Ink painting refers to paintings made purely with ink. It is regarded as traditional Chinese painting and also known as traditional Chinese painting. Chinese painting has produced many ink paintings by famous artists from ancient times to the present.
For example: "Dwelling in the Fuchun Mountains", "Running Horses", "Ink Shrimp", "White at Night", "Traveling in Streams and Mountains" and so on.
Dwelling in the Fuchun Mountains is an ink painting on paper created by the Yuan Dynasty painter Huang Gongwang in 1350. It is one of China's top ten famous paintings handed down from generation to generation. Huang Gongwang was painted by his younger brother Zheng Chuan. It changed hands several times and he died in two parts due to "burning the painting and burying it in a burying body". The first half of the volume: The Picture of the Remaining Mountain, now collected in the Zhejiang Provincial Museum; the second half of the volume: The Volume of Wuyongshi.
"Galloping Horse" is a color painting on paper created by Xu Beihong in 1941 and is now in the collection of Xu Beihong Memorial Hall. "Galloping Horse" depicts a galloping horse approaching from far away. The brushstrokes are strong, the colors are light, and the lines are strong, giving the impression of being lively and unrestrained.
1. Wu Guanzhong devoted himself to the creation of landscape oil paintings.
In his early days, Wu Guanzhong began to devote himself to the creation of landscape oil paintings from the 1950s to the 1970s. Unlike other painters, Wu Guanzhong began to explore the nationalization of oil painting.
This special form is not only expressed in thoughts, but also integrated into oil paintings. When Wu Guanzhong painted, he used European oil paintings to describe the intuitive and vivid nature, combined with rich and delicate colors and the spirit of traditional Chinese art, and integrated all these aesthetic ideals together, which is the style of everyone.
2. Wu Guanzhong advocated that "pen and ink equal zero".
The fact that pen and ink equals zero does not mean that you should not paint, but that painting should be combined with reality and proceed from the overall situation. The pen and ink separated from the specific picture are particularly isolated, so the value of the isolated pen and ink will be equal to zero. The picture should pay attention to multiple modeling methods and atmosphere, and the words and ink alone have no meaning.
In addition, pen and ink are the expression of the author's thoughts. Before preparing to make a painting, you must be confident and grasp the details, so that the painting can be lifelike.