In cross talk, Meng affectionately said:
"Please divide my ashes into three parts, one for my lover, one for my children and one buried under the tree. Let me see the world quietly under the tree. I can dance when the wind blows. Please let me stay in the hot sun for a while.
Please help me cut a branch and make a crutch for my wife so that she can walk by herself. Please bury me under this tree and let me look at the world quietly and do nothing, because I will be very tired. I want to rest for a long time, maybe forever. It is blue. Find a windy place and forget me. "
Finally, Meng said, "I hope I can use a bigger fire when I light it, so that I can get another fire after I die." Farewell. "
This last sentence is both touching and funny, and it really didn't disappoint the audience. Meng He's high-level cross talk can't help but make people memorable.
A sad cross talk: it's not so bad, and Meng is not so good.
The reason why A Sad Crosstalk was well received was the joint efforts of Meng He. Please don't say that you can't even shake a hand and stand by and delay Meng's words. In a word, Meng is not as good as fans boast, and not as miserable as they say.
Meng is not so good because the outline of the work really comes from; It is said that Yun-peng Yue is not so bad, because there is no luggage left when the work is created, and there is no gap left for Yun-peng Yue when the performance is performed. However, Yun-peng Yue temporarily stuffed some luggage according to the scene effect. For example, Yun-peng Yue rummaged through several places and said that "this was also written in the suicide note", which was a burden forcibly turned out.
On the whole, Crosstalk of Sadness is a rare masterpiece of mutual achievement with Meng. I hope they can create better works.