The height of Wenfeng White Pagoda at the northern end of heming is 2 1.7.
Rice, six floors and eight sides. The tower column outside the first floor is engraved with dragon patterns, and the stone in the center of the tower is engraved with bluestone, which is the only brick-stone mixed tower related to Taoism in northern Sichuan. There are 10 stone carvings in the Tang, Song, Yuan, Ming and Qing Dynasties on the top of the mountain, among which the famous stone carvings include Taoist statues, inscriptions on Chongyang Pavilion in Jianzhou and ode to Zhongxing in Datang, which are recognized as the "three wonders" of Hemingshan stone carvings. It is the best ancient culture left by the Tang people.
Must-see: Li Shangyin wrote an inscription for the Chongyang Pavilion in Jianzhou. Chongyang Pavilion was built in September of the eighth year of Tang Dynasty (AD 854) and supervised by Jiangyu, the secretariat of Jianzhou. Because Jiang Yu intends to make the achievements at that time beautiful by virtue of Li Shangyin's fame and leave a name for future generations, he invited Li Shangyin, an official from Zizhou, to write an inscription for Chongyang Pavilion. For more than 1000 years, historical sites have been protected by pavilions, and pavilions have been known to historical sites. Although the pavilion was destroyed, the Tang monument has been preserved to this day. According to the rebuilt inscription of Chongyang Pavilion, it was built on Dongshan Mountain in September, facing south. It is a nine-section scenic spot, hence the name "Chongyang". From the Northern Song Dynasty to the Pingnian period, the pavilion collapsed. After Song, Ming, Qing and the early years of the Republic of China, it was repaired or collapsed, and sometimes it rose and sometimes it fell. The existing Chongyang Pavilion is a Tang-style building, covering an area of 18.5 square meters, with a height of 4.4 meters and a gray ridge roof. In the Song Dynasty, the middle wall behind the pavilion was engraved with the word "Ancient Chongyang Pavilion", with delicate and profound handwriting and vigorous strength. Li Shangyin's Tang stele "The Pavilion inscription on the Chongyang in Jianzhou", with a height of1.88m and a width of 0.85m, is a precious cultural relic for studying the culture of the Tang Dynasty.