching. Wang Yuyang of the Qing Dynasty said that "every word of Wang Wei's small poems is Zen" and "the wonderful truth is spoken in a subtle way, which is no different from the World Honored One holding a flower or Kasyapa smiling" ("Silkworm Continuation").
In other words, Wang Wei's landscape poems have Zen interest, Zen joy, and Zen flavor. They are full of words and endless meaning, conveying the meaning of Zen. Naturally, it fully expresses the poet's unique taste for the beautiful scenery of mountains and rivers.
Wang Wei does not necessarily only go to deserted places to seek Zen. He also looks at the vast world and the lively farm life: the clear fields and open fields, as far as the eye can see are unsullied. . Guomen faces the ferry, and the village trees connect to the mouth of the stream.
Beyond the white water fields, behind the green peaks coming out of the mountains. There is no idle person in the farming month, and the whole family is busy in the south.
——"New Sunny Ambition" A spring rain washes away the dirt and makes the scene completely new. Farming is busy, and people and scenery are bathed in the fresh air.
The two sentences "White Water" combine the close-up and distant views into a hierarchical picture. The water is bright, the peaks are green, and the contrast between light and color is very harmonious. On the surface, we cannot see the Zen meaning of this poem.
In fact, the spring rain is more like the holy water pouring from the Buddhist purification bottle, washing everything until it is clear and ethereal. It's just that Wanwu combines the Zen realm and the poetic realm so wonderfully that he doesn't let Zen principles overwhelm the poetic taste.
Of course, what we pay attention to is the kind of praise of farm life, and what we appreciate is the aura of the beauty of the landscape, without necessarily seeking its Zen philosophy. Wang Wei was a versatile cultural giant who was good at poetry, music, painting, and calligraphy.
Su Dongpo, a great writer in the Song Dynasty, said: "When you taste the poems of Mojie (Wang Wei), there are paintings in the poems; when you look at the paintings of Mojie, there are poems in the paintings." ("Shu Mojie Pictures of Misty Rain in Lantian") His words are insightful and to the point.
Wang Wei was an accomplished landscape painter in the Tang Dynasty. He used Xiaoshu and light ink brushwork to paint, created ink landscape painting, and became his own brand. He is called the founder of the Southern School of landscape painting by later generations.
His paintings emphasize freehand brushwork, pursue spiritual resemblance, and express subjective emotions. Therefore, "there are many paintings regardless of the four seasons. For example, when painting flowers, peach, apricot, hibiscus, and lotus flowers are often used to paint the same scene." Seek it." (Zhang Yanyuan quoted in Shen Kuo's "Meng Xi Bi Dan") Therefore, Wang Wei is also known as the ancestor of Chinese literati's freehand painting.
If paintings can achieve spiritual resemblance, they will also have the charm and interest of poetry, that is, there is poetry in the paintings. If you use this kind of painting idea to gaze at the natural landscape, chant it, and create a scene into a poem, you will inevitably have the charm of painting in the poem.
Wang Wei’s profound artistic qualities in painting, music, and calligraphy enabled him to feel and capture the wonderful scenery and beauty of nature more accurately and meticulously than ordinary poets when creating poetry. The magical sounds and ever-changing nature are brought to life through writing. He is also better at using words and colors, and pays attention to the harmony of the tone of poetry.
There is the artistic conception of painting in the poem, the flow of music in the poem, and the changes in calligraphy in the poem. In this way, his unique poetic artistic style of "paintings in poems" and "hundreds of warblers and palace merchants playing in succession" was formed.
When appreciating his landscape poems, we should firmly grasp this feature. Wang Wei is good at describing the majesty and splendor in general. 4. Ancient poems about landscapes and a brief introduction to the author's dynasty
, "Ascending" by Du Fu of the Tang Dynasty. The wind is strong and the sky is high. The ape screams in mourning. The white birds fly back from the clear sand of Zhugistan. The boundless falling trees rustle, and the endless Yangtze River rolls. Come. I am a frequent guest in the sad autumn of thousands of miles, and I am alone on the stage after being sick for a hundred years. Hard and bitter, I hate the frost on my temples, and I am tired of the new wine glass. Introduction: This poem was written in the autumn of the second year of Dali of the Tang Dynasty (767). The poet was in Kuizhou, during the Double Ninth Festival. Climbing high and looking out, the bleak autumn scenery arouses the emotion of a wandering life. The first four sentences describe the scenery, and the last four sentences are lyrical, but in fact the scenes are integrated into one. The first sentence is like the violent surge in the sky and the mourning ape in the deep valley, which is thrilling and makes the poem feel breathtaking. The whole poem is shrouded in a desolate atmosphere. However, the second sentence comes out gently, making people feel a kind of quiet desolation, empty melancholy, and lonely sadness. This vast and cold world forces out the three or four sentences. Complexity and mixed feelings. The "boundless" richness and complexity, the "endless" long and deep, the "falling trees rustling" the decay and ruthlessness, the "rolling Yangtze River" the endless turbulence, this "down" and "come", wrote The eternity of time in the universe and the infinity of space also describe the eternal wonder, shock and understanding of human beings in the face of the laws of nature. The sound of endless falling trees makes humans deeply feel their insignificance and helplessness in the face of nature, but it does not stop the rolling Yangtze River. It often arouses the passion of people's life and demonstrates to mankind a never-ending enterprising spirit. Because of this, this poem full of desolation makes people taste a sense of solemnity and see a kind of ambition. In this way, the following four sentences all have the same aesthetic spirit: A frequent guest in the sad autumn of thousands of miles is a sad enterprising; A single person who has been sick for a hundred years on the stage is the unyielding resistance of the unfortunate to fate; Hardship and hardship , poor and depressed, Yuru Yucheng. The ups and downs, misfortune, desolation and sadness on the poet's life journey are overlapping and cannot be added, but his indomitable progress is also lamentable. Although the depressed life is heavy and sentimental, it is also rich, It is deep and powerful. All four couplets of this poem are in pairs, and the two sentences in the first couplet are self-paired within each sentence. This writing method has always attracted the attention of critics. "Shisou" says: "Du's "The wind is rushing and the sky is high" The fifty-six words in the chapter are like corals on the seabed. They are thin, indescribable, and unfathomable, but they are brilliant and powerful. The whole chapter's composition, syntax, and calligraphy are unprecedented and will never be learned after. There is a slight explanation. It is a Du poem, not a Tang poem. However, this poem should be regarded as the first in seven-character rhyme in ancient and modern times, and does not necessarily need to be the first in Tang Dynasty." "Du Shi Jingquan": "It has a high and clear spirit, unique in ancient and modern times, and it should be regarded as Du's. The first collection of seven-character rhymed poems." 5. What are the poems about describing mountains, rivers and fish in lakes?
Mountains: 1. Mountains and rivers are full of doubts and there is no way out, and there is another village with hidden willows and bright flowers. (Lu You's "Visiting Shanxi Village") 2. The mountain turns and the road turns. I don't see you, but there is a place for horses to walk in the sky above the snow. (Cen Shen's "Song of White Snow Sends Magistrate Wu Back to the Capital") 3. Viewed horizontally, there are ridges and peaks on the side, with different heights near and far. (Su Shi's "Inscription on the Wall of the Western Forest") Water: 1. Solitary To the north of the mountain temple and to the west of Jia Pavilion, the water surface is initially flat and the clouds are low. (Bai Juyi's "Spring Journey to Qiantang Lake") 2. The water of the Yellow River comes up from the sky and rushes to the sea never to return. (Li Bai's "Jinjinjiu") 3. Who knows life? Nothing less? The water in front of the door can still flow to the west, so don't sing the yellow chicken with white hair. (Su Shi) 4. The water in Peach Blossom Pond is a thousand feet deep, not as deep as Wang Lun's sending me love. (Li Bai) Fish: 1. Egrets fly in front of Xisai Mountain, and mandarin fish in the peach blossom water. ——Zhang Zhihe, Song Dynasty, "Fishing Song" 2. It is said that the flavor of Tianjia is delicious, and the rice flowers are lagging behind. Carp fat. ——Zhu Fengxiang, "Xiangyin in the Village", Qing Dynasty 3. There are hundreds of fish in the pond, but they are all empty. Wandering has nowhere to go.——Liu Zongyuan's "Little Stone Tan Ji". 6. Poems related to landscapes (complete)
1. Spring
Author Zhu Xi, Dynasty and Song dynasty
The sun is fragrant along the Si River, and the boundless scenery is new for a while.
It is easy to recognize the east wind, and it is always spring with its colorful colors.
Vernacular translation:
It’s a beautiful spring outing on the shores of Surabaya, and the boundless scenery takes on a new look.
Everyone can see the face of spring. The spring breeze blows flowers into bloom and becomes a riot of purple and red. Spring scenery is everywhere.
2. Spring trip to Qiantang Lake
Author Bai Juyi, Tang Dynasty
North of Gushan Temple and west of Jia Pavilion, the water surface is initially flat and the clouds are low.
In several places, early orioles compete for warmth in the trees, while new swallows peck at the spring mud.
The wild flowers are gradually charming the eyes, and only Asakusa has no horse hooves.
My favorite part of the lake is the east side, where the green poplars shade the white sand embankment.
Vernacular translation:
Walking around the north of Gushan Temple and west of Jiagong Pavilion, the lake water has just risen and is level with the shore, and the white clouds are hanging very low.
A few early yellow warblers are vying to roost in the sunny warm trees, and the newly arrived swallows are busy building nests and carrying mud.
The wildflowers are dazzling when they bloom, and the spring grass has not grown tall enough to just cover the horses' hooves.
My favorite scenery in the east of the lake is unforgettable, with rows of willows passing through a white sand embankment.
3. Jiang Xue
Author Liu Zongyuan, Tang Dynasty
Birds in thousands of mountains have disappeared, and all traces of people have disappeared.
A man in a boat with a coir raincoat fishing alone in the snow in the cold river.
Vernacular translation:
There are no traces of birds in the thousands of mountains and ridges; there are no traces of pedestrians on the thousands of roads.
On a lonely boat, a fisherman wearing a raincoat and a bamboo hat was fishing alone in the wind and snow.
4. Visiting Shanxi Village
Author Lu You, Song Dynasty
Mo Xiao’s farmhouse is full of wax and wine, and in good years the guests are full of chickens and dolphins.
There is no way out in the mountains and rivers, and there is another village with dark flowers and bright flowers.
The flutes and drums follow the spring society, and the clothes and clothes are simple and ancient.
From now on, if you can take advantage of the moonlight leisurely, you can knock on the door all the time and night with your stick.
Vernacular translation:
Don’t laugh at the turbid wine brewed by farmers in the twelfth lunar month. In the year of harvest, the dishes for entertaining guests are very rich.
The mountains are overlapping and the water is twisting. I am worried that there is no way to go. Suddenly, another mountain village appears in front of me.
The day of playing the flute and playing the drum in the Spring Society is approaching, but the villagers still retain the ancient custom of simple clothes.
If I can still take advantage of the beautiful moonlight to go out for a leisurely trip in the future, I will knock on your door at any time with a cane.
5. Wanglu Mountain Waterfall
Author Li Bai, Tang Dynasty
The incense burner in Rizhao produces purple smoke, and you can see the waterfall hanging in front of the river in the distance.
The flying stream falls three thousand feet, and it is suspected that the Milky Way has fallen into the sky.
Vernacular translation:
Purple haze rises from Xianglu Peak under the sunlight. From a distance, you can see the waterfall hanging like white silk in front of the mountain.
The plummeting waterfall on the high cliff seems to be thousands of feet long, making people feel as if the Milky Way is falling from the sky to the earth. 7. Poems about mountains and rivers
Poems about mountains
1. Thousands of mountains have lost their birds, and thousands of people have disappeared. (Liu Zongyuan: "Snow on the River")
2. As the sun sets over the mountains, the Yellow River flows into the sea. (Wang Zhihuan: "Climbing the Stork Tower")
3. Standing at the top of the mountain, you can have a panoramic view of the mountains. (Du Fu: "Looking at the Mountains")
4. The country is broken by mountains and rivers, and the city is full of spring vegetation. (Du Fu: "Spring Hope")
5. No one can be seen in the empty mountain, but the sound of people's voices can be heard. (Wang Wei: "Lu Chai")
6. The bright moon rises above the Tianshan Mountains, among the vast sea of ??clouds. (Li Bai: "Moon over Guanshan")
7. I never get tired of seeing each other, only Jingting Mountain. (Li Bai: "Sitting Alone on Jingting Mountain")
8. Beans are planted at the foot of the southern mountain. The grass is thick and the bean seedlings are sparse. (Tao Yuanming: "Returning to the Garden and Living in the Fields")
9. The green mountains cannot cover it, and it will flow eastward after all. (Xin Qiji: "Bodhisattva Man? Book on the Ostomy Wall of Jiangxi"))
10. I don't know the true face of Mount Lu, just because I am in this mountain. (Su Shi: "Inscription on the Wall of the Western Forest")
Water in the poem
1. The so-called beauty is on the side of the water. ("The Book of Songs? Jianjia")
2. How can the water be sluggish, but the mountains and islands are standing tall? (Cao Cao: <Viewing the Sea")
3. White hair floats on the green water, and anthurium stirs the clear waves. (King Luo Bin: "Ode to the Goose")
4. Tianmen interrupts the opening of the Chu River, and the clear water flows eastwards to this point. (Li Bai: "Looking at Tianmen Mountain"))
5. There is no way out in the mountains and rivers, but there is another village with dark willows and bright flowers. (Lu You: "Visiting Shanxi Village")
6. The water in Peach Blossom Pond is a thousand feet deep, and it is not as deep as Wang Lun's gift to me.
(Li Bai: "Gift to Wang Lun")
7. The willows are green and the Qingjiang River is level, and I can hear the singing on the Langjiang River. (Liu Yuxi: "Bamboo Branch Ci")
8. When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue. (Bai Juyi: "Remembering the South of the Yangtze River")
9. The spring is silent and cherishes the trickle, and the shade of the tree shines on the water, loving the clear and soft water. (Yang Wanli: "Little Pond")
10. A few peach blossoms outside the bamboo are a prophet of the warmth of the spring river. (Su Shi: "Inscribed on Huichong {Evening Scene on the Spring River)")