Architectural custom in ancient buildings in Dashuijing Ancient Buildings.

Dashuijing Ancient Buildings's geomantic theory of ancient buildings was criticized as a superstitious activity in feudal society after liberation. Academics, especially architecture, pay more and more attention to the theory of geomantic omen. Experts believe that geomantic omen is a kind of knowledge for ancient people to choose and deal with their living environment. Geomantic omen is ubiquitous in the site selection, planning, design and construction of ancient buildings. If you don't know Feng Shui, you can't really understand ancient buildings, and you can't hold "understanding sympathy" for the ancients and ancient buildings. For example, Su Bai's masterpiece "The Tomb of the Song Dynasty in Baisha" made full use of the theory of geomantic omen, perfectly explained the shape and orientation of the tomb, and made great achievements.

The leaders of Lichuan visited the ancient buildings in Dashuijing Ancient Buildings, a national cultural relic protection unit, for many times. At first, I was disgusted with the statement that Feng Shui was often called. From June 265438 to June 23, 2003, Shen Haining, deputy director of the Provincial Department of Culture and director of the Provincial Cultural Relics Bureau, and his party visited Lichuan dwellings. When visiting the Fan House adjacent to the ancient buildings in Dashuijing Ancient Buildings, experts were surprised to find that the Fan House was "concave" and there was a recess around an earthen grave. Asked the local elders, it is said that the Pu family buried the grave. Later, Fan took a fancy to this treasure trove of geomantic omen and asked Pu's family to move away for burial, but Pu refused. Fan has no choice but to repair the house like this. The dispute between the house and the tomb, and the struggle between the living and the dead for Feng Shui vividly show that the local concept of Feng Shui is deeply rooted in the hearts of the people.