1, draw a roof first, all straight lines, but notice that the straight line at the top is oblique, because it is near high and far low.
2. Draw another building in the same way, slightly shorter, and pay attention to the diagonal line at the top. Also note that this Lou Yao blocks the newly painted building.
3. Draw the third building behind the two buildings in the same way, and pay attention to the occlusion relationship.
4. When drawing the fourth building, we should pay attention to making it the highest and have a blocking relationship. It looks like the picture is complete and three-dimensional.
5. Start drawing windows, describe them in detail as much as possible, be patient and arrange them neatly.
6. When you draw the windows of other buildings, you must pay attention to the fact that the windows of each building should not be the same as far as possible, which will appear to be different, otherwise it will be too rigid.
7. The lower part of the building can be painted with wood. Note that the forest is slightly simplified, because high-rise buildings stand out. Just draw the leaves in an arc.
8. Add the sun and white clouds or other beautiful objects appropriately, but don't care too much.
The urban landscape must be painted with high-rise buildings and rows of high-rise buildings, which are magnificent. Stick figure can grasp its characteristics and simplify the complex. High-rise buildings, tall and spacious buildings and houses; Generally refers to high-rise buildings.
Establish a good sense of overall situation
The establishment of overall consciousness is a very important factor in the field of painting, which has a great influence on the future development of students' painting. No matter what kind of painting you are engaged in, you must involve this problem. The whole is relative to the part, the part is a part of the whole, the part exists in the whole, and the whole is reflected by the part.
For beginners, on the one hand, it is to strengthen the understanding of the overall consciousness, on the other hand, it is to pay attention to the overall relationship in observation and performance and overcome the bad habit of focusing on one point. For example, when drawing an avatar, you must observe the object as a whole. For example, when drawing eyes, we should consider the relationship with ears or nose, instead of drawing eyes in isolation and falling in a local area. You must compare them with each other and connect them organically.